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  How Beautiful People Are

  Ayaz Pirani

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  In How Beautiful People Are, his third collection, Ayaz Pirani continues to write his people’s pothi: a trans-national, inter-generational poetry of post-colonial love and loss animated by the syncretizing figure of Kabir and drawn from the extraordinary diwan of ginan and granth literature. Walking alongside the tiger of Ali and an assortment of beloved infidels, Ayaz uncovers just How Beautiful People Are. After all, what will darkness do, his poems ask, when a true guru makes light?

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  Eumenides

  Aeschylus

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  The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. 
  In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother. However, through the intervention of Apollo, Orestes is able to escape them for a brief moment while they are asleep and head to Athens under the protection of Hermes. Seeing the Furies asleep, Clytemnestra's ghost comes to wake them up to obtain justice on her son Orestes for killing her.

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  Ordinary Beast - Poems

  Nicole Sealey

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  ONE OF PUBLISHERS WEEKLY'S TOP 10 POETRY BOOKS OF FALL 2017 
  NPR'S MOST ANTICIPATED POETRY BOOKS OF 2017 
   
  A striking, full-length debut collection from Virgin Islands-born poet Nicole Sealey 
  The existential magnitude, deep intellect, and playful subversion of St. Thomas-born, Florida-raised poet Nicole Sealey’s work is restless in its empathic, succinct examination and lucid awareness of what it means to be human. 
  The ranging scope of inquiry undertaken in Ordinary Beast—at times philosophical, emotional, and experiential—is evident in each thrilling twist of image by the poet. In brilliant, often ironic lines that move from meditation to matter of fact in a single beat, Sealey’s voice is always awake to the natural world, to the pain and punishment of existence, to the origins and demises of humanity. Exploring notions of race, sexuality, gender, myth, history, and embodiment with profound understanding, Sealey’s is a poetry that refuses to turn a blind eye or deny. It is a poetry of daunting knowledge.  
  Supplemental enhancement PDF accompanies the audiobook.

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  Top 10 Poets The - Georgian -...

  Wilfred Owen, A E Housman,...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we explore the poets and poetry of that short poetry movement; The Georgians.  In a handful of years, they forged their careers and expressed themselves in ways that illuminate and discover both themselves and the world around them.

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  On the Subject of Blackberries

  Stephanie M. Wytovich

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  Winner of the Bram Stoker Award for Superior Achievement in Poetry 
  Welcome to the garden. Here we poison our fruits, pierce ourselves with thorns, and transform under the light of the full moon. Mad and unhinged, we fall through rabbit holes, walk willingly into fairy rings, and dance in the song of witchcraft, two snakes around our ankles, the juice of berries on our tongues. 
  Inspired by Shirley Jackson’s We Have Always Lived in the Castle, these poems are meditations on female rage, postpartum depression, compulsion, and intrusive thoughts. They pull from periods of sleep deprivation, soul exhaustion, and nightmarish delusions, and each is left untitled, a nod to the stream-of-conscious mind of a new mother. 
  Using found poetry and under the influence of bibliomancy, Wytovich harnesses the occult power of her imagery and words and aligns it with a new, more vulnerable, darkness. These pieces are not only visions of the madwoman in the attic, but ghostly visitations that explore the raw mental torture women sometimes experience after giving birth. 
  This collection heals as much as it scars, and is an honest look at how trauma seeps into the soil of our bodies. Her poems are imagined horrors, fictional fears, and all the unspoken murmurs of a mind lost between reality and dream. What she leaves in her wake is nothing short of horror—the children lost, the garden dead, the women feral, ready to pounce.

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  Into the Rhubarb

  Carla Coles

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  "Into the rhubarb: headed off the road; to get into trouble; a brawl, argument, or squabble."In her fifth volume of poetry, Carla Coles once again brings us into her inimitable inner world. This time, along with her odes to the pleasures of coffee and cake and writing, she delves into the darker emotions of betrayal, endings, and coming through the fire with her sense of humour intact and her gift with words honed to a new level of insight."Whether the subject matter is painful, wonderful, chaotically confusing, or simply the inappropriating of her own kaleidoscopic inner culture, Carla's perfectly parsed insights are never anything less than a delight. And sometimes there's a sly lesson about how to be human in an inhuman world." ~ Bruce Barber,author of Jetsam: New and Collected Fictions******Carla dwells in the magical realm of Stratford, Ontario. She admits to being a little in love with her community. She is an award-winningmultidisciplinary artist, author, and entrepreneur. Her imaginary hobbies include ukulele enthusiast, time travel, and selfcare.This is her sixth book of poetry. Several of her books, much to Carla's surprise, were number one in Canadian poetry on Amazon for a brief time. Carla is a member of Stratford’s Art in the Park.Carla, by her own accounts, is not a believable character. She has an unnatural fondness for pudding and always carries acake fork with her in case of just such emergencies. Queries on whether she wants another coffee are always answered with anenthusiastic yes. Carla likes to think she is hilarious … Carla's friends have said they think it's endearing that she finds herselfhilarious.

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