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  The Cricket on the Hearth

  Charles Dickens

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  A timeless holiday classic, The Cricket on the Hearth by Charles Dickens is a heartwarming tale of love, family, and redemption. Set in a cozy Victorian home, the story follows John Peerybingle and his wife Dot, whose simple yet contented lives are disrupted by a series of misunderstandings, mysterious arrivals, and surprising revelations. A seemingly ordinary cricket, chirping beside their hearth, becomes a symbol of warmth, hope, and the unseen forces that guide us through hardship. 
  As secrets unravel and mistaken identities come to light, Dickens masterfully weaves a touching narrative filled with festive spirit, romance, and moral lessons. Blending humor, sentimentality, and social commentary, this novella captures the magic of Christmas and the enduring power of love and kindness. 
  A delightful tale filled with memorable characters and heartfelt moments, The Cricket on the Hearth remains a cherished holiday tradition and a testament to Dickens’ ability to craft stories that resonate across generations.

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  Top 10 Short Stories The - The...

  Virginia Woolf, D H Lawrence, A...

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  Short stories have always been a sort of instant access into an author’s brain, their soul and heart.  A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. 
   
  In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author?  
   
  The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme.  Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature. 
   
  Some you may disagree with but they will get you thinking; about our choices and about those you would have made.  If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something. 
   
  In this volume the decade reveals some who are doing very well and the many who are not; underfoot, underpaid and under-represented.   
   
  Our writers of many hues and telling talents bring both their stories and their characters to bear on the decade between the two world wars with searing clarity. 
   
  01 - The Top 10 - The 1920's - The English - An Introduction 
  02 - The String Quartet by Virginia Woolf 
  03 - The Horse Dealer's Daughter by D H Lawrence 
  04 - Rats by M R James 
  05 - The Resurrection of Father Brown by G K Chesterton 
  06 - Miss Ogilivy Finds Herself by Radclyffe Hall 
  07 - Running Wolf by Algernon Blackwood 
  08 - Mrs Amworth by E F Benson 
  09 - Smee by A M Burrage 
  10 - Young Magic by Helen Simpson 
  11 - Decay by Marjorie Bowen

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  Morphine - This story is perhaps...

  Mikhail Bulgakov

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  Mikhail Bulgakov was born on 15th May 1891 in Kiev, in the Kiev Governorate of the Russian Empire, into a Russian family.  He was one of seven children. 
   
  In 1901, Bulgakov attended the First Kiev Gymnasium, and developed a keen interest in Russian and European literature, theatre and opera.  After the death of his father in 1907, his mother assumed responsibility for his education.  After graduating Bulgakov entered the Medical Faculty of Kiev University and then took up a post as physician at the Kiev Military Hospital. 
   
  At the outbreak of the First World War, he volunteered as a doctor and was sent directly to the front, where he was badly injured at least twice.  To suppress chronic pain, especially in the abdomen, he injected morphine.  It took years to wean himself off. 
   
  He now took up medical posts in various towns and in 1919, he was mobilised by the Ukrainian People's Army and assigned to the Northern Caucasus.  There, he became seriously ill with typhus and barely survived.  
   
  After this illness, Bulgakov abandoned his medicine to pursue writing.  He moved to Vladikavkaz and had two plays staged there with great success.  He wrote too for various newspapers and other outlets, but his critics were many.  And growing. 
   
  When a Moscow's theatre director severely criticised Bulgakov, Stalin personally protected him, saying that a writer of Bulgakov's quality was above ‘party words’ like ‘left’ and ‘right’.   Indeed, it is said that Stalin watched ‘The Days of the Turbins’ at least 15 times. 
   
  It was not to last and by March 1929, Bulgakov's career was ruined when Government censorship stopped publication of any of his work and plays. 
   
  In despair, Bulgakov wrote a personal letter to Stalin.  He requested permission to emigrate.  He received a phone call from the Soviet leader, who asked the writer whether he really desired to leave. He replied that a Russian writer cannot live outside of his homeland.  Stalin thus gave him permission to continue working. In May 1930, he re-joined the theater, as stage director's assistant.  
   
  During the last stressful decade of his life, and in poor health, Bulgakov continued to work on ‘The Master and Margarita’, wrote plays, critical works, stories, and continued translations and dramatisations of novels.  Many of them were not published, others were derided by critics.  
   
  On 10th March 1940, Mikhail Afanasyevich Bulgakov died from nephrosclerosis.  He was 48. 
   
  ‘The Master and Margarita’ was not published in any form until the mid-1960’s 
   
  In this story Bulgakov relates the terrifying and hellish descent into addiction that seems so avoidable and yet so chillingly not.

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  Shades A Phantasy - Ukranian...

  Vladimir Korolenko

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  Vladimir Galaktionovich Korolenko was born in Zhytomyr, Ukraine, then part of the Russian Empire on 27th July 1853. 
   
  His father died when he was 13 and life was then often struck with bouts of poverty, which resulted in his education being somewhat erratic.   A spell in exile at 23 was followed by another as the politics of the times opposed his volatile but heart-felt passions. 
   
  Writing was also coming to the fore and in 1879 his debut short story telling of a young Narodnik searching for social and spiritual identity, was published. 
   
  In 1881, Korolenko refused to swear allegiance to the new Russian Tsar and was again exiled, this time much farther afield.  He spent the next three years doing manual work, but took time to study local customs and history.  These impressions in exile provided rich material for his writings. 
   
  In 1885 he was allowed to settle in Nizhny, where again he repeatedly questioned the authorities.  That same year ‘Makar's Dream’ established his literary reputation and was part of his first collection ‘Sketches and Stories’, the following year. 
   
  In the early 1890’s when famine struck Central Russia, he went to work on relief missions, collecting donations, supervising the delivery and distribution of food, opening 45 free canteens, all this while writing the graphic reports that would later be published as ‘In the Year of Famine’ in 1893. 
   
  By 1896 despite some psychological disorders, he was well regarded amongst Russian writers and was even a member of the Russian Academy of Sciences.  Throughout his writing career Korolenko was a staunch advocate of human rights, putting that sacred activity above what he called his 'part-time-writing'. 
   
  In the Revolutionary year of 1905, under his editorship, Russkoye Bogatstvo published the Manifest by the Petersburg Soviet of the Workers' deputies. Korolenko was now repeatedly harassed by the authorities, had his flat raided many times and materials confiscated. 
   
  As a lifetime opponent of Tsarism, he guardedly welcomed the Revolution of 1917.  Once the nature of Bolshevism was established, he soon started to criticize it. During the Russian Civil War that ensued, he condemned both the Red Terror and the White Terror.  
   
  Despite suffering from a progressive heart disorder, he collected food packages for children in famine-stricken Moscow and Petrograd as well as organised orphanages and shelters for the homeless.  
   
  Vladimir Korolenko died in Poltava, Ukraine, of the complications of pneumonia on 25th December 1921.  He was 68. 
   
  In this story Korolenko invokes the characters of Socrates and Elpidias who, after their deaths, involve themselves in a debate on God.  This is a tour-de-force of conception and execution.

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  Wuthering Heights

  Emily Brontë

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  Emily Brontë's novel Wuthering Heights tells the story of the ill-fated love of Catherine Earnshaw for the dark and brooding Heathcliff, and is set on the bleak Yorkshire moors where Heathcliff acts out his cruel revenge against Edgar and Isabella Linton. This book is considered by many to be the most passionate and original novel in English literature.

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  Sparks from the Fire - And Other...

  Rosalie Parker

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  "There are many ways to tell a story . . . It is a question of choosing the right one." - "Sparks from the Fire" The stories in Sparks from the Fire explore a wide variety of familiar characters and settings, yet there is always something else a shadow world that haunts, disturbs, and threatens. Sons and daughters, mothers and fathers, recluses and lovers all find themselves shifting between realities: the prosaic and the mystical, even between life and death. The horrors and wonders of these parallel existences are often glimpsed, sometimes revealed, and occasionally overwhelm. These nineteen tales inhabit a terrain in which the uncanny may at any time intrude into everyday life.
  Contents: Breath of Life / Entitlement / Holiday Reading / House Party / Jetsam / Job Start / Messages / Productivity / Sparks from the Fire / The Attempt / The Birdcage / The Bronze Statuette / The Fell Race / Tour Guide / View from a Window / Voluntary Work / War Games / Wing Man / Writers' Retreat.

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