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  The Two Gentlemen of Verona

  William Shakespeare

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  While the word “gentlemen” suggests that its heroes are adults, The Two Gentlemen of Verona is more intelligible if we think of them as boys, leaving home for the first time. One has a crush on a girl, Julia, though he hasn’t yet told her.Sent to court to learn to be “perfect gentlemen,” Valentine and Proteus are derailed by their attraction to Sylvia, the ruler’s daughter. Valentine’s mental denseness does not deter Sylvia from returning his love, but he is caught, and banished, when he tries to elope with her. Proteus’s desire for Sylvia wipes out his former love, leading him into despicable acts that win scorn from Sylvia and wound Julia, who has pursued him disguised as a boy.When Sylvia follows Valentine into banishment, Proteus follows Sylvia, and Julia follows Proteus, the stage is set for a disturbing ending. But the stage is also set for the “gentlemen” to take small steps toward maturity.The authoritative edition of The Two Gentlemen of Verona from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further readingEssay by Jeffrey MastenThe Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

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  The Best-Loved Poems of...

  Caroline Kennedy

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  Jacqueline Kennedy Onassis loved literature, especially poetry. "Once you can express yourself," she wrote, "you can tell the world what you want from it...All the changes in the world, for good or evil, were first brought about by words". Now, Caroline Kennedy shares her mother's favorite poems and the inspiration behind her strong belief in the power of literature. 
  The poems presented span centuries and include works by such renowned authors as Langston Hughes, William Shakespeare, Homer, W.B. Yeats, Emily Dickinson, E.E. Cummings, and Robert Frost. This volume also includes poems by Jacqueline Kennedy, illuminated by Caroline's reflections on her mother's life and work. A wonderful volume for listening to together or by yourself, this book offers an intimate view of Jacqueline Kennedy Onassis' world, and a poignant glimpse into her heart. 
  This audiobook includes a special reading by Senator Edward M. Kennedy and Robert Frost reading "The Gift Outright" at the inauguration of President John F. Kennedy, January 20, 1961.

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  Earth Spirit

  Frank Wedekind

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  Earth Spirit (1895) (Erdgeist) is a play by the German dramatist Frank Wedekind. It forms the first part of his pairing of 'Lulu' plays (the second is Pandora's Box [1904]), both of which depict a society "riven by the demands of lust and greed". Together with Pandora's Box, Wedekind's play formed the basis for the silent film Pandora's Box (1929) starring Louise Brooks and the opera Lulu by Alban Berg in 1935 (premiered posthumously in 1937). The eponymous "earth spirit" of this play is Lulu, who Wedekind described as a woman "created to stir up great disaster." Indeed, she is a purely sexual creature who scandalizes the community and drives men to ruin. The play has attracted a wide range of interpretations, from those who see it as misogynistic to those who claim Wedekind as a harbinger of women’s liberation. (Summary by Wikipedia and ChuckW) 
   
  CastLulu: Amanda FridayDr. Schon: Algy PugAlva Schon: Chuck WilliamsonDr. Goll/Schigolch: Alan MapstoneSchwartz: Aidan BrackPrince Escerny/Ferdinand: balaEscherich/Narrator/Prologue: Elizabeth KlettRodrigo: WupperhippoHugenberg: Charlotte DuckettCountess Geschwitz: Caprisha PageHenriette: Naomi ParkAudio edited by Chuck Williamson and Elizabeth KlettPronunciation guide by Karlsson

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  All of Us - The Collected Poems

  Raymond Carver

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  This prodigiously rich collection suggests that Raymond Carver was not only America's finest writer of short fiction, but also one of its most large-hearted and affecting poets. Like Carver's stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy.This complete edition brings together all the poems of Carver's five previous books, from Fires to the posthumously published No Heroics, Please.  It also contains  a moving introduction by Carver's widow, the poet Tess Gallagher.

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  The Accounts

  Katie Peterson

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  The death of a mother alters forever a family’s story of itself. Indeed, it taxes the ability of a family to tell that story at all. The Accounts narrates the struggle to speak with any clear understanding in the wake of that loss. The title poem attempts three explanations of the departure of a life from the earth—a physical account, a psychological account, and a spiritual account. It is embedded in a long narrative sequence that tries to state plainly the facts of the last days of the mother’s life, in a room that formerly housed a television, next to a California backyard. The visual focus of that sequence, a robin’s nest, poised above the family home, sings in a kind of lament, giving its own version of ways we can see the transformation of the dying into the dead. In other poems, called “Arguments,” two voices exchange uncertain truths about subjects as high as heaven and as low as crime. Grief is a problem that cannot be solved by thinking, but that doesn’t stop the mind, which relentlessly carries on, trying in vain to settle its accounts. The death of a well-loved person creates a debt that can never be repaid. It reminds the living of our own psychological debts to each other, and to the dead. In this sense, the death of this particular mother and the transformation of this particular family are evocative of a greater struggle against any changing reality, and the loss of all beautiful and passing forms of order.

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  The Tempest

  William Shakespeare

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  "Our revels now are ended... this rough magic I here abjure..." 
  In Shakespeare hinting at the end of his own magnificent career in these and others lines spoken by the great magician, Prospero? The Tempest was the last of Shakespeare's comedies, completed just before he retired to his native Stratford-upon-Avon; perhaps this delightful comedy was intended to signal the playwright's farewell to his beloved theater. The Tempest reflects Shakespeare's mature genius, with its story of innocence tempered by intrigue, hilarity bounded by melancholy. Audiences the world over still thrill to The Tempest's dark comedy and magical fantasy. 
  Sir Michael Redgrave and Vanessa Redgrave helped to build one of England's foremost theatrical families-- a tradition that Ms. Redgrave continues today. And Hugh Griffith is one of the nation's greatest character actors. Together, they bring The Tempest majestically to life.

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