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  Roxana

  Daniel Defoe

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  Beautiful, proud Roxana is terrified of being poor. When her husband leaves her penniless with five children, she must choose between being a virtuous beggar or a rich whore. Embarking on a career as a courtesan and kept woman, Roxana passes from man to man in order to maintain her lavish, glamorous lifestyle. But this life comes at a cost; she is torn between sinful prosperity and the respectability she craves.

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  Cloak The (Unabridged)

  Nikolai Gogol

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  Nikolai Gogol was one of the first to use the technique of the grotesque. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore.THE CLOAK: In the department of-but it is better not to mention the department. There is nothing more irritable than departments, regiments, courts of justice, and, in a word, every branch of public service. Each individual attached to them nowadays thinks all society insulted in his person.

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  Father Brown: The Sins of Prince...

  G.K. Chesterton

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  Father Brown (Chesterton's sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown's constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn't go well. Sure, Flambeau gets some good fishing in, but there's also a duel with rapiers, a couple murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

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  The Happy Prince and Other Tales

  Oscar Wilde

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  The Happy Prince and Other Tales (sometimes called The Happy Prince and Other Stories) is a collection of stories for children by Oscar Wilde first published in May 1888. It contains five stories: "The Happy Prince", "The Nightingale and the Rose", "The Selfish Giant", "The Devoted Friend", and "The Remarkable Rocket". Welcome to a special edition of a renowned classic.

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  History of Tom Jones a Foundling...

  Henry Fielding

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  A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature.BOOK 16: I have heard of a dramatic writer who used to say, he would rather write a play than a prologue; in like manner, I think, I can with less pains write one of the books of this history than the prefatory chapter to each of them.

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  The House of the Dead

  Fyodor Dostoyevsky

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  The House of the Dead is a novel published in 1861 by Russian author Fyodor Dostoyevsky, which portrays the life of convicts in a Siberian prison camp. Dostoyevsky himself spent four years in exile in such a camp following his conviction for involvement in the Petrashevsky Circle. This experience allowed him to describe with great authenticity the conditions of prison life and the characters of the convicts.The narrator, Aleksandr Petrovich Goryanchikov, has been sentenced to penalty deportation to Siberia and ten years of hard labour. Life in prison is particularly hard for Aleksandr Petrovich, since he is a "gentleman" and suffers the malice of the other prisoners, nearly all of whom belong to the peasantry. Gradually Goryanchikov overcomes his revulsion at his situation and his fellow convicts, undergoing a spiritual re-awakening that culminates with his release from the camp.It is a work of great humanity; Dostoyevsky portrays the inmates of the prison with sympathy for their plight, and also expresses admiration for their energy, ingenuity and talent. He concludes that the existence of the prison, with its absurd practices and savage corporal punishments is a tragic fact, both for the prisoners and for Russia itself.

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