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  Roots of My Fears - Terrifying...

  Gemma Amor

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  British fantasy and Bram Stoker-nominated author Gemma Amor brings together a unique line-up of thirteen authors to explore heritage and horror, featuring stories from Gabino Iglesias, Erika T. Wurth, and many moreIt's a bedtime story, ancient family lore, a secret passed down from generation to generation. Stories that have deep dark roots, ever-growing, ever-creeping.This anthology explores stories of heritage and horror. The tales we grew up on, hometown rumors and legends.The things we pass down through our bloodlines.

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  Fat Vampire 3: All You Can Eat

  Johnny B. Truant

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  Immortality Has Met Its Match... 
  Ever since the Ring of Fire, the world's vampires have seen their mortality. They won’t live forever after all — not if the angels who created them decide to snuff them like candles. 
  What do the angels want? What did their command to “restore balance” truly mean? For most, the angels’ decrees mean mass murder and mass turnings … but the humans aren’t sheep, and won’t just lie down and take it forever. 
  As Deacon Maurice tries to maintain order with Reginald by his side, panic consumes the Vampire Nation. The center begins to fall apart and chaos grows like cancer. But as war between vampires and humans threatens, Reginald begins to discover strange new abilities within him: to navigate through blood history like no other vampire before him. To glamour those who can’t be glamoured. And seemingly, to stop time itself. 
  Fear has reached its tipping point. War is close. Reginald might hold the key to the angels’ mystery … but whatever could help him intervene just might be too late.

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  Damage (Unabridged)

  Rosalie Parker

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  Rosalie Parker runs the independent UK publishing house Tartarus Press with R. B. Russell. Her previous collections include The Old Knowledge (Swan River Press 2010) and Damage (PS Publishing 2016). "In the Garden" was selected for Best New Horror 21 (2010), and "Random Flight" for Best British Horror 2015. Rosalie lives in Coverdale, North Yorkshire, the magnificent landscape of which inspires and sometimes provides the settings for her writing.
  DAMAGE: School and first went into the business, my grandfather, who had retired by then, told me about how chimney sweeps are regarded as good luck, and maybe more than that to some of the female customers, but he said that I should always treat everyone with respect.

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  The Demon of the Grimsel Pass

  Philip Stengel

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  High in the Swiss Alps, beneath the pressure of the Rhône and Aletsch glaciers, something older than religion and colder than death has been held in silence for millennia. When a climate research team drills too deep into the ice at Grimsel Pass, they do not uncover a relic or a beast. They puncture a linguistic prison. Deep below the station lies a sealed chamber ringed by the preserved dead, and beneath waits the Namenfresser, the Name-Eater, an ancient logic that does not simply kill. It edits. It strips away the fences of identity and replaces the human world with an older, harsher draft. 
  At the center stands Dr. Eva Haldimann, a linguist brought to the pass to interpret whatever the drill might expose. What begins as a scientific anomaly becomes a metaphysical breach. The chief driller returns barefoot from the glacier speaking impossible words. Audio files begin behaving like executable code. Dead syntax infects speech, memory, and machine systems. Maps redraw themselves. Paths change. Men walk into terrain that no longer matches the world they thought they knew. As Eva pushes deeper into the old grammar beneath the mountain, she realizes the true horror of the pass: the entity below does not conquer by force alone. It recruits through interpretation, rewarding the exact kind of mind trained to admire pattern and precision. 
  What follows is alpine cosmic horror fused with philological terror, buried history, and catastrophic recursion. The Demon of the Grimsel Pass is a novel about language as contagion, memory as a defensive wall, and the nightmare of discovering that reality itself can be revised by something older than the human need for names. By the final movement, the struggle narrows to a sealed chamber beneath the glacier, where Beat Gasser and Eva confront the surviving logic of the breach and learn that containment will demand more than survival. It will demand sacrifice at the level of identity itself.

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  Empty Nest - A Dead City Novella

  Johnny B. Truant, Sean Platt

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  The boy who became Bobby Baltimore. 
  Born last and long after his siblings, Rupert Haydock always was a Mama’s Boy. His Daddy used to taunt him for it, even though he did all he could to live up to his Dad’s high standards for toughness.  
  But when his mother accidentally contracts the mysterious and dreaded Rip Daddy disease through a cut on her hand, thanks to her husband’s carelessness, Rupert spends every minute at her bedside, taking care of her.  
  At first, he prays she’ll recover. But then her agony grows and her flesh starts to rot -- until she no longer resembles the mother he once knew. He’s not sure if the disease has completely ravaged her mind, or if she’s still trapped deep inside her rapidly decaying body. 
  End her suffering or stay with her to the horrific end -- what would any Mama’s Boy do? 
  Empty Nest is a stand-alone story told inside the universe of Platt & Truant's Dead World Trilogy, an intelligent, big pharma corporate espionage and genetic engineering exploration of the zombie subgenre.

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  MS Found in a Bottle

  Edgar Allan Poe

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  More classic horror narrations on Jonathan's YouTube channel: https://www.youtube.com/@JonathanDunneHorrorAudiobooks 
  Title: MS. Found in a Bottle 
  Author: Edgar Allan Poe 
  Narrator: Jonathan Dunne 
  Original Publication: 1833 
  Public Domain: Yes 
  Series Placement: Timeless Terrors No. 94 
  Description: 
  MS. Found in a Bottle is one of Edgar Allan Poe’s earliest and most haunting explorations of cosmic dread and maritime terror. The story follows an unnamed narrator who survives a catastrophic storm at sea, only to find himself aboard a mysterious vessel crewed by ancient, silent figures who appear wholly unaware of his presence—a journey that carries him ever deeper into icy waters and existential uncertainty. 
  The tale’s horror is vast and philosophical. The storm-torn ocean, the unnatural ship, and the ghostly crew create mounting tension through isolation, inevitability, and the relentless pull southward into darkness. Every moment aboard the vessel blurs the boundary between life and death, reality and nightmare, reminding readers that knowledge offers no protection against the infinite. 
  Unlike tales driven by physical confrontation, the story’s fear emerges from atmosphere, insignificance, and the crushing immensity of the unknown. The horror is existential, atmospheric, and inescapable—a reflection of humanity’s fragility when faced with forces that dwarf comprehension. 
  Narrated by Amazon-bestselling horror author Jonathan Dunne, this performance captures the mounting dread and vast, indifferent terror of Poe’s vision, bringing to life its tension, philosophical unease, and spiraling descent into oblivion. MS. Found in a Bottle endures as a foundational work of gothic and cosmic horror, where curiosity leads not to discovery, but to annihilation.

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