Maison d'édition: Good Press
Lord of Samarcand is a historical fiction novel which begins as Ak Boga the Tartar watches the knights of the European countries face the Ottoman Turkish army. Ak Boga knows that the knights are hopelessly outnumbered.
Those first four notes of its theme tune were instantly recognised and announced the start of perhaps the most famous police procedural in history. Set in Los Angeles and headed by police detective Sergeant Joe Friday the show has influenced all the many others that have followed in its illustrious footsteps. It was based on real cases from police files. It described the methods used to track down the culprits and its technical language added to its authenticity. It was a ratings hit year in, year out. Played and produced by Jack Webb its pared-down acting brought both the dull routine work and its acts of heroism and unselfishness into the living rooms of ordinary Americans, explaining a side of society that they only read about in the papers, heard in news bulletins or saw fabricated at the movies. It’s time for the truth and for Sergeant Joe Friday to set the record straight.Voir livre
What is special about the double bass compared to all other string instruments? What is the difference between a xylophone and a glockenspiel? How long is the tubing that makes up a trumpet? And what is the name of the world’s oldest surviving violin? In this fascinating audiobook, narrator Kent Harris answers all these questions and more as he takes us on an amazing tour of the symphony orchestra. We discover over one hundred amazing facts about strings, brass, woodwind, percussion and keyboard instruments as well as interesting information about the orchestra’s history and structure. This audiobook is perfect for anyone, whatever their musical ability!Voir livre
Only seven of the 235 House Democrats have not articulated support for the impeachment inquiry. Each represents a district President Trump won in 2016. John Yang traveled to upstate New York to find out what constituents are saying to one of the holdouts, Rep. Anthony Brindisi, who narrowly defeated a Republican incumbent in 2018.Voir livre
An invaluable new collection of audition speeches drawn from material produced by world-leading youth arts organisation the National Youth Theatre of Great Britain. Edited by NYT Associate Artist Michael Bryher, the book contains 75 monologues, all taken from plays performed by the NYT, by writers such as Zawe Ashton, Moira Buffini, Carol Ann Duffy, Brian Friel, James Graham, Dennis Kelly, Rebecca Lenkiewicz, Gbolahan Obisesan, Evan Placey and Jack Thorne. Also included are tips on performing the speeches from current and former NYT members, plus advice on preparing for auditions.Voir livre
This modern, comic take on the American Revolution puts the spotlight on the relationship between the brilliant and domineering Ben Franklin and his son William. As Ben plants the seeds of a new republic, King George III appoints William as Royal Governor of New Jersey - a change in affairs that creates a revolutionary family rift. Includes a conversation with playwright Lloyd Suh. Recorded at The Invisible Studios, West Hollywood in November 2021. Franklinland is part of L.A. Theatre Works’ Relativity Series of science-themed plays. Lead funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world. Directed by Anna Lyse Erikson Producing Director: Susan Albert Loewenberg An L.A. Theatre Works full-cast recording starring: Gregory Harrison as Benjamin Franklin Larry Powell as William Franklin Kurt Kanazawa as William Temple Franklin Senior Producer: Anna Lyse Erikson Prepared for audio by Mark Holden for The Invisible Studios, West Hollywood Recording Engineer, Editor and Mixer: Charles Carroll. Sound Design: Charles Carroll and Austin Haltermann Senior Radio Producer: Ronn Lipkin Foley Artist: Jeff GardnerVoir livre
Although the song is often the subject of monographs, one of its forms remains insufficiently researched: the vocalised song, communicated to the spectator through performance. The study of the song takes one back to the study of vocal practices, from aesthetic objects to forms and to plural styles. To conceive a song means approaching it in its different instances of creation as well as its linguistic diversity. Jean Nicolas De Surmont proposes ways of research and analysis useful to musicians, musicologists, and literary critics alike. In his book he takes up the issue of vocal poetry in addition to examining the theoretic aspects of song objects. Rather than offering an autonomous model of analysis, De Surmont extends the research fields and suggests responses to debates that have involved everyone interested in vocal poetic forms.Voir livre
