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  Enough Rope

  Lawrence Block

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  “Block grabs you with the first story and never lets go” in this indispensable collection packed with unforgettable characters and crimes (Elmore Leonard). 
   
  Enough Rope, a collection of superb stories, establishes the extraordinary skill, power, and versatility of contemporary Grand Master Lawrence Block. Block’s beloved series characters are on hand, including ex-cop Matt Scudder, bookselling burglar Bernie Rhodenbarr, and the disarming duo of Chip Harrison and Leo Haig. Here, too, are Keller, the wistful hit man, and the natty attorney Martin Ehrengraf. Keeping them company are dozens of other refugees from Block’s dazzling imagination, all caught up in more ingenious plots than you can shake a blunt instrument at. Half a dozen of Block’s stories have been short-listed for the Edgar Award, and three have won it outright. All the tales in Block’s three previous collections are here, along with two dozen new stories. Some will keep you on the edge of the chair. Others will make you roll on the floor laughing. Enough Rope is an essential volume for Lawrence Block fans, and a dazzling introduction for others to the wonderful world of Block magic! 
   
  “With early tales (1957’s ‘You Can’t Lose’) and recent ones (‘Terrible Tommy Terhune’) . . . this compendium of sharply written short fiction will delight Blocks many fans, and likely earn him new ones.” —Publishers Weekly 
   
  “The plain unpleasant truth is that nobody working in crime fiction today has written so many good books, of so many different types, with so many great characters.” —January Magazine 
   
  “True-blue mystery fans would be crazy to pass it up.” —Kirkus Reviews

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  The Arabian Nights

  Richard Francis Burton

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  Though The Arabian Nights are generally known as stories for children, they were originally tales for adults full of adventure, sexuality, violence and the supernatural. They certainly inspired the imagination of Sir Richard Burton, the nineteenth-century explorer, linguist and erotologist who brought all his worldly experience and a superbly expressive prose style to bear on the tales of Sinbad the Seaman and Ali Baba and the Forty Thieves. Scheherazade must keep her king entertained with stories if she is to avoid the promised sentence of death. Philip Madoc’s sonorous performance allows the tales to weave their own enchantment as they have done down the centuries.

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  The Short Stories of Stephen...

  Stephen Crane

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  Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen.  Incredibly he began writing at the age of four and was published several times by the age of sixteen.   
   
  Crane only began a full-time education when he was nine but quickly mastered the grades needed to catch up and move forward. Although educated at Lafayette and Syracuse he had little interest in completing university and was keener to move on to a career, declaring college to be ‘a waste of time’.  By twenty he was a reporter and two years later had published his debut novel ‘Maggie: A Girl of the Streets’.  In literary circles this was hailed as the first work of American literary Naturalism.  
   
  Two years later, in 1895, he was the subject of worldwide acclaim for his Civil War novel, written without the benefit of any actual war experiences, ‘The Red Badge of Courage’.  It was indeed a masterpiece and his finest hour.  A year later life began its downwards descent when he became embroiled in a scandal which was to doom his career.  In attempting to help a suspected prostitute being falsely charged by a policeman he became the target of the authorities. 
   
  Later the same year en-route to Cuba as a War Correspondent he met the hotel madam Cora Taylor in Jacksonville, Florida.  This was to become the defining relationship of his life.  Continuing his journey, somewhere between Florida and Cuba his ship sank, and he was cast adrift for several days.  Rescued, he returned to cover conflicts wherever they were situated, some as far away as Greece.  For a time he lived in England with Cora, usually beyond their means, befriending fellow writers such as H G Wells and Joseph Conrad.    
   
  In declining health and beset by money problems, Stephen Crane died of tuberculosis, aged a mere 28 on 5th June 1900, at Badenweiler, Germany. He is buried in New Jersey. 
  01 - Stephen Crane - A Short Story Collection - An Introduction 
  02 - The Open Boat by Stephen Crane 
  03 - The Bride Comes to Yellow Sky by Stephen Crane 
  04 - The Veteran by Stephen Crane 
  05 - A Dark Brown Dog by Stephen Crane

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  The Phantom Rickshaw

  Rudyard Kipling

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  An uncanny tale from the Raj. When Jack Pansay's affair with Mrs. Keith-Wessington comes to an unseemly end, he believes the matter to be over. But Mrs. Wessington's obsession with him continues year after year, as she stalks him in her rickshaw around the walks of Simla. When Pansay announces his engagement to Kitty Mannering, the trauma is too much for Mrs. Wessington and she dies shortly afterwards. But this is only the beginning of Pansay's torment. From now on, the ghost of Mrs. Wessington appears in her rickshaw wherever he goes in her eternal quest to win him back.

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  Female Short Story The - A...

  Kate Chopin, Mary E. Mann, Olive...

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  A wise man once said ‘The safest place for a child is in the arms of his mother’s voice’.  This is a perfect place to start our anthology of female short stories. 
   
  Some of our earliest memories are of our mothers telling us bedtime stories. This is not to demote the value of fathers but more to promote the often-overshadowed talents of the gentler sex. 
   
  Perhaps ‘gentler’ is a word that we should re-evaluate. In the course of literary history it is men who dominated by opportunity and with their stranglehold on the resources, both financial and technological, who brought their words to a wider audience.  Men often placed women on a pedestal from where their talented words would not threaten their own.   
   
  In these stories we begin with the original disrupter and renegade author Aphra Behn.  A peek at her c.v. shows an astounding capacity and leaves us wondering at just how she did all that. 
   
  In those less modern days to be a woman, even ennobled, was to be seen as second class.  You literally were chattel and had almost no rights in marriage.  As Charlotte Smith famously said your role as wife was little more than ‘legal prostitute’.  From such a despicable place these authors have used their talents and ideas and helped redress that situation.   
   
  Slowly at first.  Privately printed, often anonymously or under the cloak of a male pseudonym their words spread.  Their stories admired and, usually, their role still obscured from rightful acknowledgement. 
   
  Aided by more advanced technology, the 1700’s began to see a steady stream of female writers until by the 1900’s mass market publishing saw short stories by female authors from all the strata of society being avidly read by everyone.  Their names are a rollcall of talent and ‘can do’ spirit and society is richer for their works.   
   
  In literature at least women are now acknowledged as equals, true behind the scenes little has changed but if (and to mis-quote Jane Austen) there is one universal truth, it is that ideas change society.  These women’s most certainly did and will continue to do so as they easily write across genres, from horror and ghost stories to tender tales of love and making your way in society’s often grueling rut.  They will not be silenced, their ideas and passion move emotions, thoughts and perhaps more importantly our ingrained view of what every individual human being is capable of.    
   
  It is because of their desire to speak out, their desire to add their talents to the bias around them that we perhaps live in more enlightened, almost equal, times.   
   
  Within these stories you will also find very occasional examples of historical prejudice.  A few words here and there which in today’s world some may find inappropriate or even offensive.  It is not our intention to make anyone uncomfortable but to show that the world in order to change must reconcile itself to the actual truth rather than put it out of sight.  Context is everything, both to understand and to illuminate the path forward.  The author’s words are set, our reaction to them encourages our change. 
   
  01 - The Female Short Story. A Chronological History - An Introduction - Volume 4 
  02 - The Blue Laboratory by L T Meade 
  03 - Since I Died by Elizabeth Stuart Phelps 
  04 - Many Waters Cannot Quench Love by Louisa Baldwin 
  05 - In the Mist by Mary E Penn 
  06 - An Unexpected Fare by Mary Tuttiett writing as Maxwell Gray 
  07 - Extradited by Isabella Valancy Crawford 
  08 - The Little Room by Madeline Yale Wynne 
  09 - Dog or Demon by Dorothy Havers 
  10 - A Rainy Day by Mary Elizabeth Hawker writing as Lanoe Faulkenery 
  11 - Clomayne's Clerk by Mary E Mann 
  12 - Christmas Eve at a Cornish Manor House by Clara Venn 
  13 - A White Heron by Sarah

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  A Joy Ride

  A. J. Alan

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  A. J. Alan was the pseudonym of Leslie Harrison Lambert (1883-1941), an English magician, intelligence officer, short story writer, and radio broadcaster. He was hugely popular in the '20s and '30s for his radio broadcasts, when he performed his own humorous and often macabre short stories, which he always delivered wearing full evening dress.A Joy Ride is one of A. J. Alan's most amusing stories and has a classic twist at the end.

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