Maison d'édition: Rosario
Theatre. Linda and Alfredo are two brothers. They pursue their mother, who is not very present because of her work, in different ways. The two evoke her, amid imaginations and rages, illusions and fury, hypocrisy and bitter truths.
You want to speak Spanish and sound like a native, right? For that, you'll need grammar.But don't worry, grammar is easy with this Audiobook. Just press play and here's what happens: Every Lesson Teaches You 1 Grammar Rule You Get Multiple Example Sentences Our Teachers Translate and Explain Every Sentence Just Listen and Repeat Read Along with the PDF eBook if You WantYou learn the 25 most common beginner sentence patterns that are used in everyday speech.By the end... You'll master beginner-level Spanish grammar. You'll be able to make your own Spanish sentences. And, you'll speak a lot more Spanish.Here's what you get with “Learn Spanish Grammar: 25 Sentence Patterns for Beginners (Extended Version): 144 Minutes of Lessons in Total 25 Audio Lessons 25 Bonus Review TracksWant to read along with the Audio? No problem. You get a bonus 223 Page eBook alongside it.BONUS:This Audiobook also comes with 3 bonus lessons - that's an extra 15+ minutes of vocabulary-boosting lessons - to help you speak more.#1 Spanish Vocab Builder: Common Actions#2 Spanish Vocab Builder: Adverbs and Phrases for Connecting Thoughts#3 Spanish Vocab Builder: 50 Adjectives You'll Need to Describe Other PeopleDownload the PDF and read along:https://bit.ly/2RCeFnsVoir livre
Stage fright is a state of mind. So how do we get a handle on it and learn to use that nervous energy to our advantage. We'll explore some of the causes and symptoms of stage fright and why it's really a good thing, as well as techniques to get it working for rather than against us.Voir livre
My name is Rodrigo and I'm from Rio de Janeiro, Brazil. I can communicate in 6 languages and I have a degree in Social Communication. As a Portuguese teacher for foreigners, working with people from around the world, I have identified and made it easy to learn the most common Irregular Verbs in Brazilian Portuguese. In this book you will learn how to conjugate, use and pronounce 50 Irregular Verbs in Brazilian Portuguese.Voir livre
The complete method. 300 essential words and phrases, 140 common expressions, the 100 most common verbs, the 1000 essential words. How to learn a language differently ? With our learning method : I listen, I repeat, I speak. We rely on pronunciation, oral rehearsal, listening, combined with words, essential phrases, and a vocabulary list. 20% of the words are used 80% of the time. The end goal is to get a sufficient level in one language to be able to hold simple conversations, to be able to understand simple exchanges, deal with with everyday life and start exploring the new culture that opens up to you.Voir livre
In 1991, Mark Hertsgaard began an odyssey that lasted six years and spanned nineteen countries. His was a journey into the gripping truth about the escalating environmental crisis. Here, in his remarkable account of his travels, he faces the hard realities of nuclear technology, overpopulation, excessive consumerism and greed, with heart and hope.Voir livre
How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)Voir livre
