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  Planepack

  Slobodanka Graham

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  I fly and travel with carry-on luggage only. That's 7 kgs. And yes, you can do it too!At Planepack, discover the art of light travel: skip the queues; hop in and out of trains, boats and planes. Lose your addiction to heavy cases and you too will be a liberated light traveler.I write and review light travel essentials, packing guides, travel tips - and how to travel with style and ease.Planepack is perfect for anyone wanting to enjoy their travel experience - and not be burdened with luggage. I hope this book inspires you too to travel light.

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  Most Famous Silent Film Actors...

  Editors Charles River

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  Only a select few actors become international stars in their time, but none had as unique a career as Charlie Chaplin. Chaplin was the first true film star, and he managed to do so even when films were still silent. He has been honored with too many awards to count, and the fact that his name remains instantly recognizable nearly a century after his first film is a testament to his influence. Chaplin is known for the singular blend of pathos and humor evinced by his films, and it is not uncommon for audiences to laugh and cry at alternate points of a Chaplin film, a trait that continues to endear audiences even to this day. 
  In the 1920s, the burgeoning movie industry was starting to come into its own, and alongside actor and director Charlie Chaplin, Buster Keaton was at the peak of Hollywood. It’s no surprise that Keaton was so effective in silent films, because he had been practicing comedy in his family’s vaudeville acts as “The Little Boy Who Can’t Be Damaged”, becoming a popular performer by the age of 5. Indeed, his physical form of comedy, which initially involved having his father throwing him around the stage, translated well onto the screen, and some of his slapstick and other comic gags remain legendary even today, in part because Keaton practiced his own stunts.  
  Everything about Rudolph Valentino, from his body to the characters he played, was exotic. His career may have been abbreviated by his premature death at the age of 31, but Valentino popularized the (somewhat racist) stereotype of the “Latin lover” in Hollywood, and even his name was markedly more out of the ordinary than those of other actors. In an era dominated by hyper-masculine actors like Douglas Fairbanks, or comedians such as Charlie Chaplin and Buster Keaton, Valentino had a more ethnic and mysterious appeal, and he was lusted after by women to a degree that remains unsurpassed in the industry.

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  Greatest Artists of the 20th...

  Charles River Editors

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  Pablo Picasso is one of the world’s most famous artists, which adds to the challenge of examining his career, but it’s necessary to examine his entire career because of the way art was intertwined with his life. Even from an early age, it was clear that he subordinated any external concerns relating to his life in the interest of making art, which may have been the cause of the spirit of melancholy that can be found in his artwork. At the same time, the somber tone of some of his work can be directly contrasted against his playful formal experimentation. 
  In his review of Salvador Dali’s first autobiography, George Orwell declared that “One ought to be able to hold in one’s head simultaneously the two facts that Dali is a good draughtsman and a disgusting human being.” Whether or not one agrees with the famous author’s assessment, Orwell captures the polarizing nature of Salvador Dali, and the extent to which his undeniable technical virtuosity often brushed against his penchant for provoking his audiences (not to mention provoking long-entrenched standards of “proper” taste). Dali, after all, was unafraid to eschew Renaissance perspective, thereby incorporating often graphic subject matter. In other words, if Dali stands as one of the canonical figures of modern art, this involved holding both a seminal role in the canon of cutting-edge art but also a tendency to challenge audiences, challenging the contours of “Art with a Capital A.” 
  Abstraction had surfaced periodically across modernism and the avant-garde, principally in the works of the Surrealists and Cubists, as well as the compositions of Americans like Stuart Davis. Still, Jackson Pollock pushed abstraction well past what had come before him, raising abstraction to an extreme that seemed to somehow be both primitive and esoteric. To truly grasp the significance of Jackson Pollock in 20th century art, it’s necessary to understand the dramatic departure he initiated.

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  The National's Boxer

  Ryan Pinkard

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  We all know the Boxer. The fighter who remembers every glove but still remains. That grisly, bruised American allegory who somehow gets up more times than he’s knocked down. This is the fight that nearly broke The National. The one that allowed them to become champions.Released in 2007, The National’s fourth full-length album is the one that saved them. For fans, Boxer is a profound personal meditation on the unmagnificent lives of adults, an elegant culmination of their sophisticated songwriting, and the first National album many fell in love with. For the band, Boxer symbolizes an obsession, a years-long struggle, a love story, a final give-it-everything-you’ve-got effort to keep their fantasy of being a real rock band alive.Based on extensive original interviews with the fighters who were in the ring and the spectators who witnessed it unfold, Ryan Pinkard obsessively reconstructs a transformative chapter in The National’s story, revealing how the Ohio-via-Brooklyn five-piece found the sound, success, and spiritual growth to evolve into one of the most critically acclaimed bands of their time.

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  Radio Pheonix Rosewel - Radio...

  Chris Camov, Ward Everaadt

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  Radio Phoenix, a dodgy little Australian community radio station broadcasting in the 1960's, held together with gaffer tape, bad decisions, and a mostly inept voluntary crew who probably shouldn’t even be trusted with electricity!  
  At the helm is Mick, the self-appointed boss — a bloke who reckons the world owes him a living and runs the joint by rules he makes up as he goes.  
  Then it all goes pear-shaped - In a moment of absolute madness the station is accidentally burnt to the ground! 
  With the town-folk breathing down their necks rumours of alien visitations, and a hard deadline looming.  The race is on to get Radio Phoenix back on air before the locals completely lose the plot ... and their minds! 
  Armed with no money, no brains, bugger-all common sense, and a truckload of bad luck, the question isn’t how they’ll pull it off— or if they’ll torch what’s left of the town along with it? 

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  A Rare Recording of Film Icon...

  Myrna Loy

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  Myrna Loy, born Myrna Adele Williams in Helena, MT, (August 2, 1905 - December 14, 1993) was an American film, television and stage actress. Trained as a dancer, Loy devoted herself fully to acting following a few minor roles in silent films. Originally typecast for exotic roles, Loy's career prospects improved greatly following her portrayal of Nora Charles in The Thin Man (1934) and helped elevate her reputation as a versatile actress. Although Loy was never nominated for an Academy Award, in 1991 she received an Honorary Academy Award in recognition of her life's work.

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