Other books that might interest you

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  Cocktails Before Midnight - A...

  Tanya E Williams

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  Step into the holiday season at The Hotel Hamilton, where sparkling lights glimmer as a manipulative guest traps the sisters in his web. 
  Clara and Louisa Wilson, maids at the illustrious hotel, are swept up in the thrill of The Hamilton’s first holiday season. Louisa, buoyed by the excitement of her theatrical debut, sets her sights on Hollywood and befriending a director staying at the hotel. Meanwhile, Clara, newly promoted to a prestigious eighth-floor position, navigates the complexities of her role while a blossoming romance stirs her heart. 
  But the joy of the season starts to fade as the sisters find themselves ensnared in a sinister ploy that threatens all they hold dear. Caught in the crosshairs of Louisa’s Hollywood ambitions, Clara’s budding romance, and with their very livelihoods at stake, they must confront a formidable challenge that could cost them everything. Will they find the strength to protect what matters most, or will they lose it all? 
  Cocktails Before Midnight is the heartwarming third installment in the Hotel Hamilton historical fiction series. If you revel in tales of resilient heroines, vivid settings, and dynamic sibling bonds, Tanya E Williams’ captivating story is sure to tug you back in time.

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  The House Book

  Susan Greenwood

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  1663 
   
   
   
  At twenty years old, Alice Crayford becomes mistress of Oakwood Grange, a house built by her father, and she begins her diary. The house remains in the ownership of one family for three and a half centuries, each generation faithfully recording details of their household in The House Book. Eventually, the family line dies out. 
   
   
   
  1985 
   
   
   
  Oakwood Grange has new owners. Janie Whittaker feels an unaccountable attachment to the old place from the very first visit and, inspired by The House Book, decides it's time she traced the estranged branch of her own family. But it's Janie's discovery of Alice's diary in amongst some old papers which provides a more interesting link between past and present and soon she's absorbed in Alice's world. Meanwhile, Janie can't help noticing one or two strange little occurrences in the house—even their foundling cat seems a bit odd—but none of this really fazes her. 
   
   
   
  It's true the witches' marks over the fireplace are a bit unsettling, but then belief in witches was commonplace in the seventeenth century and now, surely, everyone knows . . . there's no such thing as witchcraft?

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  Blood Red Roses

  Katherine Deauxville

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  Medieval England springs to life in a romance that “transcends its basic formula with a convincing setting integral to the tale and believable characters” (Publishers Weekly). Fulk de Jobourgh is a knight of the court of King William, commanded to oversee the lands of a noble who was hanged for treason. He is also instructed to marry the dead traitor’s rebellious daughter and ensure her loyalty to the king. He brings her to the altar, and to his bed, before galloping off once again to command in the King’s war. Although Alwyn, his unwilling bride, is barely able to remember the face of Fulk, she cannot forget her response to his touch. At every turn, she thwarts his efforts to take control of her father’s estate and finds herself enslaved by her passion for him. Will she be able to resist the sensual pleasure of his touch in order to save her rightful legacy and family honor?

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  Fascist as Author The - A Short...

  Knut Hamsun, Luigi Pirandello,...

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  Authors are authors and we are drawn to their works because of their style, their narrative, and their characters and how each part is assembled into the arc of the whole. 
   
  But are we?  Do social conventions, or fashion or other influences decide what we read or what we listen to? 
   
  Its famously said that everyone has a story, everyone should be heard. 
   
  So, when we discover a particular author has a dark past, a difficult character, what do we do?   
   
  Europe was in the last century riven by two catastrophic world wars and a myriad of other local ones.  And like good citizens everywhere our thoughts are stilled by the word ‘Fascist’.  This word which originally meant many strands held together to make a stronger whole is now a one word response to evil and work done in its name. 
   
  In this volume our approach has been to take authors of then great renown, two of whom won the Nobel Prize, and compile a work from each which is seen in a literary context rather than in the heinous shadow of their political and social beliefs.   
   
  We are taught that authors write of their own experiences, but is that really true?  Can an author be separated from their nihilistic approach to politics and actually be a good writer who adds to our knowledge and experience rather than taint us with their reprehensible beliefs on their fellow man. 
   
  Its an ongoing argument.  Perhaps both sides are right.  Perhaps both sides are wrong.

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  Fragments of a Woman

  Emma Venables

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  Five women, trapped by duty, fighting to survive…Gentle Ingrid puts her life at risk when she tries to save her beloved daughter from her husband's zealous beliefs.Liesel, a lesbian, marries a gay man in hopes that they can feign the ideal marriage and, in doing so, protect each other from persecution.Lovesick Greta, spurned by Liesel and lost, joins the Resistance, then disappears.Gisela, a prostitute once contentedly in control of her own destiny, is incarcerated at Ravensbrück, where she must fight for a future she cannot yet imagine.While Lore, craving a life beyond Berlin, wifedom and motherhood, steps down a dark and dangerous path.Exploring themes of motherhood, identity, trauma, fascism, and survival, Fragments of a Woman offers a nuanced and heartbreaking exploration of what it meant to be a woman living under National Socialist rule.

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  The Pavilion in the Clouds

  Alexander McCall Smith

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  It is 1938 and the final days of the British Empire. In a bungalow high up in the green hills above the plains of Ceylon, under a vast blue sky, live the Ferguson family: Bella, a precocious eight-year-old; her father Henry—owner of Pitlochry, a  
  tea plantation—and her mother Virginia. The story centres around the Pavilion in the Clouds, set in the idyllic grounds carved out of the wilderness. But all is not as serene as it seems. Bella is suspicious of her governess Miss White’s intentions.  
   
  Her suspicion sparks off her mother’s imagination and after an unfortunate series of events, a confrontation is had with Miss White and a gunshot rings off around the hills. 
   
  Years later, Bella, now living back in Scotland at university in St Andrews, is faced once again with her past. Will she at last find out what happened between her father and Miss White? And will the guilt she has lived with all these years be reconciled by a long overdue apology?

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