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  Radiohead's OK Computer

  Dai Griffiths

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  Seemingly granted ‘classic album’ status within days of its release in 1997, OK Computer transformed Radiohead from a highly promising rock act into The Most Important Band in the World – a label the band has been burdened by (and has fooled around with) ever since. Through close musical analysis of each song, Dai Griffiths explores the themes and ideas that have made this album resonate so deeply with its audience, and argues that OK Computer is one of the most successfully realized CD albums so far created.

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  Light Beer Taxes and a Racist...

  Bobby D'Angelo

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  Figured it was time to get this out. Thank you for listening!!

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  Erotica: Obsession

  David Keane

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  The TRUE story of one man, two women, and their obsession, Adult content

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  A Rare Recording of Mel Blanc

  Mel Blanc

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  Melvin Jerome Blanc (May 30, 1908 - July 10, 1989) was an American voice actor and radio personality whose career spanned over 60 years. During the Golden Age of Radio, he provided character voices and vocal sound effects for comedy radio programs, including those of Jack Benny, Abbott and Costello, Burns and Allen, and Judy Canova. Blanc became known worldwide for proving the voices for, among others, Bugs Bunny, Daffy Duck, Tweety, Sylvester the Cat, Yosemite Sam, Foghorn Leghorn, the Tasmanian Devil, Porky Pig, Elmer Fudd,  Barney Rubble and Dino, Mr. Spacely on The Jetsons, and Captain Caveman. Referred to as "The Man of a Thousand Voices", he is regarded as one of the most influential people in the voice acting industry, and as one of the greatest voice actors of all time. The following is from a 1983 tv interview.

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  Supes Ain't Always Heroes -...

  Lynn S. Zubernis, Matthew Snyder

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  Go deeper inside the hit TV show The Boys and its characters with psychologists, media experts, filmmakers, and more—including the original comic series' cocreator and the actors behind Soldier Boy and Stormfront. 
   
   
   
  Supes Ain't Always Heroes offers a fresh look at The Boys, delving into the show's unflinching depiction of celebrity, politics, social media, corporate greed, racism, sexism, and more: 
   
   
   
  ● The true difference between Homelander and Billy Butcher—and who the show's biggest villain really is 
   
   
   
  ● What Soldier Boy's characterization says about how we define masculinity 
   
   
   
  ● How today's media landscape has contributed to The Boys' success 
   
   
   
  ● What the evolutions of Hughie, Starlight, A-Train, Mother's Milk, and other show standouts reflect about addiction, family, identity, and self-acceptance 
   
   
   
  PLUS: Exclusive interviews with The Boys comics cocreator Darick Robertson and actors Jensen Ackles, Jim Beaver, Aya Cash, and Nathan Mitchell provide a unique glimpse behind the scenes. Comments from editor interviews with more of the show's stars give further insight into their experiences in bringing these complex characters to life.

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  The Way They Were - How Epic...

  Robert Hofler

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  It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. 
   
   
   
  Screenwriter Arthur Laurents wrote the role of Katie with Barbra Streisand in mind. Casting Hubbell was another matter. Robert Redford, already a superstar, was reluctant to play what he perceived as the "Ken doll" to Streisand's lead, and demanded his role be changed and expanded. Laurents resisted, telling director Sydney Pollack, "You'll ruin the movie if it ends up being about two people. It's Katie's story, not Hubbell's." Despite his protests, ten writers were brought on to rework the script. 
   
   
   
  Laurents's fears were well founded, and the first preview was disastrous. Producer Ray Stark and Pollack cut several scenes, upsetting Streisand and Laurents. Yet the edits worked. Such was the movie's success that Redford was open to making a sequel, though the script was never greenlit. 
   
   
   
  Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

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