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  Exits & Entrances - As Love Allows

  Gina Rie

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  OverviewLife is full of Exits and Entrances... Some are beautiful, and some are bewildering. We may face circumstances that are beyond our control. What matters is how we choose to walk through them when they come. Follow Annalise and Oliver through many Exits & Entrances.1982She was determined to drive west until she found at least a sliver of blue sky. The persistent rain had decaffeinated everything. From the sky itself, to her hazel eyes that held nothing but a hollow gaze, the energy had long since been drained from it all. She was aware of the gray blanket that was weighing everything down, and knew she needed to be intentional about finding the sun today. Long drives could be good for the soul, and today was the day she would indulge in one.2022A full head of curly gray, unruly hair, lay against his left elbow that had sunk onto the top of the grand piano hours ago. His long, knotted fingers stretched out over the ivory keys that awaited his masterful touch. He'd not been able to leave behind the keys and the bench, not even for a beckoning night of sleep. This was the place where he'd spent so many beautiful hours with the love of his life.

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  Little Bits of Ruined Beauty...

  Tom Wentworth

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  When Eddie returns home to Shropshire, he falls back into his fractious, complicated relationship with his father, both skirting around things long left unsaid. As their connection starts to evolve, can they break through and find the new beginning they both need?
  Tom Wentworth's Little Bits of Ruined Beauty is a darkly comic play examining the subtle shift from cared-for to carer, and how dignity and independence are maintained in isolated rural areas.
  It was premiered in 2022 by Pentabus on a tour of the UK, directed by Nickie Miles-Wildin, and commissioned and supported by Unlimited, celebrating the work of disabled artists.

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  In the Bear's House

  N. Scott Momaday

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  "Let me say at the outset that this book is not about Bear (he would be spoken of in the singular and masculine, capitalized and without an article), or it is only incidentally about him. I am less interested in defining the being of Bear than in trying to understand something about the spirit of wilderness, of which Bear is a very particular expression . . . Bear is a template of the wilderness."—from the Introduction 
   
   
   
  Since receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime. 
   
   
   
  With transcendent dignity and gentleness, In the Bear's House celebrates Momaday's extraordinary creative vision and his evolution as one of our most gifted artists.

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  The Writing of an Hour

  Brenda Coultas

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  What actually happens within the revolution of the clock's hands? In The Writing of an Hour the poet considers the effort and the deliberateness that brings her to her desk each day. Despite domestic and day job demands and widespread lockdown, Coultas forges connections to the sublime and wonders what it means to be from the Americas. These poems verge on the surreal, transform the quotidian, and respond anew to the marvelous. The Writing of an Hour takes the reader on a journey in four sections; from a bedroom to an improvised desk over the North Sea, where she attempts to create an artwork inside an airplane cabin flying over Greenland's rivers of ice. The Mending HourI tied one on, I mean I took my grandmother's apron, its strings and glittery rickrack and I wore it on the streets of the East Village. The apron is a cloak of superpowers, a psychic umbrella I paraded past Emma Goldman's E. 10th St. address, and rang her doorbell for a sip of water. My domestic armor is made of gingham though a woman is still considered an unelectable candidate.

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  Backstroke

  Anna Mackmin

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  'Just let go. Let your body float. You'll still be here but it'll feel like flying in a dream.'
  Bo is busy – balancing the pressures of work and the needs of her struggling daughter. When her mother, the irrepressible force-of-nature Beth, is admitted to hospital following a stroke, the practical realities of the present collide with the complexities of their past.
  Backstroke is a kaleidoscopic and compassionate play, first performed at the Donmar Warehouse, London, in 2025. It was written and directed by Anna Mackmin, with Celia Imrie and Tamsin Greig playing mother and daughter.

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  Treasure

  Jemima Foxtrot

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  "religion's been cruel to people like usthe darkwood sluts      the good time girlsbut god as my witnesssome of us           we're just trying to wrangle our powerback from the species that took it"
  Jemima Foxtrot's Treasure is a shining work of alchemy and liberation which explores power dynamics, sex work, desire, and female friendship with a fresh and playful perspective. Foxtrot investigates shimmering sexualities, the economies of desire, the theft of childhood and pathways towards reclaiming it. Her language is lush: intimate, intricate, full of fertile earth's possibility. The poems of Treasure live up to its name: showing us where the gold is—the joy—how to feed it into the soil of our lives.
  "Treasure is an aptly chosen title for this collection, both as a noun (that quantity of precious ore dug from the stuff of experience) and as a verb (the imperative to seek out, sing, and cherish joy through the sharing of it). Foxtrot is a savvy, sometimes savage, sensualist; her poetic speakers alert to injustice, but alive to pleasure in every way that counts. These are superbly tactile poems, poems of being-in-the-body, and being-in-the-world; they are full of wit, vigour and feminist jouissance. These are also formally exciting poems, poems that showcase a beautifully bold and oddly tender lyric defiance." Fran Lock, Hyena, T.S. Eliot Prize Shortlist

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