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  Grenfell: in the words of survivors

  Gillian Slovo

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  The early hours of Wednesday 14 June 2017. The north-west corner of the Royal Borough of Kensington and Chelsea. A twenty-four-storey residential tower. The scene of a national tragedy.
  This powerful verbatim play is drawn from the testimony of residents – a group of survivors and bereaved – at the heart of the Grenfell Tower tragedy. It reveals the impact of the multiple failures that led to the most devastating residential fire in the UK since the Second World War, and asks: how do we stop this ever happening again?
  Startling, urgent and deeply moving, Grenfell: in the words of survivors explores the courage and resilience of an ill-treated community and their continued campaign for justice.
  Created from interviews by Gillian Slovo, the play was first performed at the National Theatre, London, in July 2023, co-directed by Phyllida Lloyd and Anthony Simpson-Pike.
  10% of the net proceeds from sales of this book will be donated by the publisher to the Grenfell Foundation, who support the bereaved and survivors in the aftermath of the fire, as well as help them ensure Grenfell is remembered long into the future.
  'Moving, heartfelt and important… a powerful piece of verbatim theatre that demands empathy, not sympathy' - Evening Standard
  'An engulfing experience… harrowing but not sensational… Slovo's play is new and important. It is not only that she uses the words of survivors; it's that they are her collaborators. The result is an inquiry of the best sort – the most humane kind – on stage' - Observer
  'A tour de force… deeply humane… infinitely more meaningful than dispassionate news footage… a tremendous piece of theatre' - Time Out
  'Gripping… shocking… piles up devastating detail… an ensemble masterpiece' - Guardian
  'Powerful' - Telegraph
  
  'A visceral insight into a human tragedy' - The Times

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  A Rhyme A Dozen ― The Wind - 12...

  William Shakespeare, Percy...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme a Dozen - 12 Poets, 12 Poems, 1 Topic.  Wind - An Introduction 
  2 - Blow Blow Thou Winter Wind by William Shakespeare 
  3 - Ode to the West Wind by Percy Bysshe Shelley 
  4 - Who Has Seen the Wind by Christina Rossetti 
  5 - Summer Wind by William Cullen Bryant 
  6 - North Wind in October by Robert Seymour Bridges 
  7 - Some Too Fragile for Winter Winds by Emily Dickinson 
  8 - The Wind That Shakes the Barley by Katharine Tynan 
  9 - Windy Nights by Robert Louis Stevenson 
  10 - Wind Over the Sea by Geoffrey Bache Smith 
  11 - The Winds of Fate by Ella Wheeler Wilcox 
  12 - The Wind's Lament by John Morris-Jones 
  13 - Subway Wind by Claude McKay

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  Harvey

  Mary Chase

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  "Harvey" by Mary Chase is a whimsical and heartwarming tale that follows the life of Elwood P. Dowd, an amiable eccentric who claims to have a peculiar friend—an invisible six-foot-tall rabbit named Harvey. Set against the backdrop of 1940s America, the play explores the consequences of Elwood's unconventional friendship on his relationships with his family and society. As Elwood's sister, Veta, attempts to have him committed to a mental institution, misunderstandings and comedic chaos ensue, challenging the perceptions of what is real and the importance of embracing life's enchanting mysteries. Mary Chase skillfully weaves humor, warmth, and a touch of the fantastical to create a timeless story that delves into the acceptance of uniqueness and the transformative power of unconventional connections. "Harvey" is a delightful exploration of the human spirit and the unexpected sources of joy that can enrich our lives.

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  James Fritz Plays: One (NHB...

  James Fritz

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  A playwright known for dazzling structural inventiveness combined with emotional intelligence and wit, James Fritz is a unique voice in British theatre. His work, reflected in these six plays covering the first decade of his career, confronts the fault lines in our culture with thrilling imagination, an unflinching moral seriousness and a warm, compassionate sense of humour.
  Four Minutes Twelve Seconds (Hampstead Theatre, 2014; Trafalgar Studios, 2015; winner of the Critics' Circle Award for Most Promising Playwright) is a 'morally terrifying drama' (Evening Standard) that unpicks the trust between parents and their teenage offspring in an age of selfies and sexting.
  Ross & Rachel (Edinburgh Fringe, 2015; Off-Broadway, 2016) is a 'dialogue for one' that takes an incisive look at the myths of modern love. 'Shockingly good… a virtuosic piece of writing, playful, post-modern and devastatingly serious, all at once' Time Out
  Parliament Square (Royal Exchange Theatre, Manchester, and Bush Theatre, London, 2017; winner of the Judges' Award, Bruntwood Prize for Playwriting) is a searingly powerful exploration of what one individual can do to effect change. 'There are few playwrights working in Britain today whose work is as slick and unsettling as James Fritz's' Exeunt
  Lava (Nottingham Playhouse/Fifth Word, 2018; revived 2022) is a funny, tender and moving story about friendship and reconnection in the aftermath of catastrophe. 'Compassionate, warm and funny… Fritz's plays find reservoirs of humour in places you wouldn't expect' The Stage
  Skyscraper Lullaby (Audible Original, 2022) is a powerful drama, first written as an audio play, about two parents trying to come to terms with the disappearance of their toddler, a haunting examination of the ways we cope with tragedy, complicity and remorse.
  Also included is a previously unpublished short play, twins (Arcola Theatre, 2015), as well as a playful and illuminating introduction written by the author.

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  Born in the USA - Exploring...

  Hilda Doolttle, Louisa May...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series we take a look through the prism of individual regions of the United States through the centuries and decades. 
   
  The United States may be many things: the world’s policeman, a bully, a shameless purveyor of mass market culture but it also, in its better moments, a standard bearer for truth, transparency, equality and the more positive qualities of democracy. 
   
  Little wonder that’s its poets are rightly acknowledged as wonders of their art.  Leading lights in the fight against slavery and for equality, even if the rest of the Nation is finding it problematic to catch up.   
   
  In this volume we have collected verse from poets born in Pennsylvania, one of the most famous states of the Union.  Its proud and illustrious history shines out through verse by such illustrious and venerated names as Stephen Vincent Benet, Louisa May Alcott, Wallace Stevens, Hilda Doolittle, Henry Van Dyke, and others as they explore its status, its nature and its role in shaping the world of verse.

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  Night Sky with Exit Wounds

  Ocean Vuong

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  WINNER of the 2017 T. S. Eliot Prize 
   
   
   
  A New York Times Top 10 Book of 2016 
   
   
   
  "There is a powerful emotional undertow to these poems that springs from Mr. Vuong's sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things." —Michiko Kakutani, The New York Times 
   
   
   
  Library Journal 2016 Best Books of the Year WINNER, 2016 Whiting Award WINNER, 2017 Publishing Triangle's Thom Gunn Award FINALIST, 2017 Kate Tufts Discovery Award FINALIST, 2017 Lambda Literary Award FINALIST 
   
   
   
  In his haunting and fearless debut, Ocean Vuong walks a tightrope of historic and personal violences, creating an interrogation of the American body as a borderless space of both failure and triumph. At once vulnerable and redemptive, dreamlike and visceral, compassionate and unforgiving, these poems seek a myriad existence without forgetting the prerequisite of self-preservation in a world bent on extinguishing its othered voices. Vuong's poems show, through breath, cadence, and unrepentant enthrallment, that a gentle palm on a chest can calm the most necessary of hungers.

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