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A collection of poetry from across a lifetime, Tonight is a journey through joy and pain, darkness and hope, profound desire and despair. In this thought-provoking anthology, Natalie J. Case delves deep into the human journey, and takes the reader along with her.
Tennessee Williams’s Pulitzer Prize-winning masterpiece is one of the most enduring, explosive works in theater. Blanche DuBois, once a well-heeled Southern belle but now alcoholic and destitute, arrives in New Orleans to stay with her sister Stella and her brutish brother-in-law Stanley. And as Stanley terrorizes the fragile Blanche, reality slips slowly away from her. Recorded at KCRW, Santa Monica in May 1998. Directed by Martin Jenkins Producing Director: Susan Albert Loewenberg An L.A. Theatre Works full-cast recording, starring: Amy Brenneman as Stella Fred Coffin as Steve and The Man Vincent D'Onofrio as Stanley Jamie Hanes as the Doctor Glenne Headly as Blanche Lyvingston Holmes as the Matron and others Armando Molina as Pablo and the Sailor Rondi Reed as Eunice and others David Selby as Mitch Danny Strauss as the Young Man Stage Manager and Live Sound Effects: Tilo Ponder Recording Engineer: John McCarthy Music composed by John Robey, and performed by John Robey, Steve McDade and Jack Zaza. A co-production with the BBC and the CBC.Zum Buch
Code of Conduct Good qualities in me You will find As you explore my body… And my mind Should you like what you see Then, tell it to others… Sing praises of me In halls and corridors But, if faults are what You see in me Please my love… Tell it first to me.Zum Buch
Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.While the structures of the Inferno and Purgatorio were based around different classifications of sin, the structure of the Paradiso is based on the four cardinal virtues (Prudence, Justice, Temperance, and Fortitude) and the three theological virtues (Faith, Hope, and Charity).Zum Buch
Samuel Taylor Coleridge was born on October 21st, 1772 in Ottery St Mary in Devon. As a child he was an early and devoted reader and, after being schooled at Christ's Hospital, a charity school, he attended, from 1791, Jesus College, Cambridge and the following year won the Browne Gold Medal for an ode on the slave trade. He was great friends with the poet Robert Southey, indeed they formed a plan, soon abandoned, in 1795, to found a utopian commune-like society, called Pantisocracy, in the wilds of Pennsylvania. But the same year the two friends married sisters Sarah and Edith Fricker and, of course, went on to be part of the Lake Poets movement along with Wordsworth. In 1798, Coleridge and Wordsworth published a joint volume of poetry, Lyrical Ballads, which proved to be the starting point for the English romantic age. In the autumn he and Wordsworth left for a stay in Germany; Coleridge soon went his own way immersing himself in both German philosophy and the language, which later proved invaluable for his translations. In 1800, he returned to England and settled with his family at Keswick in the Lake District, near to where Wordsworth had moved. Soon, however, he was beset by marital problems, illnesses, a growing opium dependency, tensions with Wordsworth, and a lack of confidence in his poetic powers, all of which fuelled the composition of Dejection: An Ode and an intensification of his philosophical studies. He abandoned his family to Southey's care and departed on new travels. Between 1810 and 1820, this "giant among dwarfs", as he was often considered, gave a series of lectures in London and Bristol. Much of Coleridge's reputation as a literary critic is founded on the lectures from the winter of 1810–11 a series on Shakespeare and Milton. Although he rarely prepared anything other than loose notes and was inclined to digress, these lectures were a huge literary event and success. By this time Coleridge was dependent on opium and by 1817 his solution was to live in Highgate under the watchful eye of physician James Gillman where his dependency was somewhat controlled and his output of work could continue. These included his 23 volume Biographia Literaria, Sibylline Leaves (1817), Aids to Reflection (1825), and Church and State (1826). He died in Highgate, London on 25 July 1834 as a result of heart failure and a lung disorder together with the long term effects of opium. This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.Zum Buch
The poems of this book were written at very various times, one (“Wind over the Sea”) I believe even as early as 1910, but the order in which they are here given is not chronological beyond the fact that the third part contains only poems written after the outbreak of the war. Of these some were written in England (at Oxford in particular), some in Wales and very many during a year in France from November 1915 to December 1916, which was broken by one leave in the middle of May. “The Burial of Sophocles,” which is here placed at the end, was begun before the war and continued at odd times and in various circumstances afterwards; the final version was sent me from the trenches. Beyond these few facts no prelude and no envoi is needed other than those here printed as their author left them. J. R. R. T.Zum Buch
Life is full of love, but it is also full of loss. Like paper cuts to the heart, every big and seemingly insignificant loss--the loss of friendships, faith, dreams, health, community, and everything in between--grieves us more than we think it will, and often more than we let on. Why? Because they matter. In this compassionate and deeply personal book, Rachel Marie Kang invites you to see and be seen in the midst of your sorrow, your suffering--your story. Through prose and poetry that gives voice to all the things we lose along the way, this gracious book will help you · ponder your loss without judgment · remember what was and make meaning of your memories · reflect on what is yet to be as you heal with hope You don't have to bury your pain, and you don't have to pretend you're over it just because the world thinks you should be. Let Rachel walk hand in hand with you, giving space for sorrow and welcoming you as you find your way along the path to healing.Zum Buch
