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  Mississippian Culture -...

  Rolf Hedger

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  The Mississippian culture, a sophisticated and influential civilization, thrived in the southeastern United States from approximately 800 CE to 1600 CE. This culture, named after the Mississippi River, was centered around the river valleys and floodplains of the American Midwest, particularly in areas that are now parts of modern-day Illinois, Missouri, Arkansas, and Mississippi. It is best known for its massive earthworks, especially mounds, which were used for both ceremonial and burial purposes. The Mississippian people developed a complex society that was marked by large-scale agriculture, intricate trade networks, and powerful political and religious institutions. 
  The origins of the Mississippian culture can be traced back to the earlier Woodland period, during which smaller villages and simple mound-building practices began to emerge. By around 800 CE, however, the Mississippian culture had fully developed, distinguished by its highly organized cities, monumental architecture, and wide-reaching trade connections. The Mississippians were expert farmers, cultivating staple crops such as maize, beans, and squash, which allowed their settlements to flourish and grow in both size and complexity. 
  One of the most notable features of the Mississippian culture was its social and political structure. The culture was organized around large chiefdoms, with powerful leaders who held both political and religious authority. These chiefs often resided in large, fortified towns that served as hubs of trade, governance, and religious activity. The largest and most famous of these urban centers was Cahokia, located near present-day St. Louis, Missouri. At its height, Cahokia had a population of over 10,000 people, making it one of the largest urban centers in pre-Columbian North America.

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  The Forerunner & The Madman

  Kahlil Gibran

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  Most famously known for his book The Prophet, the Lebanese poet Kahlil Gibran, who has been called "the single most important influence on Arabic poetry and literature during the first half of [the twentieth] century."Contained herein are two lesser known works. The Madman was the first book Kahlil published in English, and it's success was enough for The Forerunner to be released by the same publisher less than two years later.

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  Globo arte March 2023 issue -...

  Globo Arte team

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  Hi guys this is the March 2023 Magazine issue, s contains artists interviews to inspire artists, and so much more to help the artist in their art career,it contains artist interviews, art-related topics articles and question of the month, step of the month and social media updates

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  COLLECTION OF SONG POEMS A (90...

  Steve Dafoe

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  A collection of 90 Song Lyrics turned to Poems. Thereby PoeLyrics! Based on the music of Steve Dafoe.

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  The Dad Rock That Made Me A Woman

  Niko Stratis

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  A memoir-in-essays on transness, dad rock, and the music that saves us. 
   
   
   
  When Wilco's 2007 album Sky Blue Sky was infamously criticized as "dad rock," Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad's glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock's emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward. 
   
   
   
  In taut, searing essays rendered in propulsive and unguarded prose, Stratis delves into the emotional core of bands like Wilco and The National, telling her story through the dad rock that accompanied her along the way. She found footing in Michael Stipe's allusions to queer longing, Radiohead's embrace of unknowability, and Bruce Springsteen's very trans desire to "change my clothes my hair my face"—and she found in artists like Neko Case and Sharon Van Etten that the label transcends gender. A love letter to the music that saves us and a tribute to dads like Stratis's own who embody the tenderness at the genre's heart, The Dad Rock That Made Me a Woman rejoices in music unafraid to bare its soul.

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  How to Be Avant-Garde - Modern...

  Morgan Falconer

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  Reacting to the tumultuous crises of the twentieth century, especially the horrors of World War I, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas. 
   
   
   
  Avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the Futurist founder Filippo Tommaso Marinetti, whose manifesto seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret, and the Surrealists tried to exchange it for tools to plumb the unconscious. He guides us through the Russian Constructivists with their adventures in advertising and utopianism and De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with their ideas inspiring the 1968 Paris student protests. 
   
   
   
  How to Be Avant-Garde is a journey through the interlocking networks of these creative lives with their visions of a better world, their sometimes sympathetic but often strange conversations, and their objects and writings that defied categorization.

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