Übersetzer Henry T. Riley
Verlag: e-artnow
Ars Amatoria was devised to show men how to find a female. The second book shows how to keep her. The third book advices women on how to gain and nurture the love of a man.
Hindsight is the first collection of poetry released by Ivanova. In many ways, Hindsight is an autobiography, capturing Sofiya's pre-teen and early teen years, and all the feelings that come with it. It covers topics such as losing your family pet, leaving behind your childhood, wanting to be special and important, your parents being imperfect people, mental health, etc, etc. And, of course, figuring out love. In Russian (the poet's first language), there's a saying that goes, “the first pancake comes out as a lump”, and that applies to love too. The first few pancakes, in this case. There are a lot of love poems. There are a lot of bitter poems, too, because art is a great outlet for anger. Those read as though they should have a mic drop at the end. Hindsight not only reads like a coming of age collection as an introduction to the world of a new and gifted poet. But, it is also an exorcism and celebration of the past as she becomes a poet that sees the world with clarity and beauty; a poet that we all need.Zum Buch
'What doctor know about our illness? Just give you pills to sick you stomach and a doctor certificate. What they know about a black woman soul?' In North London, Del and Viv are soul-sick. Del doesn't want to be at home; staying out late – 3 p.m.-the-next-day late – is more her thing. Viv scours her schoolbooks trying to find a trace of herself between their lines. When Enid takes her daughters to the local obeah woman for some traditional Caribbean soul-healing, secrets are spilled. There's no turning back for Del, Viv and Enid as they negotiate the frictions between their countries and cultures. Two generations. Three incredible women. Winsome Pinnock's play Leave Taking is an epic story of what we leave behind in order to find home. It premiered in 1987, and was revived at the Bush Theatre, London, in 2018, in a production directed by the Bush's Artistic Director, Madani Younis. Winsome Pinnock has written numerous plays, including Talking in Tongues, for which she won the George Devine and Pearson Best New Play Awards. 'The godmother of Black British playwrights' GuardianZum Buch
'I'm actually thinking about giving into temptation. The original sin.' Ani is a dazzling young academic with a secret addiction to violent pornography. As her career and relationships unravel in between lectures on Paradise Lost, can she confront her uncontrollable desires? Funny, unsettling and honest, Sophia Chetin-Leuner's Porn Play was shortlisted for the Verity Bargate Award in 2022, and premiered at the Royal Court Theatre, London, in 2025, directed by Josie Rourke and starring Ambika Mod.Zum Buch
A severe solar storm causes all technological systems to shut down in a sophisticated city that relies entirely on technology. What do you think will happen?Zum Buch
Catgirl Returns is an eight-part series that features Catgirl and her recovery. She has gone through so much already but it is time to move through everything. She was born to be an empath and care about others but she has to remember that there are times when she needs to make time for herself. Pounce into this series with Catgirl as she returns, loves, grows, feels, relives, strengthens, and marries.Zum Buch
First published in 1985, when Daniel Jones was just 26, The Brave Never Write Poetry, the poet/critic/novelist's lone collection of poems, was a cult hit, turning 'poetry' on its head before its author (then known simply as 'Jones') swore off verse entirely. Written in a direct, plainspoken, autobiographical and at times confessional style in the tradition of Charles Bukowski and Al Purdy, these confrontational poems about sex and boredom, drugs and suicide, document Jones' depressive, alcoholic years as an enfant terrible. This long-overdue revised edition brings Jones' unforgettable voice to a new generation of readers and includes the complete text of the original collection (including Jones' own sardonic assessments of his own poetry), a new preface by poet/critic Kevin Connolly, and postscript commentary from many of Jones' closest friends and literary colleagues.Zum Buch
