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  I hate to be the one to tell you...

  Zoë Walkington

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  It's a shame, isn't it, to have to rat on your neighbours? Upsetting to find out that both your husband and the dog have been telling you lies? And I hate to be the one to tell you this, but there are bad people everywhere, at large, going about their business. Financial insolvents on online-dating sites, contortionist plumbers with a point to prove, and a bloke named Barry, from Halifax, who is singlehandedly ruining the livelihoods of perfectly legitimate psychics.
  It's not all bad news though, there are sham marriages to look forward to, ducklings to be held captive by, and that dog, well, you can always put him up for sale. Life, I'm afraid, is based on nothing more than slippery moorings, and this debut pamphlet breaks the bad news with humour and a twist of darkness.
  The poems in this collection erupt with beauty and emotional resonance. These are graceful meditations on human relationships with each other and with themselves. The voice of the poet is strikingly unique, but there are also moments when it seems to be coming from within us, from the place of personal wonder: 'Outside a wood-pigeon coos monotonously / its slung together nest is hidden from view, / just like your knickers are, mostly, / and your feelings about your mother.' – Romalyn Ante, co-judge of the International Book & Pamphlet Competition

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  The Climbers (NHB Modern Plays)

  Carmen Nasr

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  When Yasmin and her guide, Tshering, return from a perilous expedition to Everest without a member of their party, they have a lot of questions to answer. Where is Yasmin's husband Charlie? What happened on the mountain? Why do Yasmin and Tshering's accounts differ so drastically?
  As private investigator Connie tries to distinguish hallucination from reality, and fact from delusion, it's clear that someone, somewhere, is not telling the truth.
  Set at an altitude where life hangs by a thread, Carmen Nasr's play The Climbers is a thrilling exploration of the lure of the mountains, the drive to conquer and the price of staying alive. It was first performed in June 2022 at Theatre by the Lake, Keswick, directed by Guy Jones.

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  I Daniel Blake

  Dave Johns

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  'I, Daniel Blake, am a citizen, nothing more, nothing less.'
  Dan is a carpenter. A Geordie through and through. He had a heart attack recently, but he's on the mend now.
  Katie has just arrived from London. She's finally got a council flat, somewhere for her and her daughter, Daisy. A fresh start.
  In adversity, people come together. But when the system is stacked against you, how does anyone get by? With 14.5 million people (Joseph Rowntree Foundation 2022 Poverty Report) living in poverty in the UK, this is not fiction. It is reality.
  I, Daniel Blake was originally a film – directed by Ken Loach, written by Paul Laverty and produced by Rebecca O'Brien for Sixteen Films – which won the 2016 Palme d'Or at the Cannes Film Festival. This touching and vital stage adaptation by Dave Johns, who played Dan in the film, toured the UK in 2023, co-produced by tiny dragon Productions, Northern Stage, Birmingham Rep and ETT, in association with Cardboard Citizens.
  'A gut-wrenching tragicomic drama… Paul Laverty's brilliantly insightful script finds much that is moving (and often surprisingly funny) in the unbreakable social bonds of so-called "broken Britain".'Guardian on Ken Loach's film

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  Lost Bodies: Poems between...

  Heng Siok Tian, Phan Ming Yen,...

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  Four writers. 
   
  Three travelling in Portugal. 
   
  One staying behind to care for his ailing mother. 
   
  One long-distance writing affair. 
   
  The passing of the mother together with memories of other losses and absences come together in Lost Bodies, a meditation on the transience of time and love and an invitation to get away—physically or spiritually—from worldly concerns to explore a different history, a different culture, a different light, laced with dreamy scents and the faint calls of fado.

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  Romeo and Juliet: More than just...

  Vines Graener

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  Welcome to Romeo and Juliet. In this audiobook, we take a deeper look at one of William Shakespeare’s most enduring tragedies. While the story of Romeo and Juliet is widely known for its themes of love and loss, this exploration focuses on the nuanced layers of their relationship, the societal forces at play, and the personal choices that shape their tragic fate. By examining key moments in the play, we uncover how Shakespeare explores themes like family loyalty, the tension between love and hate, fate versus free will, and the consequences of impulsive actions. Join us as we uncover fresh insights into this timeless tale and reflect on its profound relevance even in today’s world.

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  On Hearing That Constantinople...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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