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  Home Burial - a poem

  Robert Frost

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  "Home Burial" is a poem about a man and woman whose baby has died. It tells of the burial, how the parents react to this death, particularly their lack of communication. 
  This piece is especially poignant given that Frost's son Elliot died at age 4, his daughter Elinor Bettina died when she was a few days old, his wife experienced a miscarriage, two of his daughters suffered mental breakdowns and died, and his son Carol committed suicide. 
  A Blackstone Audio production.

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  The Top 10 Poets – English...

  John Keats, William Wordsworth,...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we listen to the world through the eyes and words of the English Romantics.  This very special poetical period is filled with the loving and tender verse of poets who still beguile us all with their beauty.

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  Republic

  Nerys Williams

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  Nerys Williams' new collection questions what makes a  Republic? Machinations of power? The speeches of politicians? The broad sweep of official histories? This sequence of 80 prose-poems, each constructed in 20 sentences, has arisen from the author's need to tell a more intimate history, to commit an untold oral history to paper. Williams returns to the meaning of "republic" in its Latin origins which meant "wealth of the people". 
  The poems tell the story of  a young Welsh woman growing up and coming of age in the 1980s and 90s, a time that culminated with new devolutionary powers in Wales. The explosion of the arts and culture looms large, through bands from New Order to my bloody valentine, but it is explored specifically through Cŵl Cymru', and the power of Welsh-language bands like Datblygu. This story is also about class, as we explore a family history of hard work in jobs from retail to caregiving. The poems introduce us to family influences, from a father who urges the narrator as a child to 'own the stage' in an early school Eisteddfod, to a grandmother who worked long hours in her rural shop, and a mother who was the local midwife.
  There are stories told, overheard, handed down, sometimes translated from Welsh. Together, they create an expansive portrait of the era, including the challenges for women, Welsh-speakers, and other marginalized groups. Ferocious remarks about the Welsh in the popular media are dissected with satirical humour and appalled fascination, while other poems describe being a token woman and political outsider on a TV current affairs show panel, tolerated but ostracized.
  From her more recent home, the republic of Ireland, Williams poses the possibilities of a nation looking at itself and its history from afar. Wales has not been allowed to be a republic, but is subject to a state that has military claims on its landscape and a second home explosion which has a severe impact on its communities. There is rebellion to be found in the older meaning of "republic": since the wealth of the people is a wealth of sounded stories, culture, art, and history.
  'Nerys Williams's Republic is a tour de force, a masterful account of the intellectual, political and personal development of a young woman from Welsh-speaking rural Wales and out in the world. Pitched against nostalgia, Nerys Williams's prose poems are tough-minded, shrewd and hugely evocative of the times she chronicles. She deploys details so vividly and with such a light a touch that she's created a new music all of her own. This book, like a waistcoat belt she describes, is a 'steel buckle, once harnessed to silk'.' —Gwyneth Lewis
  'The poetry of Nerys Williams is both playful and sharply preceptive, drawing on a wide range of often unexpected influences. She brings a unique set of interests to bear not just poetry in Wales, but on poetry generally.'—Zoë Skoulding
  'Nerys Williams brings precision, scrutiny, and synaesthesia to her terse, contemplative poems.' -Ben Wilkinson, The Guardian
  '…a strong imagism and an engaging 'I' voice that sometimes subverts expectations, allowing for a shift into more collective concerns. In addition, her deft handling of soundplay (especially the use of alliteration and assonance) greatly add to the experience of the poem as art.' -Michael S. Bengal  Poetry Ireland 

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  Shangri LaTitudes

  Sean O'Caillane

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  The Shangri LaTitudes of the title are not some imaginary abodes in the clouds, above and beyond ordinary reality. These latitudes are the ones which lie where the paths of Truth and Beauty cross, forming quadrants where each sub-subject comingles to form fresh ruminations, not unlike those from Rumi, not unlike Four Quartets by Eliot, though using forms unfamiliar to either poet. There are four rooms in the human heart, each one its own experiential zone where passions move around, up down and around within the stream of consciousness, as well as stirring the subconsciousness. Perhaps the latter ruminations form the greater portion of the poems in this selection. This is a book of brief poems deliberately constructed for easy reading, brief pieces that can be picked up and put down within a few moments. One or two poems may take longer to digest, but hopefully the same intensity of feeling will be there, like a bonsai arriving at your coffee table, all trim, newly in flower.

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  Medea

  Euripides

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  Medea by Euripides is one of the most powerful and haunting tragedies of ancient Greek drama. First performed in 431 BCE, this timeless play explores the depths of human passion, betrayal, and revenge, presenting one of the most complex and unforgettable characters in classical literature.
  
  The story centers on Medea, a foreign princess and powerful sorceress who has sacrificed everything for her husband, Jason. Years earlier, she betrayed her own family and homeland to help him obtain the Golden Fleece, leaving her past behind to build a new life together. Yet in the city of Corinth, Medea's devotion is cruelly repaid when Jason abandons her in order to marry the daughter of King Creon, seeking wealth and political advantage.
  
  Cast aside and humiliated, Medea finds herself isolated in a society that already views her as an outsider. Stripped of status and threatened with exile, she confronts the devastating betrayal that has shattered her life. What begins as grief soon transforms into a fierce and calculated desire for justice.
  
  Through Medea's struggle, Euripides explores the intense emotions of love, anger, pride, and wounded dignity. The play reveals the dangers of arrogance and the devastating consequences of betrayal. Medea's intelligence and determination make her both terrifying and compelling, forcing audiences to confront the darker aspects of human nature.
  
  As her plan unfolds, the tragedy builds toward one of the most shocking and unforgettable climaxes in classical theatre. Euripides challenges traditional ideas about heroism, morality, and gender roles, presenting a character who refuses to accept humiliation or powerlessness.
  
  Rich with emotional intensity and poetic language, Medea examines themes of revenge, exile, injustice, and the struggle for dignity in a hostile world. The play remains deeply relevant, continuing to provoke debate about justice, loyalty, and the limits of human rage.
  
  Dark, dramatic, and profoundly thought-provoking, Medea stands as a masterpiece of ancient tragedy—a gripping exploration of betrayal and the destructive power of wounded pride.

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  Spoiled Rotten - A social...

  Mohamed Elagoza

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  Mustafa is a young man who loves a woman named Talia and sees her as his ideal life partner. Life shines in their eyes, and marriage seems like a beautiful dream. But they soon collide with the reality of married life; disagreements begin, and Mustafa finds himself drifting towards strange adventures outside of his marriage. For her part, Talia changes and emotionally distances herself from him. In the midst of these exciting events, Mustafa discovers something strange: the closer he gets to achieving what he wants, the more he finds that it does not fully understand or satisfy him. Can Mustafa and Talia face the facts and rediscover themselves?

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