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  Feel of forever the

  Lyn Denison

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  Fliss Devon's life seems ideal. She runs her family's successful art gallery on an island across the bay from tropical Queensland's capital city. To all outward appearances Fliss has it all. Well, almost all. She was finally getting over her broken heart and she was in no hurry to allow herself to be so vulnerable again. 
    
  Then she learns that, after eight long years, Bailey Macrae is returning to the island. Beautiful, wonderful and now very famous Bailey Macrae, the same Bailey Macrae who was responsible for Fliss' broken heart. And that sensitive heart began to ache. 
    
  A hundred questions swirled in her head. How could Bailey come back here after what she'd done? Why was she coming back? She must know she would have to face Fliss again. Or didn't she care?

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  Till the Fat Lady Sings

  Alisa Kwitney

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  Manya Miriam Mittelman has an uneasy relationship with her flesh, of which there is a bit too much by the standards of Columbia University circa 1992. "If only the flesh weren't so closely connected with the spirit!" Manya reflects. "The spirit has such wonderful moments of illumination, and all the flesh ever does is intrude and say, 'We're hungry now. We have to pee now. We're horny now.'" Till the Fat Lady Sings traces the intertwined fortunes of plump, thoughtful Manya and her circle of acquaintances at Columbia, all of whom are grappling in one way or another with the unbearable weight of being in the 1990s: Manya's flamboyant fellow students, punk-neurasthenic Ophelia (nee Jane Saunders) and angst-ridden Arthur, organizers of the mysterious Doomsday Coalition; Feminism 101 professor Emilia Larsdatter (nee Emily Larson), who has broken up with the tempestuous poet Saul, though "in point of fact their relationship was not exactly over. Like malaria, it recurred from time to time in uncontrollable fits"; Boris, womanizing Russian emigre owner of Zaftigue, the boutique where Manya works on weekends; and Vanessa, who "was having a great deal of difficulty getting over Boris. Perhaps it was her job; she was an editor at LoveLorn romances, for their Regency line of novels. All day long Vanessa read about eighteen-year-olds whose impish flouting of convention ('I shall not perform my needlepoint, Mama!') led them straight into the arms of dashing rakes ('You have heard rumors, Minerva, of my way with the fair sex...')." Wickedly funny, worldly wise, Alisa Kwitney displays extraordinary sureness and emotional wisdom in her first novel. She's a contender.

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  Love's Home Box Set

  Iyana Jenna

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  Sometimes you need a break, to get away somewhere, but in the end you always return to a place you call home. The saying goes, "Home is where the heart is." It doesn't matter if it's big or small, pretty or shabby, what matters is it's your Love's Home.
  This box set features five of Iyana Jenna's best-selling gay contemporary romance stories. A homeless PA finds a home in an actor's life. An abduction almost steals a man from his loving boyfriend. A love triangle nearly ruins everything. A sex slave is rescued by an unlikely savior. A young man discovers a new home after he loses everything. 
  These best-selling romances by Iyana Jenna are available as single ebooks, but are published exclusively in one box set. 
  Contains the stories: 
  
  A Home for Jesse: Jesse is a homeless personal assistant. Trey is an actor with a TV series of his own. Can Jesse see past the fact that Trey offers him a roof over his head and accept the actor as his lover?
  
  A Single Black Rose: As an actor, Sean was used to getting flowers. But bouquet after bouquet that came to him with a single black one in the middle might prove to be dangerous. Especially when it had something to do with an obsessed fan that would do anything to get him.
  
  Misunderstandings: Insecure and jealous, an Indie movie actor, Parker Williams knows he can't be with his boyfriend, a Blockbuster star, Declan Griffin, anymore, especially when Parker finds out that Declan gets closer to his co-star, Ryan Dexter. So Parker leaves Declan, who doesn't quite grasp what Parker's problem is.
  
  Will and Pleasure: Jake Welther preferred to stay with his mother when their parents got divorced. He was surprised when he was taken to his father's house when Welther Sr. passed away. Jake never thought he'd get anything from the will. Jake's father left his four sons not the house or the money. It was a young man. His name was Luke.
  
  Ya Like That?: Evan lost everything, money, house, and family, after his father screwed them up. Then millionaire Brian Donaghue offers him a job he can't refuse. Or can he?

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  Wolf Gift

  TJ Nichols

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  Mitchell Wright expected to die when he was captured by hunters. When they chained him and left him in the bush, he hoped to die fast. Instead, his fated mate showed up and saved him. Now he has to deal with his injuries for the rest of his life and he’s a familiar to a witch he doesn’t even know.  
  Coven Agent Penrith Flint thought he was saving the wolf shifter's life, not finding himself a familiar. Because of how it happened—the wolf didn’t consent to becoming his familiar—he’s desk bound with his job on the line, while praying to the Fates to let the bond fade.  
  After four months it hasn’t.  
  When Mitchell turns up just before Christmas to see him, Penrith needs to decide if he’s willing to let the wolf into his life and risk his heart one more time. While neither of them wanted a fated mate, it is the gift they both need.  
  One wounded wolf shifter and a slightly bitter blood witch come together to discover that while love may not heal wounds, it makes them easier to bear and that finding Mitchell a pack is the family they both need.

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  Stalwart

  K.L. Noone

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  Cameras, thunderstorms, and love confessions! And a secret or two ...
  
  
  Jason Mirelli couldn't be happier. Filming's going well, he loves his role, and he and Colby Kent have unexpectedly fallen for each other on screen and off ... and into bed. Everything seems wonderful, but Jason can't help worrying. This is the role that'll save his career, he's sleeping with his co-star, and Colby needs him to take things slow, but Jason's already head over heels in love. It's getting harder and harder to watch Colby pretend to be ill and in pain, even if it's only in character ... and a single on-set accident might make Jason's worst fears come true.
  
  
  Colby's happier than he's been in a very long time. He's telling a story that he loves, he's playing a character he's always adored, and he wants to share all of himself with Jason, on camera and off. He knows he's falling in love with Jason, but he also knows it's too fast, and he's been hurt before. Besides, he has one final secret he's been afraid to confess. He wants to trust Jason completely, but before he can, an accident on set might threaten every love story they've been creating.

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  Out of Light and Into the Night

  Wayne Mansfield

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  Karl and Daniel are driving back to their small farm after celebrating Daniel's birthday when they strike something in the road. Whatever it is lands on the roof of their pick-up truck. Not keen to find out what it might be, Karl floors the accelerator as Daniel leans out of the window. Despite the light from a full moon, nothing is seen on the road behind them.
  When they arrive home, their relief is short-lived. As Karl turns into their driveway, Daniel disappears out the window of the truck. 
  Karl hurries after his lover, and manages to catch sight of a dark shape flying through the night sky. Dangling beneath it is his beloved Daniel. Before he can call for help, he's knocked off his feet. A minute later, he finds himself in the air, too, held securely in the grip of a nightmarish beast. 
  The best Karl can hope is both he and Daniel will survive the night, but that might be easier said than done.

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