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  The Infernal Garden

  Gregory Leadbetter

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  In The Infernal Garden, Gregory Leadbetter's poetry leads us into dark and verdant places of the imagination, the edge of the wild where the human meets the more-than-human in the burning green fuse of the living world. This liminal ground becomes a garden of death and rebirth, of sound and voice, in poems that combine the lyric with the mythic, precision with mystery.
  Responding to the intricate crisis in our relationship to our planet and the life around us, the garden here assumes a haunting, otherworldly aspect, as a space of loss, grief and trial, which nonetheless carries within it the energies of regeneration and growth. At the heart of this bewitching book is the force of language itself – at once disquieting and healing – through which we are drawn to the common roots of art, science, and magic, in exquisite poetry of incantatory power.
  "This is heavy-metal poetry, dark and decidedly theatrical." - Jeremy Wikeley, 'The best poetry books of 2025 so far', The Telegraph.

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  Kaika

  Tara A. Devlin

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  There’s something wrong with the house. 
  It was meant to be a fresh new start for the both of them. Instead, it was the beginning of a nightmare. 
  The old but otherwise unassuming house was the only place available on such short notice, and Hideo didn’t think to question it. Perhaps he should have, because it’s not long until he notices changes in his daughter Suzuka, and they’re not changes for the better. 
  Something’s in there with them, and it hungers for blood. Will they make it alive? 
  Click the buy button right now to discover what really lurks in the darkness. 
  The Torihada Files is a series of stand-alone Japanese horror novels set within the same universe. Featuring ghosts, curses, and other supernatural horrors you’ll find only in Japan, each story in The Torihada Files can be read independently of the rest.

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  The Bonfire Party - from the...

  Sean O'Brien

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  Not Yet Available

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  Multiple Casualty Incident

  Sami Ibrahim

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  Here, in a London training centre, people prepare to help strangers on another side of the world. There, a city is burning.
  Here, Sarah gets a meal deal. There, people are in danger. Here, Khaled watches a training video. There, there are men with guns. Here, Sarah and Khaled flirt with each other. There, an aid worker looks after a refugee.
  Suddenly – here becomes there.
  In Sami Ibrahim's play Multiple Casualty Incident, roleplay, desire and compassion intertwine, revealing the limits of help, the beginnings of harm and the complexities of humanitarian work. It was first performed at The Yard Theatre, London, in 2024, directed by Jaz Woodcock-Stewart.

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  Major Kate

  Dennis Boyne

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  Major Kate is an inspiring and gripping story of Kate, a trailblazing woman from an Irish Catholic family A West Point graduate, she pursued law school through the military and rose to the esteemed position of a military judge. Kate's story takes a dramatic turn as she assumes command of an army unit in Afghanistan, demonstrating extraordinary leadership and courage in the face of adversity. her brief time in Afghanistan is marked by intense challenges, culminating in her being wounded in action. This book delves into Kate's resilience, dedication, and the profound impact of her service, offering a poignant portrayal of a woman who defied expectations and made remarkable sacrifices for her country.

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  Please make me pretty I don't...

  Tawanda Mulalu

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  The debut collection of an exciting new voice in poetry 
   
   
   
  Please make me pretty, I don't want to die explores tactility, sound, sensuality, and intimacy. Set across the four seasons of a year, these fresh and original poems by Tawanda Mulalu combine an inviting confessional voice and offbeat imagery, and offer an appealing mixture of seriousness and humor. 
   
   
   
  The speaker of these poems probes romantic and interracial intimacy, the strangeness and difficulty of his experiences as a diasporic Black African in White America, his time working as a teacher's assistant in a third-grade classroom, and his ambivalent admiration for canonical poets who have influenced him, especially Sylvia Plath. Juxtaposing traditional forms such as sonnets and elegies with less orthodox interjections, such as prose-poem "prayers" and other meditations, the collection presents a poetic world both familiar and jarring—one in which history, the body, and poetry can collide in a single surprising turn of image: "The stars also suffer. Immense and dead, their gasses burn / distant like castanets of antebellum teeth. My open window / a synecdoche of country."

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