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  3 Stories - Blind Characters - A...

  Mikhail Lermontov, Aphra Behn,...

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  There is something about the number 3.    
   
  The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two.   
   
  Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois.  It seems good things usually come in threes. 
   
  Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating. 
   
  From their pens to your your ears.

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  Oscar Wilde - Letters Volume 5...

  Oscar Wilde

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  The correspondence of Oscar Wilde volume five. 
   
  This fifth and final collection of the correspondence of Oscar Wilde includes many letters to his friend, Robert Ross, and a long letter about prison reform to the editor of the Daily Chronicle. For most of the last three years of his life, Wilde lived in Paris, but his letters also describe visits to Switzerland and Italy. The collection ends with one of Wilde's last surviving letters, which he wrote from his deathbed to beg a friend for money to pay his medical bills. 
   
  Oscar Fingal O'Flahertie Wills Wilde was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s

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  The Case of Charles Dexter Ward...

  H.P. Lovecraft

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  When the young Charles Dexter Ward becomes fascinated by the history of his wizard ancestor Joseph Curwen, who gained notoriety for haunting graveyards, he attempts to duplicate Curwen's cabbalistic and alchemical feats. It is Ward's doctor who bears witness to the full horror of Ward's results as Lovecraft's psychological mystery unfolds before him.

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  We Are All Armenian - Voices...

  Aram Mrjoian

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  A collection of essays about Armenian identity and belonging in the diaspora. 
   
   
   
  In the century since the Armenian Genocide, Armenian survivors and their descendants have written of a vast range of experiences using storytelling and activism, two important aspects of Armenian culture. Wrestling with questions of home and self, diasporan Armenian writers bear the burden of repeatedly telling their history, as it remains widely erased and obfuscated. Telling this history requires a tangled balance of contextualizing the past and reporting on the present, of respecting a culture even while feeling lost within it. 
   
   
   
  We Are All Armenian brings together established and emerging Armenian authors to reflect on the complications of Armenian ethnic identity today. These personal essays elevate diasporic voices that have been historically silenced inside and outside of their communities, including queer, multiracial, and multiethnic writers. The eighteen contributors to this contemporary anthology explore issues of displacement, assimilation, inheritance, and broader definitions of home. Through engaging creative nonfiction, many of them question what it is to be Armenian enough inside an often unacknowledged community.

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  Gavin at War - The World War II...

  Lewis Sorley

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  Lieutenant General James Gavin, commander of the 82nd Airborne Division during WWII, is one of the best-known figures of the war. Beginning as the commander of the 505th Parachute Combat Team that spearheaded the American assault on Sicily in July 1943, Gavin advanced to division command and finally command of US forces in Berlin. He kept a wartime diary that starts in April 1943, as the unit was preparing to go to northern Africa and continues through to his final entry on September 1, 1945, during the occupation of Berlin. 
   
   
   
  During the war years, Gavin came into close contact with virtually all the leading airborne commanders and many others who would advance to the top levels of Army leadership. His diary includes observations on fellow military and political leaders, army operations, and the general's personal life. Gavin was an officer who led by example: on four combat jumps, he was the first man out the door. 
   
   
   
  For decades, Gavin kept the existence of the journal a secret; the general's family discovered it among his belongings after his death. Editor Lewis "Bob" Sorley has worked closely with the Gavin family and the Army Heritage Center to prepare the diary for publication. His edited and annotated version includes a prologue and epilogue to frame the entries within the wider scope of the general's life.

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  The Rock & Roll Hall of Fame -...

  Craig J. Inciardi

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  The Indiana Jones of rock history and founding curator of the Rock and Roll Hall of Fame Museum narrates the Hall’s wild history and his quest to build its collection from scratch—from Ozzy Osbourne’s country manor to Keith Moon’s childhood bedroom and Art Garfunkel’s personal archives—including stories about Debbie Harry, Mick Jagger, Chuck Berry, Bob Dylan, Bruce Springsteen, and more. 
    
  Craig Inciardi was a rising star at Sotheby’s, collecting iconic pieces of rock and roll memorabilia and rubbing shoulders with rich and famous collectors when he was recruited by the founders of the Rock & Roll Hall of Fame Museum for his dream job. Craig’s mandate: Travel the globe and assemble the world’s greatest collection of rock memorabilia ever. What Craig didn’t know at the time was that there was no “museum.” In fact, there was no existing collection other than “a guitar of no importance and three interesting sheets of paper.” So began an epic rock odyssey, with Craig as popular music’s Indiana Jones. 
    
  Working first from a cubicle in the Rolling Stone headquarters in New York and at the constant beck and call of the legendary Jann Wenner, Craig began his work, hounding musicians and their managers for memorabilia for the non-existent museum. His travels brought him to the doorsteps of the most legendary musicians of our time: to Ozzy Osbourne’s vast English estate (Ozzie met him with a rifle in hand) and Keith Moon’s perfectly preserved boyhood bedroom. He pored through letters Paul Simon wrote to Art Garfunkel when they were both kids at sleep away camps, and from Yoko Ono he collected John Lennon’s glasses, stored with his other possessions in a heavy steel briefcase on the day of his murder. Every story is told in lush detail that Rock and Roll fans will savor. 
    
  Equally fascinating is Inciardi’s first-hand account of the chaotic formation of the Rock and Roll Hall of Fame itself, taking us backstage to the very first induction ceremonies, an innocent time when long overlooked musicians and some former enemies celebrated each other and jammed into the night with friends and family looking on, as well as the secret induction meetings where top record company executives and managers bitterly argued over who would be included and who wouldn’t.

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