Maison d'édition: Rose Rough
When she gets a naughty package delivered from Big Wild River, she gets more than she bargained for. The delivery driver likes what he sees, and he's going to get what he wants. Will she decide that her desires are the same as his? She's about to get wrecked by the Big Wild River Delivery Guy!
Lies, infidelity, and murder...what is a little mayhem among friends?Voir livre
Since the beginning of human interaction, there have been storytellers who have spun tales to inspire and capture the imagination. In homage to Golding's Lord of the Flies and the act of flinging a gauntlet before a duel, these two writers, Gordon Bonnet, and Marlon S. Hayes, have shown their multi-genre talents. Two guys in a bar, grandmas, fathers and sons, and myths are a few of the themes in this collection, and the results are noteworthy, entertaining, and soul filling. What if an opportunity arose to have a conversation with one's younger self? Or, what if the pictures on the wall started whispering warnings? Ever imagined how an orc might view humans? What about an epic road trip across America's heartland where anger and grief also ride along? Exactly. It's a duel of well-written short stories, with each writer inspiring the other to continue to ascend with their storytelling skills. It's not a competition, simply an acknowledgement of each other's talents.Voir livre
Alexander Kuprin was born in Narovchat, Penza in Russia on 7th September 1870. At 3 his Father died and he and mother moved to Moscow. By 10 he was enrolled at the Second Moscow Military High School and there his interest in literature began. The Alexander Military Academy followed and two years later he was a sub-lieutenant and posted to an Infantry Regiment for a further four years. Despite his duties he was a now a keen writer and published his first short story at this time. His military duties also garnered him experiences for his breakthrough work ‘The Duel’. Leaving the military he left for Kiev to work for local newspapers. He continued to publish both stories and novels and by 1901 he was in St Petersburg becoming part of a group that included Chekhov, Ivan Bunin, Maxim Gorky and Leonid Andreyev. In the years that followed further controversial works and acclaim followed. His comments on the regime meant he was also put under secret police surveillance. As World War I erupted, Kuprin opened a military hospital but was then given command of an infantry company in Finland. He was soon discharged on grounds of ill health. The October Revolution saw him praise Lenin, but he warned that the Bolsheviks threatened Russian culture and might cause further widespread suffering to the peasants. As Civil War raged he took his family to Helsinki and then on to Paris. Exile saw his talents decline further and his succumbing to alcoholism. He became lonely and withdrawn. The family's poverty increased his malaise. In May 1937, the Kuprin’s returned to Moscow. He now saw his work published but wrote almost nothing new. In 1938 his health rapidly deteriorated. Already suffering from a kidney problems and sclerosis, he had now developed cancer of the oesophagus. Alexander Kuprin died on 25th August 1938.Voir livre
A man is tortured by a sound that only he can hear. It was easily ignored at first. But now the insomnia is getting to him. He must find a way to stop the noise... Anything is better than this.Voir livre
Francis Marion Crawford was born on August 2nd, 1854 at Bagni di Lucca, Italy. An only son and a nephew to Julia Ward Howe, the American poet and writer of ‘The Battle Hymn of the Republic’. His education began at St Paul's School, Concord, New Hampshire, then to Cambridge University; University of Heidelberg; and the University of Rome. In 1879 Crawford went to India, to study Sanskrit and then edited The Indian Herald. In 1881 he returned to America to continue his Sanskrit studies at Harvard University. At this time in Boston he lived at his Aunt Julia house and in the company of his Uncle, Sam Ward. His family was concerned about his employment prospects. After a singing career as a baritone was ruled out, he was encouraged to write. In December 1882 his first novel, ‘Mr Isaacs’, was an immediate hit which was amplified by ‘Dr Claudius’ in 1883. In October 1884 he married Elizabeth Berdan. They went on to have two sons and two daughters. Encouraged by his excellent start to a literary career he returned to Italy with Elizabeth to make a permanent home, principally in Sant' Agnello, where he bought the Villa Renzi that then became Villa Crawford. In the late 1890s, he began to write his historical works: ‘Ave Roma Immortalis’ (1898), ‘Rulers of the South’ (1900) and ‘Gleanings from Venetian History’ (1905). The Saracinesca series is perhaps his best work. ‘Saracinesca’ was followed by ‘Sant’ Ilario’ in 1889, ‘Don Orsino’ in 1892 and ‘Corleone’ in 1897, that being the first major treatment of the Mafia in literature. Francis Marion Crawford died at Sorrento on Good Friday 1909 at Villa Crawford of a heart attack. Set in Italy, ‘For Blood is the Life’ draws us into a world usually beyond our senses. With Crawford’s pen the uneasy, horrific world of vampires is now upon us.Voir livre
In this bold hybrid collection of poetry, flash fiction, and Afrofuturism sci-fi, the award-winning interdisciplinary writer and author of Side Notes from the Archivist explores what happens when god is a Black woman in a town. What happens when there are multiple universes in the middle of nowhere? And what if in each universe there reigned other Black woman gods? One million versions of god, and one million saints to watch over us? And what if this Black woman god were placed here on earth? These are just a few of the questions Anastacia-Reneé asks in this daring and mind-bending hybrid collection. Hers is a universe of striking variety—monsters, nontraditional saints, witches, zombies, the couple in the apartment next door, the wise elders from down the block, and gods watching over us all—as well as community and connectedness. With a prose storyline and characters that connect through family, time, and place, Anastacia-Reneé paints world(s) rich with wonder and the paranormal as she peers into the lives of everyday people and spectacular creatures inhabiting not just our neighborhoods, but other dimensions. Here in the (Middle) of Nowhere is about interstellar ancestry, community and spirituality. It is about the things we invoke, conjure, and rely on to maintain joy as we keep it moving through difficult eras. Anastacia-Reneé’s power imbues her spellbinding storytelling with lovingly rendered characters brought to life in lyrical poetry. She builds worlds within worlds and dares us to fully see and love ourselves in all our complexity.Voir livre
