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  Hantu Hijau

  Dave Chua

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  A mysterious ghost wearing a green dress haunts a housing block. A young girl, the daughter of a single mother, tries to find out the truth behind the haunting.

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  The Best That You Can Do - Stories

  Amina Gautier

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  Winner of the 2023 Soft Skull-Kimbilio Publishing Prize, a collection of short stories that elaborate the realities of a diasporic existence, split identities, and the beautiful potency of meaningful connections 
   
   
   
  Primarily told from the perspective of women and children in the Northeast who are tethered to fathers and families in Puerto Rico, these stories explore the confusion of being one person in two places—of having a mother who wants your father and his language to stay on his island but sends you there because you need to know your family. Loudly and joyfully filled with Cousins, Aunts, Grandparents, and budding romances, these stories are saturated in summer nostalgia, and place listeners at the center of the table to enjoy family traditions and holidays: the resplendent and universal language of survival for displaced or broken families. 
   
   
   
  Refusing to shy away from dysfunction, loss, obligation, or interrogating Black and Latinx heritages, Gautier's stories feature New York neighborhoods made of island nations living with seasonal and perpetual displacement. Like Justin Torres's We the Animals or Quiara Alegria Hudes's My Broken Language, it's the characters-in-becoming—flanked by family and rich with detail—that animate each story with special frequencies, especially for listeners grappling with split-identities themselves.

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  Short Story Collection Vol 036

  Various

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  A collection of 20 short works of fiction in the public domain chosen and read by a group of LibriVox members.The story of The Lamplighter (by Charles Dickens) is a special group reading, done by the following LV volunteers during a 2009 Librivox meeting in London, UK: Philippa, Cori Samuel, Alex Foster, Hugh McGuire, Chris Hughes and Gesine.

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  Forgotten Authors The - Volume 4...

  Jane Findlater, Charles Foley,...

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  Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. 
  In literature the ambition is much narrower.  In order to be known, to be popular, you had to be published.  And for that people had to know you existed and your ideas worth reading.  Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. 
  In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution.  Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it.  Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words.  
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.   
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.    
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  In this volume we offer up a small selection of those talents whose time has now come again.

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  Richard Middleton - A Short...

  Richard Middleton

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  Richard Barham Middleton was born on the 28th October 1882 in Staines, Middlesex. 
   
  His education was primarily at Cranbrook School in Kent before he began work as a clerk, in 1901, at the Royal Exchange Assurance Corporation in London.  There he struggled with constraints and boundaries and by night he took to a bohemian lifestyle.   
   
  Middleton moved into rooms in Blackfriars and joined the New Bohemians club where his literary contacts grew. 
   
  He became an editor at Vanity Fair where he told a fellow editor, the notorious Frank Harris, that he wanted to pursue a career as a poet.  Shortly afterwards Harris published Middleton’s poem ‘The Bathing Boy’. 
   
  As an author he is most remembered for his short ghost stories. 
   
  Richard Middleton died on 1st December 1911.  He was 29.

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  The Christening - From their...

  Guy De Maupassant

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  Henri René Albert Guy de Maupassant was born on August 5th, 1850 near Dieppe in France.  
  Maupassant’s early life was badly torn when at age 11 (his younger brother Hervé was then five) his mother, Laure, a headstrong and independent-minded woman, risked social disgrace in order to obtain a legal separation from her husband. 
  After the separation, Laure kept custody of her two boys. With the father now forcibly absent, Laure became the most influential and important figure in the young boy's life.   
  Maupassant’s education was such that he rebelled against religion and other societal norms but a developing friendship with Gustave Flaubert began to turn his mind towards creativity and writing. 
  After graduation he volunteered for the Franco-Prussian war. With its end he moved to Paris to work as a clerk in the Navy Department.  Gustave Flaubert now took him under his wing.  Acting as a literary guardian to him, he guided the eager Maupassant to debuts in journalism and literature.  For Maupassant these were exciting times and the awakening of his creative talents and ambitions. 
  In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’) which met with a success that was both instant and overwhelming.  Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique.  
  This decade from 1880 to 1891 was to be the most pivotal of his career.  With an audience now made available by the success of ‘Boule de Suif’ Maupassant organised himself to work methodically and relentlessly to produce between two and four volumes of work a year.  The melding of his talents and business sense and the continual hunger of sources for his works made him wealthy. 
  In his later years he developed a desire for solitude, an obsession for self-preservation, and a fear of death as well as a paranoia of persecution caused by the syphilis he had contracted in his youth.  
  On January 2nd, 1892, Maupassant tried to commit suicide by cutting his throat.  Unsuccessful he was committed to the private asylum of Esprit Blanche at Passy, in Paris.  It was here on July 6th, 1893 that Henri René Albert Guy de Maupassant died at the age of only 42.

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