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  What Your Favorite Color Says...

  John Harpoon

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  Color is a fundamental part of human experience, shaping emotions, perceptions, and even behavior. From ancient civilizations to modern psychology, color has been studied for its impact on the human mind. Some colors evoke feelings of warmth and excitement, while others create a sense of calm and relaxation. But beyond their immediate effects, colors can also serve as a reflection of personality and identity. The idea that a person’s favorite color reveals something about their character has intrigued psychologists, researchers, and individuals alike. This book explores the fascinating connection between color preferences and human psychology, offering insights into how and why we gravitate toward certain shades.  
  How a person develops a preference for a particular color is influenced by multiple factors, including early childhood experiences, cultural associations, and even genetic predispositions. Some psychologists suggest that color preferences are rooted in personal memories—positive experiences with a specific color may lead to a lasting affinity for it. Additionally, cultural and societal norms play a significant role in shaping perceptions of color. For example, while white represents purity and new beginnings in Western cultures, it is often associated with mourning in parts of Asia. These cultural variations demonstrate that color meanings are not universal, but rather deeply ingrained in social contexts.  
  Despite these external influences, color preferences are also highly personal and can evolve over time. A child who loves bright and playful colors like yellow or orange may later develop an appreciation for more subdued tones such as blue or gray. Life experiences, emotional growth, and shifting priorities contribute to these changes.

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  They Can't Kill Us Until They...

  Hanif Abdurraqib

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  *2018 "12 best books to give this holiday season" TODAY Show 
  *Best Books of 2018* Rolling Stone 
  "A Best Book of 2017" NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily 
  *American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' 
  *Midwest Indie Bestseller 
  In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. 
  In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. 
  In essays that have been published by the New York Times, MTV, and Pitchfork, among others along with original, previously unreleased essays Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times. 
  "Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him." Greil Marcus,

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  Ida Lupino Forgotten Auteur -...

  Alexandra Seros

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  Though her acting career is well known, Ida Lupino was, until very recently, either unknown or overlooked as an influential director. One of the few female directors in Classical Hollywood, Lupino was the only woman with membership in the Directors Guild of America between 1948 and 1971. Her films were about women without power in society and engaged with highly controversial topics despite Hollywood's strict production code. Working in a male-dominated field, Lupino was forced to manage her public persona carefully, resisting attempts by the press to paint her solely as a dutiful wife and mother—a continual feminization—just so that she could continue directing. 
   
   
   
  Filmmaker Alexandra Seros retells the story of Ida Lupino's career, from actor to director, first in film, then in television, using archival materials from collections housed around the world. The result provides rich insights into three of Lupino's independently directed films and a number of episodes from her vast television oeuvre. Seros contextualizes this analysis with discussions of gendered labor in the film industry, the rise of consumerism in the United States after World War II, and the expectations put on women in their family lives during the postwar era. Seros's portrait of Lupino ultimately paints her life and career as an exemplar of collaborative auteurship.

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  How to Be Avant-Garde - Modern...

  Morgan Falconer

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  Reacting to the tumultuous crises of the twentieth century, especially the horrors of World War I, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas. 
   
   
   
  Avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the Futurist founder Filippo Tommaso Marinetti, whose manifesto seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret, and the Surrealists tried to exchange it for tools to plumb the unconscious. He guides us through the Russian Constructivists with their adventures in advertising and utopianism and De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with their ideas inspiring the 1968 Paris student protests. 
   
   
   
  How to Be Avant-Garde is a journey through the interlocking networks of these creative lives with their visions of a better world, their sometimes sympathetic but often strange conversations, and their objects and writings that defied categorization.

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  Textile Landscape - Painting...

  Cas Holmes

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  Textile Landscapes demonstrates how to develop your approach to textile art with a focus on using found objects and paint and stitch on cloth and paper. 
  Cas explains how to exploit the contrast between the hands-on textural quality of working with fabrics and threads and the spontaneity and movement of brush marks to lend a painterly quality to your work.
  
  She begins with the basics – keeping a sketchbook to generate ideas, painting  and stitching on cloth and on paper and working digitally; Inspiring Landscapes looks at natural and urban space, the changing seasons and great landscapes as well as intimate spaces and travel diaries; Painting and Marking with Cloth explains the practical aspects of painting and dyeing cloth and how to make connections between paint, print, dye, stencil and stitch; Stitch-scapes looks at the different forms of landscape, experimenting with photographs and prints and how to translate those images using ink, stitch, abstract and collage techniques and then at how to transform the image using digital techniques; On Closer Inspection covers using elements and details from landscape and the environment as found objects and for research; finally People and Place explores the relationship we have with the outdoors and the built environment, as well as personal interpretations of place.
  
  The book includes artworks by the author that explore the UK, USA, Europe and Australia, as well as works by other internationally renowned textile artists. A creative guide ideal for textile artists of all levels – students, teachers and practising artists and makers – to make unique and beautiful work inspired by the world around us.

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  Art History The Viennese Secession

  Victoria Charles, Klaus H. Carl

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  Influenced by Art Nouveau, this movement (created in 1897 by Gustav Klimt, Carl Moll, and Josef Hoffmann) was not an anonymous artistic revolution. Defining itself as a “total art”, without any political or commercial constraint, the Viennese Secession represented the ideological turmoil that affected craftsmen, architects, graphic artists, and designers from this period. Turning away from an established art and immersing themselves in organic, voluptuous, and decorative shapes, these artists opened themselves to an evocative, erotic aesthetic that blatantly offended the bourgeoisie of the time. Painting, sculpture, and architecture are addressed by the authors and highlight the diversity and richness of a movement whose motto proclaimed “for each time its art, for each art its liberty” – a declaration to the innovation and originality of this revolutionary art movement.

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