Begleiten Sie uns auf eine literarische Weltreise!
Buch zum Bücherregal hinzufügen
Grey
Einen neuen Kommentar schreiben Default profile 50px
Grey
Jetzt das ganze Buch im Abo oder die ersten Seiten gratis lesen!
All characters reduced
Voices from Ukraine: Two Plays (NHB Modern Plays) - cover

Voices from Ukraine: Two Plays (NHB Modern Plays)

Neda Nezhdana, Natal'ya Vorozhbit

Verlag: Nick Hern Books

  • 0
  • 0
  • 0

Beschreibung

Two powerful plays about the shattering impact of war, and the astonishing resilience of those living through it, written by two of Ukraine's leading playwrights.
'They've mobilised all the living now, the fifth call took the last of the living. But the war keeps on. So high command asked us.'
Sasha, a Colonel in the Ukrainian Army, has died suddenly of a heart attack, leaving his relatives Katia and Oksana to mourn for him. But a year later, as war intensifies, the army has resorted to recruiting the dead. Sasha is anxious to be resurrected so he can rejoin the fight, but can his family bear to lose him all over again? Take the Rubbish Out, Sasha by Natal'ya Vorozhbit blends reality and the supernatural in a startling exploration of the effects of war and conflict.
'I want to report a robbery... I was robbed. What was stolen from me? Almost everything... Home, land, car, work, friends, city, faith in goodness…'
Donbas, 2014. A nameless woman stands in the street, trying to sell a basket of kittens. She has lost everything else she holds dear. Her only remaining hope is to find a home for the kittens, since she cannot offer them one herself. Pussycat in Memory of Darkness by Neda Nezhdana is an unflinching examination of Russia's war on Ukraine through the brutalised eyes of one woman.
The two plays were translated by Sasha Dugdale and John Farndon, respectively, and performed in English at the Finborough Theatre, London, as part of their #VoicesFromUkraine season in 2022.
10% of the proceeds from sales of this book will be donated to the Voices of Children Charitable Foundation, a Ukrainian charity providing urgently needed psychological and psychosocial support to children affected by the war in Ukraine.
Verfügbar seit: 11.08.2022.
Drucklänge: 80 Seiten.

Weitere Bücher, die Sie mögen werden

  • Twelfth Night | Shakespeare for kids - Shakespeare in a language kids will understand and love - cover

    Twelfth Night | Shakespeare for...

    Jeanette Vigon

    • 0
    • 0
    • 0
    Embark on a magical journey into "Twelfth Night," a place where the serene coastlines of Illyria become the backdrop for a whimsical tale of love, disguise, and festive revelry. This isn't just another comedy; it's an intricate dance of affection, identity, and the pursuit of true happiness, masterfully adapted for young readers. 
    Why "Twelfth Night" is a must-read for young adventurers:Timeless Tale, New Perspective: Dive into Shakespeare's beloved story, reimagined for children, maintaining the original acts and scenes for an authentic experience.Enchanting Characters: Meet Viola, Sebastian, and a vibrant cast entangled in a web of love and playful schemes, teaching lessons of loyalty, sincerity, and the folly of arrogance.Educational and Entertaining: Designed to bridge the gap between Shakespeare's rich narratives and the imaginative worlds of young readers, fostering a love for literature that will grow with them.Accessible Literary Language: Experience the beauty of Shakespeare's works in a form that's engaging and understandable, stimulating intellectual curiosity without overwhelming.Appropriate and Thoughtful: Enjoy themes and scenes carefully chosen for young audiences, presenting lessons of love, loyalty, and justice in a captivating manner. 
    Ready your heart for laughter, prepare to be charmed, and let's embark on this delightful adventure. Discover "Twelfth Night," where every twist of fate is a step closer to joy, every laugh a note in the symphony of life, and every ending a light towards understanding love's true essence.
    Zum Buch
  • Museum of My Soul: Redux - The Time It Took - cover

    Museum of My Soul: Redux - The...

    Dornel Phillips AKA D-Nice Keoma

    • 0
    • 0
    • 0
    Redux has 30 more poems, reshaping the narrative created in the first book. This version tells a longer and more heartfelt story. Museum of The Soul is a collection of poems that tell a love story. These poems cover the real dynamics of romantic relationships, seen through my eyes. The title The Time IT Took originates from the time it took to put together a body such as this. The title also loosely represents my romantic relationship history. Museum of My Soul in that sense is a collection of artifacts (poems) from different periods of my life and relationships. The book still obliges to three exhibits set forth in the first book: Exhibit A: Falling, Exhibit B: Being broken, and Exhibit C: Ending
    Zum Buch
  • Catastrophic Molting - cover

    Catastrophic Molting

    Amy Shimshon-Santo

    • 0
    • 0
    • 0
    CATASTROPHIC MOLTING (FlowerSong Press) Amy Shimshon-Santo uses the tools of language to remind readers there is power in repudiation, comfort in collective mourning, and possibility in reimagining. The book title is inspired by the molting ritual of sea elephants (Mirounga Angustirostris) along the California coast. The mirounga rest together on the shore as social protection from violence when they are the most vulnerable. Only through these periods of dramatic change can they grow sleek new coats. The book’s journey begins with “Contagion,” revealing a world split in half like a calabash by a virus. “Beating, trembling,” a woman pleads for mercy while the poems confront the liminality of profound change. “A new cycle had begun / I would never be the same again.” The second section, Sangue, gives voice to mourning and rage. “when you murder the future of music / you are conjuring extinction.” Dysfunction on planet Earth reverberates from the street into the expansive galaxy. Refusing to normalize violence, the poet gathers war inside her own body to detonate it, then blows “tsunami-wind / to rattle clear the desks.” With the verve of Oya, the goddess of ancestral and radical change, the book claims ground for empathy and inter-being. The collection asks readers to imagine: “what if we were a part of a whole / that loved us without ceasing?” Catastrophic Molting breaks from inertia and seeks new ground. Our “foremothers greet the unborn” and are “betrothed to a story that doesn’t wish us dead.” Shimshon-Santo suggests that “stepping off might actually be, stepping in / turning away might actually be, turning toward.”
    Zum Buch
  • Tormentil - cover

    Tormentil

    Ian Humphreys

    • 0
    • 0
    • 0
    'I can't face the big stuff so I comb the moors for a tiny yellow flower' – so begins Tormentil, the second poetry collection by Ian Humphreys. Set largely in the starkly beautiful West Yorkshire moorlands, these poems creep and bloom across geographies and time. Isolated by grief in the first months of the pandemic, Humphreys goes in search of hope and blessings among the burnt heather, tumbledown mills and canal locks near his home in the Calder Valley. He unearths a landscape of wildflowers and wildlife, a soundscape of rain and birdsong, at once healing, threatening and under threat.
    These are richly textured poems of living and resisting, anchored by connections to family, food, community – and an acknowledgement of the precarious root-holds of hard-won freedoms. A soaring, defiant hymn to recovery, this vital book contemplates migration, otherness, and all the internal and external elements that bind us, make us unique.
    Zum Buch
  • In a Few Minutes Before Later - cover

    In a Few Minutes Before Later

    Brenda Hillman

    • 0
    • 0
    • 0
    Finalist for the Four Quartets Prize, given by Poetry Society of America, 2023An iconoclastic ecopoet who has led the way for many young and emerging artists, Brenda Hillman continues to re-cast innovative poetic forms as instruments for tracking human and non-human experiences. At times the poet deploys short dialogues, meditations or trance techniques as means of rendering inner states; other times she uses narrative, documentary or scientific materials to record daily events during a time of pandemic, planetary crisis, political and racial turmoil. Hillman proposes that poetry offers courage even in times of existential peril; her work represents what is most necessary and fresh in American poetry. During an enchantment in the lifeDo you love a living person         absolutely? Tell them now.In a half-unwieldy life you made, underthe hyaline sky, while the dead         drank from zigzag pools nearby,if they saved you in your wild incapacities,         in timing of the world's harmin a little pettiness in your own heart while others took         your madrigals in shreds to a tribunal,         when others said you should feel grateful        to be minimally adequate for the world'striple exposure or some tired committee...         The ones who love us, how do theybreak through our defenses?         We're tired today. Come back later.Their baffled voices melting our wax wallswith a candle, the ones who understandwhat being is—the glowing, the broken,the wheels, the brave ones—        they have their courage,you have yours,,,;         when you meet the one you love,it is so rare. When you meetthe one who loves you, it is extremely rare.
    Zum Buch
  • One Language - cover

    One Language

    Anastasia Taylor-Lind

    • 0
    • 0
    • 0
    One Language is a remarkable debut collection. From the perspective of a female photojournalist, these concise but complex and insightful poems draw on first-hand experience of war to explore how damage is generated and perpetuated. The book's title expresses the contradiction between the lingua franca of photography and the equally universal language of violence. One Language comes to an understanding of personal history and global conflict in poetry that is as immediate and evocative as the most urgent of dispatches.
    Zum Buch