D'autres livres qui pourraient vous intéresser

• 

  Zoroastrianism: The History and...

  Charles River Editors

  • 0
  • 0
  • 0

  The Sasanian Empire was important for a number of reasons. Besides being the last of three great Persian dynasties, they carried on many Persian cultural traditions relating to religion and kingship. The Sasanians fostered and promoted the native religion of Zoroastrianism to the point of persecuting other religions from time to time. It was during the Sasanian period that the numerous Zoroastrian hymns, prayers, and rituals were collected under one book, known as the Avesta.  
  	Thanks to the Sasanians’ efforts with regard to religion, modern scholars know much more about Zoroastrianism than they would have if the religion continued to disseminate orally. Their efforts also protected Zoroastrian knowledge in later years after the dynasty was long gone and Islam became ascendant in Persia. Zoroastrianism is technically still a living religion today, but the religion is mysterious and not widely known among those who don’t study it, and historians themselves are divided over when the religion’s prophet lived and when the religion was officially adopted in Persia. Zoroastrianism’s historical development has also failed to intrigue significant numbers of people, perhaps due to its geographical location and cultural background. Zoroastrianism developed among the Persian people, who have traditionally not been part of the standard Western, early Islamic, or Far Eastern cultural groupings, and when Persia later became part of the greater Islamic world, it was to the detriment of Zoroastrianism. Finally, Zoroastrianism is a “closed” religion, which has also kept it shrouded in mystery to a certain degree. Although contemporary Zoroastrians are quite open about their faith and willing to help non-Zoroastrian scholars, converts are rarely accepted by the faithful, adding a sense of insularity to the faith.

  Voir livre

• 

  Slavery and the Law: The History...

  Editors Charles River

  • 0
  • 0
  • 0

  Ultimately, while the institution of slavery existed, the principle of protecting individual property rights prevailed, alongside a necessary acknowledgment that slaves were property first and sentient human beings second. It also required a great deal of careful drafting and verbal contortions to construct the Constitution for the young republic that supported those principles of freedom and equality while at the same time facilitating the perpetuation of the “peculiar institution.” 
  	It was not until 1865, with the adoption of the Thirteenth Amendment, the instrument that abolished slavery, that any overt mention of slavery found its way into the Constitution. Before that, direct reference was always carefully avoided, although, at the same time, unmistakably alluded to. The document is filled with provisions specific to slavery, protecting and codifying it on a federal level, without anywhere making direct or overt mention of it. By 1788, when the Constitution of the United States was formally adopted, slavery had been a fact of life in the colonies for 169 years, since the first recorded arrival of black Africans in Virginia in 1619. At that time, around the institution, had evolved a system of laws that were derived in the main from English common law. The irony here is that the regime of English common law was at its root hostile to the principle of human bondage, had no tradition of slavery to call upon, and was desirous on the whole to avoid making any overt judgment or pronouncement on the matter. It, therefore, fell to colonial lawmakers to resolve that essential contradiction between treating Africans as either people or property or both. This tension remained in play throughout the era of slavery in English-speaking America until the matter was finally resolved by the outcome of the American Civil War.

  Voir livre

• 

  A Rare Recording of Aldous Huxley

  Aldous Huxley

  • 0
  • 0
  • 0

  Aldous Huxley (1894 - 1963) was an English writer and philosopher. He was best known for his novels Brave New World and The Doors of Perception.  
  Earlier in his career Huxley edited the Oxford Poetry magazine wrote travel articles, film stories, and scripts. He later became interested in spiritual subjects such as parapsychology and philosophical mysticism, including universalism. He was nominated for the Nobel Prize in Literature in seven different years. 
  This is a recording is part of part of a speech where he describes Brave New World, and George Orwell's Animal Farm.

  Voir livre

• 

  Haunted India

  Shobha Negi

  • 0
  • 0
  • 0

  Haunted India is a spine-chilling audiobook that takes you on a thrilling journey through the most haunted places in India, uncovering real paranormal encounters, ghostly legends, and eerie mysteries that have terrified people for generations. From abandoned forts and cursed villages to haunted mansions and mysterious Forts, each story immerses you in the dark side of India’s supernatural world. Perfect for horror lovers and paranormal enthusiasts, this audiobook blends real experiences with haunting tales to create a powerful listening experience. Press play and step into a world where the line between the living and the unknown disappears.

  Voir livre

• 

  The Divine Comedy - Inferno...

  Dante Alighieri

  • 0
  • 0
  • 0

  The Divine Comedy (La Divina Commedia) by Dante Alighieri is one of the greatest works of art known to the world, a "comedy", that became a "divine book" for ancestors. It is an encyclopedia of "moral, natural, philosophical and theological" knowledges, a tremendous synthesis of the feudal catholic ideology and the same tremendous epiphany that spread during the new culture times. A great poetic genius of the author put this comedy above the era and made it a legacy of centuries.It is divided into three parts: Inferno, Purgatory, Paradise.

  Voir livre

• 

  A Programme of Absolute Disorder...

  Françoise Vergès, Paul Gilroy

  • 0
  • 0
  • 0

  "A complete overhaul of the Western museum tradition" —Publishers Weekly 
   
   
   
  "An impressive critique of the universal museum as complicit in the damages inflicted by colonial power" —Isaac Julien, artist and filmmaker 
   
   
   
  "Should fascinate anyone interested in social justice, post-colonialism and the arts" —Euronews 
   
   
   
  "Powerful and so relevant" —Diacritik 
   
   
   
  The Western museum is a battleground—a terrain of ideological, political, and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the idea of the universal museum itself? 
   
   
   
  In A Programme of Absolute Disorder, Françoise Vergès puts the museum in its place. Exploring the Louvre's history, she uncovers the context in which the universal museum emerged: as a product of colonialism, and of Europe's self-appointed claim to be the guardian of global heritage. 
   
   
   
  Vergès outlines a radical horizon: to truly decolonize the museum is to implement a "programme of absolute disorder", inventing other ways of apprehending the human and non-human world that nourish collective creativity and bring justice and dignity to the dispossessed.

  Voir livre