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  Bones Takes a Holiday - A...

  Emma Jameson

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  The third book in the Dr. Bones Mystery Series, BONES TAKES A HOLIDAY, is a change-of-pace from the usual whodunit. The holidays in question are Christmas 1939 and Valentine’s Day 1940. The world is at war, and the first of many hard winters has begun. But for Dr. Benjamin Bones and Lady Juliet Linton, love has bloomed amid the fear of an uncertain future.  
  Part One: Dr. Bones and the Christmas Wish 
  A few days before Christmas 1939, Dr. Benjamin Bones is in a "Bah, Humbug," sort of mood. It's the coldest winter on record, his country is at war, and his love life has run aground. But magic as well as mysteries abound in Cornwall. When Ben makes a bargain with an elfin little man, it leads him to an old woman who longs to make amends--and a chance for Ben to show that certain someone how much he cares. 
  Part Two: Dr. Bones and the Lost Love Letter 
  There's no such thing as privacy in the tiny village of Birdswing. Everywhere Dr. Benjamin Bones turns, someone is spying from a window, listening through a wall, or gossiping over a garden fence. "The birds sing in Birdswing," says the vicar, Father Cotterill, and in February 1940 this is more true than ever. Waiting for Hitler to make his move and turn this "Phony War" into the real thing, Ben's fellow villagers are desperate for a distraction. But his blossoming affair with Lady Juliet must remain absolutely secret. 
    
  So when a seemingly trifling "case" arises--a love letter misplaced for almost thirty years, still in search of its intended recipient--Ben and Juliet jump at the chance to investigate, simply to steal a bit of time together. But as they try to deliver the letter, they discover two lonely people who might get a second chance at love... through the magic of Cornwall. 
  NOTE: This book was originally published as two separate novellas: DR. BONES AND THE CHRISTMAS WISH and DR. BONES AND THE LOST LOVE LETTER.

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  Powder Keg

  David Larson

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  Tyler Stone is an enigma. He is polite, charming, intelligent, and possibly the most dangerous man you never want to meet. Disgusted by what he perceives as a society too stupid to realize it is being prayed on by divisive agendas that enrich a tiny minority, Tyler embarks on a killing spree. But this is no mindless act of violence; quite the contrary, it is a well-thought-out and executed plan that is akin to one man waging war against an entire nation. With casualties mounting, society coming apart at the seams, and law enforcement closing in, Tyler is determined to execute his plan and, more importantly, get away with it. 

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  The Sokolov Agenda

  Alan McDermott

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  Alex Mann is MI6’s top operative in Moscow, but when his cover is blown, it’s a race against time to get him home. Not only is Mann facing certain death in a notorious penal colony, but only he knows the identity of a Russian terrorist who has London in his sights. 
  The Sokolov Agenda is the latest blockbuster thriller from million-copy bestseller Alan McDermott

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  Hewbris

  Ian Macpherson

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  Hewbris, a post-postmodern crime anti-thriller in the same vein as cult classic Sloot, posits five levels of comedy, lands Hayden with six biological mothers, and proves the existence of God through a joke. Which came as a shock to the author.

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  The Woman in White

  Wilkie Collins

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  "The Woman in White" is a novel by Wilkie Collins, first published in 1859. It is considered one of the earliest examples of the mystery and detective genres. The story unfolds through multiple narrators and involves complex plots and subplots, centering around the mysterious figure of a woman dressed entirely in white. As the characters delve into her identity and circumstances, they become embroiled in a tale of love, betrayal, and nefarious schemes. The novel was revolutionary in its use of the "sensation" genre and remains a classic in mystery and detective fiction.

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  The Thing On The Roof

  Robert E. Howard

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  The Thing on the Roof, written by Robert E. Howard in 1932, is a chilling tale that masterfully blends elements of Lovecraftian cosmic horror with Howard’s signature sense of adventure and danger. First published in Weird Tales in 1932, this story exemplifies Howard’s ability to craft narratives that delve into forbidden knowledge, ancient relics, and the inevitable consequences of tampering with forces beyond human comprehension. The story follows the misadventures of an unnamed narrator, an antiquarian who recounts the fate of a colleague, Tussmann, after he unearths a mysterious and ominous artifact: the Black Book. Fueled by greed and intellectual hubris, Tussmann uses the text to locate an ancient temple in Central America, unaware of the terrible entity that slumbers there. The story builds tension as Tussmann’s quest for knowledge turns into a nightmare, culminating in an encounter with an unspeakable being that defies logic and sanity. The Thing on the Roof showcases Howard’s skill at fusing his love of archaeology, mythology, and horror into a fast-paced, atmospheric tale. The influence of H.P. Lovecraft’s Cthulhu Mythos is evident, with the story’s emphasis on ancient, malevolent forces and the dire consequences of uncovering them. Yet, Howard’s voice remains distinct, adding a visceral energy and sense of immediacy to the unfolding terror. This story invites readers to consider the dangers of arrogance and unchecked curiosity, themes that resonate deeply in the realm of weird fiction. As you journey into the shadowy world of The Thing on the Roof, prepare for an adventure that combines the allure of discovery with the chilling reminder that some mysteries are best left undisturbed.

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