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  The Importance of being earnest

  Oscar Wilde

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  The Importance of Being Earnest is a play by Oscar Wilde that mocks the culture and manners of Victorian society. It is a farcical comedy that relies on satire and a comic resolution to make that mockery more palatable to viewers. The play is about friends Jack and Algernon's double-lives interfering with their romantic pursuits. It is considered Wilde’s greatest dramatic achievement and a satire of Victorian social hypocrisy.Robin

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  The Hills of California

  Jez Butterworth

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  'This house. It's called "Sea View". It's just I've looked out of every window, and you can't. You can't see the sea.'
  Blackpool, 1976. The driest summer in two hundred years. The beaches are packed. The hotels are heaving. In the sweltering backstreets, far from the choc ices and donkey rides, the Webb Sisters are returning to their mother's run-down guest house, as she lies dying upstairs.
  Jez Butterworth's play The Hills of California was first performed at the Harold Pinter Theatre in London's West End in 2024, directed by Sam Mendes, and produced by Sonia Friedman Productions and Neal Street.

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  Steel

  Lee Mattinson

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  Two lads. Twelve hours. One million pounds.
  On the rain-drenched West Cumbrian coast, James and Kamran have been mates for more than a decade. They're seventeen, so the world should be theirs – but Workington is a ghost town, an unemployment blackspot where lasses drink Bacardi by the pint and boys don't cry.
  When James discovers he is heir to a single mile of the British railway network, the lads set out on a high-stakes chase through town, where annihilated aunties, Snakebite-drenched drag queens and a zombie Princess Diana are lying in wait.
  Lee Mattinson's Steel is a hilarious and heartfelt play about first loves, forging identities and the wild, wild hearts of teenage boys. It was first performed at Theatre by the Lake, Keswick, in 2024 followed by a UK tour.

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  Out for Air

  Olly Todd

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  Infused with movement, surprise and play, Out for Air presents a unique vision of the built environment, celebrating places where 'the bridges are endless / beyond the cantilever / of reality'. Expansive in scope but intricate in form, a masterclass in precision engineering. Todd rewires T. S. Eliot's Waste Land in his strange, compelling descriptions of the modern city: melting asphalt; a U-turning taxi; a diner swallowed by a sinkhole. In this disorientating landscape the skateboarder-poet is genius loci, the spirit of the place.
  From Manhattan's 'silky streets' and the Pacific Coast Highway to inner-city London and his native Cumbria, together these poems record a life lived on the move, in motion, on the cusp of things.
  'I'm dazzled by this wonderful debut...The language itself crunches, glides, grinds. A radically different way of experiencing the built and natural environment and an endlessly engaging, witty, serious and astute new voice.' - Luke Kennard
  'Out for Air is an inventive and alluring debut...With shades of Kleinzahler and Eliot, these poems explore angles and movement, friendship and distance, in a voice that is genuinely original, graceful and often strange.' - Martha Sprackland
  'Through his words a whole world and potential opens up, a distillation of experience that feels universal and intimate.' - Nick Jensen
  'Out for Air creates a world of familiarity gone strange, a world of signs of the human in motion, where the living in place becomes its constant study. It makes a hard-to-pin-down language which is all its own, and which mirrors its subjects' international scope, its playful, sometimes arch, worldview, and which announces a wholly original voice.' - Will Burns

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  Embark

  Sean O'Brien

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  A new collection by Sean O’Brien – ‘Auden’s true inheritor’, and one of our wisest poetic chronographers – is not just a literary event, but also, invariably, a reckoning of the times. Given the nature of our times, his voice is an essential one: there is no other poet currently writing with O’Brien’s intellectual authority, historical literacy and sheer command of the facts. Embark also registers our unique cultural climacteric, where the larger crises of the planet – the pandemic and the terrifying spectre of revanchist nationalism among them – impact all of us, and where the illusion of a church-and-state separation of the personal and political can no longer hold. As the poet turns seventy, he shows us how the inevitable absences that age brings are assuaged by how we furnish them; the result is not just a logic made from loss and pain, but a music, a metaphysic, and finally a redemptive art. Embark reminds us of the enduring consolations of love, of friendship, of the freedoms and possible futures still afforded by the imagination – and, through O’Brien’s own exemplary model, of poetry itself.

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  Love's Labour's Lost

  William Shakespeare

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  King Ferdinand and his three friends, Biron, Longaville, and Dumain, plan to study philosophy for the next three years. During their academic pursuits, they must vow to sleep only three hours a night and not let any woman within a mile of court. These strict rules will prevent any distractions from their work - but their promises are soon put to the test when a princess and her three companions arrive for a state visit.

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