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  The End of a Show - From their...

  Barry Pain

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  Barry Eric Odell Pain was born at 3 Sydney Street in Cambridge on 28th September 1864. He was one of 4 children. 
  He was educated at Sedbergh School and then Corpus Christi College, Cambridge where he read classics and contributed to and edited Granta. 
  Four years of service as an Army coach followed before he moved to London. In 1889, Cornhill Magazine published his short story ‘The Hundred Gates’.  This opened the way for Pain to advance his literary career on several fronts. He became a contributor to Punch and The Speaker, as well as joining the staff of both the Daily Chronicle and Black and White.  
  In 1897 he succeeded Jerome K Jerome as editor of To-Day but still contributed regularly, until 1928, to the Windsor Magazine. 
  It is often said that Pain was discovered by Robert Louis Stevenson, who compared his work to that of Guy de Maupassant.  It’s an apt comparison. Pain was also a master of disturbing prose but able to inject parody and light comedy into many of his works.  A simple premise could in his hands suddenly expand into a world very real but somehow emotionally fraught and on the very edge of darkness as many of these short stories demonstrate.   
  Despite applying his talents to several genres and forms today Pain is more readily thought of, especially during the first decade of the 20th Century, as perhaps the leading British humorist of his day.  These stories reveal a darker side and beg to differ. 
  Barry Pain died on 5th May 1928 in Bushey, Hertfordshire.

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  At the Mountains of Madness —...

  H. P. Lovecraft

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  More classic horror narrations on Jonathan's YouTube channel: https://www.youtube.com/@JonathanDunneHorrorAudiobooks 
  Title: At the Mountains of Madness 
  Author: H. P. Lovecraft 
  Narrator: Jonathan Dunne 
  Original Publication: 1936 
  Public Domain: Yes 
  Series Placement: Timeless Terrors No. 84 
  Series Format: Part 1 of 12 
  Description: 
  At the Mountains of Madness is one of H. P. Lovecraft’s most influential works of cosmic horror—a vast and unsettling account of forbidden knowledge, ancient civilizations, and humanity’s fragile place in an uncaring universe. This narration marks Part One of a 12-part series, with new installments released regularly. 
  The story begins with a Miskatonic University expedition to Antarctica, undertaken in the name of scientific discovery. What initially appears to be a routine research mission soon uncovers evidence of an impossibly ancient presence buried beneath the ice—one that predates humanity and defies all conventional understanding. 
  Central to the tale is Lovecraft’s vision of cosmic insignificance. As the expedition pushes deeper into the polar wasteland, reason and science prove inadequate in the face of revelations that threaten not only the explorers’ sanity, but humanity’s understanding of its own origins. 
  Rather than relying on constant action, Lovecraft builds horror through atmosphere, scale, and the gradual unveiling of terrifying truths. Narrated by Amazon-bestselling horror author Jonathan Dunne, this performance captures the story’s mounting dread, intellectual unease, and slow-burn descent into cosmic terror. 
  At the Mountains of Madness endures as a cornerstone of Lovecraftian fiction—a chilling reminder that some knowledge is better left buried, and that the universe is far older, stranger, and more hostile than we dare imagine.

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  Dolphin Junction - Stories

  Mick Herron

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  CWA GOLD AND STEEL DAGGER–WINNER MICK HERRON’S SHORT FICTION, COLLECTED FOR THE FIRST TIME. 
   
  Mick Herron, author of the Slough House novels, is on his way to becoming one of the most critically acclaimed and culturally important crime fiction writers of the twenty-first century. He has been awarded both the Gold and Steel Daggers by the Crime Writers’ Association and has been called “the John Le Carré of the future” (BBC). But Mick Herron does more than “just” write flawlessly suspenseful spy thrillers. He is a craftist of the highest order, irrepressibly versatile in form (novels, novellas, short fiction) and mood (witty, taut, spooky, laugh-out-loud funny), whose “efficient, darkly witty, tipped-with-imagery sentences … feel purpose-built to perforate [our] private daze of illiteracy” (The Atlantic). 
   
  Now, for the first time, Herron’s short fiction has been collected into one volume.  
   
  In Dolphin Junction, devoted fans and future converts alike will find much to amuse, delight, and terrify them. Five standalone nerve-rackingly thrilling crime fiction stories are complemented by four mystery stories featuring the Oxford wife-and-husband detective team of shrewd Zoë Boehm and hapless Joe Silvermann. The collection also includes a peek into the past of Jackson Lamb, irascible top agent at Slough House.

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  The Empire of the Necromancers

  Clark Ashton Smith

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  This audiobook is narrated by an AI Voice.  
  In a world where the sun dims over the last continent, Zothique, two exiled necromancers—Mmatmuor and Sodosma—seek to create their empire in a kingdom of the dead. Driven from Tinarath, they journey to the deserted land of Cincor, where plague has left only bones and mummies behind. Using forbidden spells, they raise the dead to serve their dark will, constructing an undead empire of forced labor and eerie splendor. Yet, deep in this kingdom, a spark of rebellion stirs among the dead. As the necromancers’ control falters, the fate of Cincor’s restless souls teeters between freedom and perpetual torment. Will the dead reclaim peace, or will Mmatmuor and Sodosma’s vile empire endure?

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  Scientists As The Protagonists –...

  Arthur Conan Doyle, Edward Page...

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  Scientists are only interested in facts.  Short story writers are only interested in fiction and how it can change one set of circumstances to another.  Experiments in words may be common to both but when the scientist is our protagonist the journey can suddenly become quite disturbing. 
   
  Join H P Lovecraft, Arthur Conan Doyle, Nathaniel Hawthorne and many others as they put scientists into the driving seat of stories that often have surprising outcomes.  
   
  1 - Stories with The Scientists As Protagonists - An Introduction 
  2 - Herbert West - Re-Animator - Part 1 by H P Lovecraft 
  3 - Herbert West - Re-Animator - Part 2 by H P Lovecraft 
  4 - When The World Screamed by Arthur Conan Doyle 
  5 - A Thousand Deaths by Jack London 
  6 - The Star by W F Harvey 
  7 - The Birthmark by Nathaniel Hawthorne 
  8 - A Tale of Negative Gravity by Frank R Stockton 
  9 - The Crystal Man by Edward Page Mitchell

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  3 Christmas Stories - Sad...

  Anton Chekhov, Fyodor Dostoyevsky

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  There is something about the number 3.    
   
  The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two.   
   
  Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois.  It seems good things usually come in threes. 
   
  Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating. 
   
  From their pens to your your ears.

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