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  Broken Fields

  Marcie R. Rendon

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  Cash Blackbear, a young Ojibwe woman and occasional sleuth, is back on the case after a man is found dead on a rural Minnesota farm in the next installment of the acclaimed Native crime series. 
   
  Minnesota, 1970s: It’s spring in the Red River Valley and Cash Blackbear is doing fieldwork for a local farmer—until she finds him dead on the kitchen floor of the property’s rented farmhouse. The tenant, a Native field laborer, and his wife are nowhere to be found, but Cash discovers their young daughter, Shawnee, cowering under a bed. The girl, a possible witness to the killing, is too terrified to speak. 
   
  In the wake of the murder, Cash can’t deny her intuitive abilities: she is suspicious of the farmer’s grieving widow, who offers to take in Shawnee temporarily. While Cash is scouring White Earth Reservation for Shawnee’s missing mother—whom Cash wants to find before the girl is put in the foster system—another body turns up. Concerned by the escalating threat, Cash races against the clock to figure out the truth of what happened in the farmhouse. 
   
  Broken Fields is a compelling, atmospheric read woven with details of American Indian life in northern Minnesota, abusive farm labor practices and women’s liberation.

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  The Willows

  Algernon Blackwood

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  The Willows by Algernon Blackwood is a haunting masterpiece of early supernatural fiction, blending psychological horror with the eerie majesty of nature. Set along the remote banks of the Danube River, the novella follows two travelers whose peaceful canoe journey turns into a terrifying encounter with unseen forces lurking in the marshlands. As the willows seem to shift and whisper with unnatural intent, the boundary between reality and another dimension begins to dissolve. Atmospheric, suspenseful, and deeply unsettling, this story is a foundational work of weird fiction that profoundly influenced authors like H.P. Lovecraft.

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  Agnes Grey

  Anne Brontë

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  When young Agnes Grey’s family falls on hard financial times, she decides to take a job as a governess with the wealthy Bloomfield family, and then later the even-wealthier Murray family. But they are cruel and unkind, and with them Agnes is lonely isolated, and very aware of how vulnerable she is.
   
   
   
  What Agnes wants is happiness and fulfillment, but are they out of reach for her?
   
   
   
  Agnes Grey is Anne Brontë’s first novel and based on the author’s own experiences of the challenges faced by young women born without many opportunities.
   
   

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  Voices From The Dark Attic - 4...

  Michael van der Voort

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  Voices From The Dark Attic 
  4 Short Horror Stories 
  Story 1: The Charleston Witch 
  Story 2: Too Long Awake 
  Story 3: Cinder Sam 
  Story 4: A Change Of Prey 
  GET YOUR COPY TODAY!

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  The Witchcraft Of Ulua

  Clark Ashton Smith

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  The Witchcraft Of Ulua - Brought to you by Altrusian Grace Media and narrated by Matthew Schmitz 
  Clark Ashton Smith (January 13, 1893 – August 14, 1961) was an American writer and artist. He achieved early local recognition, largely through the enthusiasm of George Sterling, for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn". Smith's work was praised by his contemporaries. H. P. Lovecraft stated that "in sheer daemonic strangeness and fertility of conception, Clark Ashton Smith is perhaps unexcelled", and Ray Bradbury said that Smith "filled my mind with incredible worlds, impossibly beautiful cities, and still more fantastic creatures". 
  Smith was one of "the big three of Weird Tales, with Robert E. Howard and H. P. Lovecraft", though some readers objected to his morbidness and violation of pulp traditions. The fantasy writer and critic L. Sprague de Camp said of him that "nobody since Poe has so loved a well-rotted corpse".[3] Smith was a member of the Lovecraft circle, and his literary friendship with Lovecraft lasted from 1922 until Lovecraft's death in 1937. His work is marked by an extraordinarily rich and ornate vocabulary, a cosmic perspective and a vein of sardonic and sometimes ribald humor. 
  Of his writing style, Smith stated: "My own conscious ideal has been to delude the reader into accepting an impossibility, or series of impossibilities, by means of a sort of verbal black magic, in the achievement of which I make use of prose-rhythm, metaphor, simile, tone-color, counter-point, and other stylistic resources, like a sort of incantation."

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  The Ghost Behind

  Ashlei Prince

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  I'm alone, in the apartment my girlfriend and I used to share. But she's gone. Dead. Strange things are happening. I think it's my sleepwalking. 
  I need to find out.

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