Weitere Bücher, die Sie mögen werden

• 

  The Clusterf*ck Collection

  Elliot Grey

  • 0
  • 0
  • 0

  The ClusterF*ck Collection is it's namesake. It's a collection of works that have no rhyme or reason. Some poems are about love and some are about healing. Some short stories are about trauma and some excerpts are more horror themed. It's a well rounded approach at giving the world a glimpse into my own. As a neurodivergent, Native American and trans author I could not be more proud to bring these parts of me to more people.

  Zum Buch

• 

  The Red Room

  H. G. Wells

  • 0
  • 0
  • 0

  A lone man holding a candelabrum stands in the center of a cold, stone-walled chamber known as the Red Room. Flickering candlelight casts ominous shadows along the walls, and antique furniture looms in the corners. His eyes are wide with tension, and he looks over his shoulder at something unseen. The atmosphere is eerie, dark, and steeped in gothic suspense. 
  The Red Room by H.G. Wells is a masterfully written tale of psychological horror, suspense, and atmosphere. First published in 1896, this gothic short story explores the fine line between fear and imagination through the experience of a skeptic who agrees to spend the night alone in a room said to be haunted. 
  The protagonist enters the notorious Red Room with confidence, determined to debunk the legends surrounding it. But as the night wears on, flickering shadows, silence, and mounting dread take a toll on his mind. Is the room truly haunted, or is the most terrifying specter the fear that lives within us all? 
  This full audiobook brings Wells' vivid descriptions and rising tension to life, drawing listeners deep into a chilling exploration of the psychology of fear, where darkness is both literal and symbolic. 
  If you love classic horror, atmospheric fiction, and tales that challenge the boundary between reality and perception, The Red Room is a must-listen.

  Zum Buch

• 

  Christs in the Tirol

  D H Lawrence

  • 0
  • 0
  • 0

  'Christs in the Tirol' is more of an essay on this peculiar art form than a short story, it is included in this series as forming part of Lawrence's record of his wanderings in Europe and partly as a record of Lawrence's attitude to religion and death and foreshadowing his own eventual suffering and death.

  Zum Buch

• 

  Account of Some Strange...

  Sheridan Le Fanu

  • 0
  • 0
  • 0

  Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots 
   
  The children were tutored but, according to his brother William, the tutor taught them little if anything. Le Fanu was eager to learn and used his father's library to educate himself about the world. He was a creative child and by fifteen had taken to writing poetry. 
   
  Accepted into Trinity College, Dublin to study law he also benefited from the system used in Ireland that he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university as and when necessary. 
   
  This enabled him to also write and by 1838 Le Fanu's first story The Ghost and the Bonesetter was published in the Dublin University Magazine. Many of the short stories he wrote at the time were to form the basis for his future novels.  Indeed, throughout his career Le Fanu would constantly revise, cannabilise, embellish and re-publish his earlier works to use in his later efforts. 
   
  Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide. One of the themes running through them is a sad nostalgia for the dispossessed Catholic aristocracy of Ireland, whose ruined castles stand in mute salute and testament to this history.  
   
  On 18 December 1844 Le Fanu married Susanna Bennett, the daughter of a leading Dublin barrister. The union would produce four children.  Le Fanu was now stretching his talents across the length of a novel and his first was The Cock and Anchor published in 1845. 
   
  A succession of works followed and his reputation grew as well as his income.  Unfortunately, a decade after his marriage it became an increasing source of difficultly. Susanna was prone to suffer from a range of neurotic symptoms including great anxiety after the deaths of several close relatives, including her father two years before.  
   
  In April 1858 she suffered an "hysterical attack" and died in circumstances that are still unclear. The anguish, profound guilt as well as overwhelming loss were channeled into Le Fanu’s work.  Working only by the light of two candles he would write through the night and burnish his reputation as a major figure of 19th Century supernaturalism. His work challenged the focus on the external source of horror and instead he wrote about it from the perspective of the inward psychological potential to strike fear in the hearts of men.  
   
  A series of books now came forth: Wylder's Hand (1864), Guy Deverell (1865), The Tenants of Malory (1867), The Green Tea (1869), The Haunted Baronet (1870), Mr. Justice Harbottle (1872), The Room in the Dragon Volant (1872) and In a Glass Darkly. (1872). 
   
  But his life was drawing to a close.  Joseph Thomas Sheridan Le Fanu died in Merrion Square in his native Dublin on February 7th, 1873, at the age of 58.  
   
  In this famous story two college students rent rooms in Dublin’s Aungier Street once owned by a brutal hanging judge who seems to still haunt both place and mind…..

  Zum Buch

• 

  Top 10 Short Stories The - The...

  Herman Melville, George Eliot,...

  • 0
  • 0
  • 0

  Short stories have always been a sort of instant access into an author’s brain, their soul and heart.  A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. 
   
  In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author?  
   
  The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme.  Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature. 
   
  Some you may disagree with but they will get you thinking; about our choices and about those you would have made.  If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something. 
   
  In this decade life on both sides of the Atlantic relied on territorial expansion and the gathering of industrial muscle.  The people who live there merely cogs in a vast machine.  Our authors illuminate these times with words that bring humanity and life to these literary gems.  
   
  01 - The Top Ten - The 1850's - An Introduction 
  02 - The Lifted Veil - Part 1 by George Eliot 
  03 - The Lifted Veil - Part 2 by George Eliot 
  04 - Bartleby the Scrivener - Part 1 by Herman Melville 
  05 - Bartleby the Scrivener - Part 2 by Herman Melville 
  06 - The Old Nurse's Story by Elizabeth Gaskell 
  07 - Master Zacharius - Part 1 by Jules Verne 
  08 - Master Zacharius - Part 2 by Jules Verne 
  09 - The District Doctor by Ivan Turgenev 
  10 - A Terribly Strange Bed by Wilkie Collins 
  11 - Psyche's Art by Louisa May Alcott 
  12 -The Lake Gun by James Fenimore Cooper 
  13 - Two Offers by Frances Watkins Harper 
  14 - Gods in Exile by Heinrich Heine

  Zum Buch

• 

  Exchange is Robbery - From their...

  Richard Marsh

  • 0
  • 0
  • 0

  Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London.  
  By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content.  
  In October 1882, Heldmann was promoted to co-editor of Union Jack, a popular magazine, but his association with the publication ended suddenly in June 1883.  It appears Heldman was prone to issuing forged cheques to finance his lifestyle.  In April 1884 he was sentenced to 18 months hard labour. 
  In order to be well away from the scandal and the damage that this had caused to his reputation Heldmann adopted a pseudonym on his release from jail.  Shortly thereafter the name ‘Richard Marsh’ began to appear in the literary periodicals.  The use of his mother’s maiden name as part of it seems both a release and a lifeline. 
  A stroke of very good fortune arrived with his novel ‘The Beetle’ published in 1897.  This would turn out to be his greatest commercial success and added some much-needed gravitas to his literary reputation.   
  Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour.   His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.   
  Richard Marsh died from heart disease in Haywards Heath in Sussex on 9th August 1915.  He was 57.

  Zum Buch