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  Joy Us - LGBTQ+ poetry

  Cherry Potts, Jeremy Dixon

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  Arachne Press has long been a champion of LGBTQ+ writers, but we've never before published an anthology of LGBTQ+ poetry. These are joyful poems that celebrate all that is best about our community/ies and lives. This is not an 'explain it to the straights' book, this is for us. LGBTQ+ readers can open this book at random and find a moment of poetic queer joy for themselves, however big or small.
  Featuring contributions from: Abhi Alexander Williams Annie Kerr Aoife Mannix Becky Brookfield Cherry Potts Conway Emmett Dean Atta Desree Elizabeth Chadwick Pywell Elizabeth Gibson Garnett 'Ratte' Frost Helen Bowie Jane Aldous Jeremy Dixon John McCullough Joshua Linney Joshua Jones Joy Howard JP Seabright K. Angel Kate Foley Khakan Qureshi, BEM Laurie B. Lawrence Wilson Lydia Fulleylove Maria Jastrzębska Mwelwa Chilekwa P Burton-Morgan Rab Green Rick Dove Robert Hamberger Sophia Blackwell Steph Morris Tanya Erin Sheehan Tom McLaughlin Vron McIntyre Zo Copeland

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  Poetry: A Symphony of Words -...

  Azhar ul Haque Sario

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  "Poetry: A Symphony of Words" is a profound collection of 81 poems, divided into seven thematic sections. The book covers a wide range of human emotions, experiences, and issues, from grief and loss to self-discovery, politics, and memory. Each poem carries a different title, offering the reader an opportunity to explore the varied themes and insights presented in this book. The sections are thoughtfully arranged to take the reader on a journey that explores the beauty and complexity of life, nature, and the human experience. In some poems, the author shares a sense of loss and absence, while others reveal insights into identity, aging, social and political issues, and the transformative power of poetry. Overall, this book is a must-read for poetry lovers, as it captures the essence of life in all its complexities and beauty.

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  My Land of Freedom - A poem of...

  Ifeanyi Njoku

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  This poem is a powerful reflection on war, displacement, and the struggle for freedom. It tells the tragic story of a people who fought for liberation but were met with violence, loss, and eventual surrender. Likely referencing the Igbo experience during the Nigerian Civil War, it captures the pain of oppression and the resilience of those who endured it. 
  The poem begins with a contradiction: "In my land of freedom, I walked with fear." This highlights the irony of living in a place meant to be free but being consumed by anxiety. The people demand justice, yet their cries are silenced by violence. The line "Killing our brothers, and leaving us undone" conveys both physical loss and emotional devastation. 
  The imagery of "scorching soil" and "separated from families" paints a picture of suffering and displacement. War does not just take lives—it tears families apart and leaves hearts unable to thrive. The mention of "refugee camps" emphasizes how many were forced from their homes, left to question their identity: "Are we unlucky, to be Igbo?" This speaks to a deep sense of abandonment and injustice. 
  The poem also highlights betrayal, as leaders fail to protect their people. "Everyone was a soldier, in this war we couldn't win." This line captures the grim reality of a war where survival itself was a battle. Despite their bravery, they were up against overwhelming forces. 
  The final lines are heartbreaking: "We had to surrender, and say goodbye to our pride." This is not just a loss of battle but a loss of dignity. Yet, even in surrender, their story lives on. This poem is a tribute to resilience, a reminder of suffering, and a call to remember those who fought, even when the world turned away.

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  The Poetry of Sarojini Naidu -...

  Sarojini Naidu

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  Sarojini Chattopadhyay was born into a Bengali family in Hyderabad, India on 13th February 1879, the eldest of the eight siblings. The family was well-respected in Hyderabad and were established artists. 
   
  Naidu passed her matriculation examination at the University of Madras and took a four-year break from her studies.  
   
  In 1895, H.E.H. the Nizam's Charitable Trust founded by the 6th Nizam, Mahbub Ali Khan, gave her the chance to study in England, first at King's College, London and later at Girton College, Cambridge.  
   
  Even in these early times she was a social activist.  It was whilst in England that she worked as a suffragist and was first drawn to the Indian National Congress' Hindu movement for India's independence from British Colonial rule.  
   
  She began writing at the age of twelve. Her play, ‘Maher Muneer’, written in Persian, impressed the Nawab of Hyderabad. It was an auspicious start. 
   
  Sarojini met Paidipati Govindarajulu Naidu, a physician, and after finishing her studies at age 19 married him. The couple would have five children.  Interestingly their families approved their marriage even though they were from different castes and society was not as tolerant as it might be today.  Additionally, Sarojini was from Bengal and Naidu from Andhra Pradesh and marriages between those from the north and south were frowned upon.  Happily, they overcame these problems and both marriage and careers thrived. 
   
  In 1905, her first collection of poems, ‘The Golden Threshold’ was published. 
   
  Naidu became a part of the Indian nationalist movement and was a follower of Mahatma Gandhi and his idea of swaraj (this was an India without its colonial administration systems).  Despite her growing political career she still found time to write and published several further volumes of poetry. Such was her eloquence that she became known as the ‘Nightingale of India’. 
  Sarojini was appointed the President of the Indian National Congress in 1925 and was a major influence and figure in the Independence movement.  
   
  Along with several other Congress leaders including Gandhi and Jawaharlal Nehru she was arrested for taking part in the 1930 Salt March.  Indeed Sarojini faced frequent arrest by the British Authorities and spent, in total, many months in prison. 
   
  Following India's independence from British rule in 1947, Sarojini was appointed as the governor of the present-day Uttar Pradesh in so doing she became India's first female governor. 
   
  Returning from work in New Delhi on 15th February, 1949 she was advised to rest by her doctors, and her official engagements were cancelled.  Her health deteriorated rapidly and on 1st March bloodletting was performed after she complained of severe headache.  
   
  Sarojini Naidu died of a cardiac arrest on 2nd March 1949.  She was 70.

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  How Beautiful People Are

  Ayaz Pirani

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  In How Beautiful People Are, his third collection, Ayaz Pirani continues to write his people’s pothi: a trans-national, inter-generational poetry of post-colonial love and loss animated by the syncretizing figure of Kabir and drawn from the extraordinary diwan of ginan and granth literature. Walking alongside the tiger of Ali and an assortment of beloved infidels, Ayaz uncovers just How Beautiful People Are. After all, what will darkness do, his poems ask, when a true guru makes light?

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  Some Dreams From Now - 135 Years...

  Theophilus Kwek

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  Lim Boon Keng. David Marshall. Chandran Nair. Ho Poh Fun. 
   
  Some Dreams From Now presents 70 defining pieces of writing from the Raffles Institution archives— many brought into the public eye for the first time—that trace the contours of Singapore’s history. 
   
  From youthful dreams of a freer and more peaceful society, to emerging voices that shaped the aspirations of a new nation, they tell the untold story of a school and its community at the heart of a changing city.

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