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  Jailing the Johnstown Judge -...

  Bruce Siwy

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  In 1988, Judge Joe O'Kicki was regarded by his peers as one of the most brilliant legal minds in the United States. He was newly remarried, sworn in as the president judge of a Pennsylvania county and on the fast track to a federal bench . . .  
   
   
   
  Silently, however, a state police vice unit was in the midst of covert operation into O'Kicki's personal affairs. The judge would be accused of soliciting bribes, frequenting brothels, and running the county as if he were a "battleship commander." Later he'd concoct a plan to flee the country and exact revenge on his enemies. 
   
   
   
  Set in the aftermath of the 1977 Johnstown flood and including courtroom testimony, the memos of whistleblowers, contemporary interviews, and excerpts from O'Kicki's unfinished tell-all memoir, Jailing the Johnstown Judge is a fresh examination of the extraordinary western Pennsylvania case that attained international infamy.

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  The Devil’s Defender - My...

  John Henry Browne

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  In the tradition of bestselling legal memoirs from Johnnie Cochran, F. Lee Bailey, Gerry Spence, and Alan Dershowitz, John Henry Browne’s The Devil’s Defender recounts his tortuous education in what it means to be an advocate—and a human being. 
  For the last four decades, Browne has defended the indefensible. From Facebook folk hero the “Barefoot Bandit” Colton Moore, to Benjamin Ng of the Wah Mee massacre and Kandahar massacre culprit Sergeant Robert Bales, Browne’s unceasing advocacy and the daring to take on some of the most unwinnable cases—and nearly win them all—has led 48 Hours’ Peter Van Sant to call him “the most famous lawyer in America.” But although the Browne that America has come to know cuts a dashing and confident figure, he has forever been haunted by his job as counsel to Ted Bundy, the most infamous serial killer in American history. 
  Browne, a drug- and alcohol-addicted yet wildly successful defense attorney who could never let go of the case that started it all, here asks himself the question others have asked him all along: Does defending evil make you evil too?

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  The Yoga Manifesto - How Yoga...

  Nadia Gilani

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  How did an ancient spiritual practice become the preserve of the privileged?Nadia Gilani has been practising yoga as a participant and teacher for over twenty-five years. Yoga has saved her life and seen her through many highs and lows; it has been a faith, a discipline, and a friend, and she believes wholeheartedly in its radical potential. However, over her years in the wellness industry, Nadia has noticed not only yoga's rising popularity, but also how its modern incarnation no longer serves people of colour, working class people, or many other groups who originally pioneered its creation. Combining her own memories of how the practice has helped her with an account of its history and transformation in the modern west, Nadia creates a love letter to yoga and a passionate critique of the billion-dollar industry whose cost and inaccessibility has shut out many of those it should be helping. By turns poignant, funny, and shocking, The Yoga Manifesto excavates where the industry has gone wrong, and what can be done to save the practice from its own success.

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  Oroonoko

  Aphra Behn

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  "A man that has all the virtues that can adorn a human mind."
  
  Oroonoko, a powerful African prince and brilliant general, falls deeply in love with the beautiful Imoinda. Their romance is shattered when they are both betrayed and sold into slavery, eventually reuniting on a sugar plantation in the English colony of Surinam. Renamed "Caesar" by his captors, Oroonoko cannot be broken by the chains of his station. Aphra Behn's narrative is a searing, tragic exploration of the "noble savage," the cruelty of the colonial system, and the indomitable spirit of a man born to rule.
  
  A Landmark in Literary History: As one of the earliest examples of the English novel, Oroonoko is a fascinating blend of travelogue, memoir, and epic tragedy. Behn claims the authority of an eyewitness, painting a vivid—and often brutal—picture of life in the 17th-century Caribbean. The novel challenges the moral justifications of slavery by presenting a protagonist who possesses more honor and nobility than his "civilized" Christian masters.
  
  The Tragedy of the Heroic Ideal: The story culminates in a desperate and violent rebellion as Oroonoko seeks to win freedom for his family. It is a profound meditation on the conflict between natural law and man-made systems of oppression. Oroonoko remains a critical text for understanding the origins of the novel form and the long history of social justice in literature.
  
  Witness the strength of a royal heart in chains. Purchase "Oroonoko" today and discover a foundational work of English prose.

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  The Shot - The Harrowing Journey...

  Wills Robinson, Bill Bee

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  Sergeant Bill Bee’s brush with death was broadcast on TV screens and published in newspapers around the world, but behind the cloud of dirt caused by a Taliban sniper bullet is a story of heroism, tragedy, and fighting an invisible war. 
   
  Sergeant Bill Bee is the Marine in one of the defining images from the War on Terror. He responded to gunfire without protective gear when a Taliban sniper shot hit a sandbank just a few inches from his head in Garmsir, Helmand Province.  
   
  When his world plunged into darkness, he thought his luck had run out. But he somehow survived, and his brush with death on May 18, 2008, was captured by a Reuters photographer. The images were broadcast around the world and became  
  an iconic display of bravery at a time when support for the war in Afghanistan was low. People remember the reckless Marine who risked his life, but the story of the man reeling behind that cloud of dusk is one of an invisible war he is still fighting to this day.

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  Brown Neon

  Raquel Gutierrez

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  A meditation on southwestern terrains, intergenerational queer dynamics, and surveilled brown artists that crosses physical and conceptual borders. 
   
  Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiérrez’s debut essay collection, Brown Neon, gleans insight from the sediment of land and relationships. For Gutiérrez, terrain is essential to understanding that no story, no matter how personal, is separate from the space where it unfolds.  
   
  Whether contemplating the value of adobe as both vernacular architecture and commodified art object, highlighting the feminist wounding and transphobic apparitions haunting the multigenerational lesbian social fabric, or recalling a failed romance, Gutiérrez traverses complex questions of gender, class, identity,  
  and citizenship with curiosity and nuance.

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