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  Duets

  Anna Wood, Leila Aboulela, Nell...

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  A collection of stories written in duet.
  Eight highly original stories, each woven from the joint inspiration of two amazing writers.
  Sixteen celebrated authors respond, play, twist and develop their story in turn. Without the certainty of being in full control, Duets brings a new dimension to the drama of reading and writing.

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  The Mines of Falun - From their...

  E T A Hoffmann

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  Ernst Theodor Wilhelm Hoffman was born on the 24th January 1776, the youngest of three children, in Königsberg, then in Prussia but now part of the Kaliningrad Russian enclave. 
  His parents separated when he was two and for many years life was to be provincial and, despite his talents for the creative arts and the classics, much was passing him by. 
  At 20 Hoffman obtained employment as a clerk and to the art that now surrounded him.  Two years later he was in Berlin attempting a career as a composer with an operetta called ‘Die Maske’.  His gift for drawing caricatures and sharing them often got him into trouble that was easier to avoid. 
  The years of Napoleon ravaging Europe were bad for Hoffman; he moved often and took on works as varied as theatre management and music critic.  In this his talents were now more evident.  His works on Beethoven where highly regarded by the master himself. 
  His literary breakthrough came in 1809, with ‘Ritter Gluck’, about a man who believes he has met the composer 20 years after his death.  However the various jobs and the wars continued and plagued any career advancement despite his constant travel for opportunities, often through dangerous territories. 
  In the wake of Napoleon’s defeat in 1814, Hoffmann returned to Berlin where his opera ‘Undine’ was performed by the Berlin Theatre.  Life was now more settled and many of his most famous works were written at his time. 
  From 1819, Hoffmann was struggling with both legal disputes and ill health.  Alcohol abuse and syphilis were physically weakening him and from 1822 paralysis set in.  His last works were dictated to his wife or to a secretary as all around him society descended into an anti-liberal agenda, stifling dissent with threats of legal action and even treason.  The ailing Hoffman was among them. 
  E T A Hoffmann died on the 25th June 1822 in Berlin of syphilis.  He was 46.

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  The Prediction - From their pens...

  Mary Diana Dods (wrote as David...

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  Mary Diana Dods was born at some point in 1790.  Much of the details of her life are unknown. 
  Accounts propose that she was one of the illegitimate daughters of George Douglas, the sixteenth Earl of Morton and that she and her older sister were raised in both Scotland and London. At the time a good education for women was a rarity but it seems Mary attended school or was home tutored. 
  As a writer she seems only to have published under the pseudonym of David Lyndsay. Her works appeared in periodicals such as Blackwood's Magazine and in 1822 she was asked by its founder to provide it with ‘Dramas of the Ancient World’.  
  Writing as a male author in Victorian England gave her freedoms which would not be extended to her own gender and, as David Lyndsay, she was able to support herself.  However, by 1822 her letters show that the advent of liver disease was interfering with both work and life. 
  Dods was comfortable with her Scottish background and fluent in French, German, Italian, Latin, and Spanish as well as being a keen theatre critic.. 
  She also assumed a male persona as the diplomat and scholar Walter Sholto Douglas, ostensibly the spouse of Isabella Robinson. The marriage was, in part, a veil for Robinson's illegitimate pregnancy. They named the child Adeline Douglas. 
  In 1827 her good friend and supporter Mary Shelley helped Dods and Robinson too obtain false passports, and to travel to Paris as Mr and Mrs Douglas.  
  In her last years she suffered further attacks of liver disease together with other unnamed mental and physical illnesses.  
  Her finances had always been a struggle and now her debts consigned her to a debtor’s prison. It was there, after several months within its grim walls, that Mary Diana Dods died of her ailments at some unrecorded date between November 1829 and November 1830.

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  The Red Room

  H. G. Wells

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  Step into the haunting world of The Red Room, one of H.G. Wells' most chilling short stories, now narrated by Jane Wing. In this gothic tale of suspense, a skeptical protagonist enters a seemingly haunted room in an ancient castle, determined to disprove the existence of the supernatural. As the night progresses, he encounters fear in a way he never anticipated. 
  Jane Wing’s gripping narration adds an extra layer of tension, making this eerie classic a truly immersive listening experience. Filled with Wells' signature mastery of atmosphere and psychological insight, The Red Room is a story of isolation, fear, and the unknown. 
  Perfect for fans of ghost stories, gothic literature, and psychological thrillers, this audiobook will leave listeners questioning what is real and what is imagined. Are the shadows in the room truly harmless, or is something far more sinister at play? Listen and find out... if you dare.

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  Screen Tests - Stories and Other...

  Kate Zambreno

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  In Screen Tests, an astoundingly original and stylish collection, Zambreno has once again created new categories of writing, of vivid and surprising language and thought. In the first half, the narrator regales us with incisive and witty swatches from a life lived inside a brilliant mind, meditating on aging and vanity, fame and failure, writing and writers, and the dailiness of a woman and an artist, along with Warholian portraits of everyone from Susan Sontag to Amal Clooney, Maurice Blanchot to Louise Brooks. The series of essays that follow, on figures central to her thinking, from Kathy Acker to Shulamith Firestone, David Wojnarowicz to Barbara Loden, are passionate manifestoes about art, that intersect and chime with the stories that came before them. Throughout these philosophical investigations is the quintessential Zambreno voice, unable to be imitated—witty and morbid, serious and playful, poetic and profane, doubting yet radiant.

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  Fear - From their pens to your...

  Catherine Wells

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  Little information survives on Catherine’s life. 
  She was born Amy Catherine Robbins in 1872. 
  In about 1892 she was a student in a biology cramming class where the teacher was H G Wells.  Though married he was quickly attracted to his student and within a short time they were living together in Woking, Surrey.  He then divorced his first wife and married Catherine in October 1895 at St Pancras register office. 
  In the early years they were poor to the point that they could not afford to start a family.  When they did they had two children; Philip in 1901 and Frank two years later. 
  For much of her life she seemed to pursue other interests, being a mother, a gardener, running much of her husband’s business affairs and this seemed to leave little time for her own literary pursuits.  She published little during her lifetime apart from a few poems and some short stories.  Indeed her prodigiously talented husband even referred to her as ‘Jane’ and soon all around her did too, her writing life seemingly in another personality far, far away.   
  By the mid 20’s she was ill with cancer and succumbed to its advance in 1927. 
  Wells, although wayward and promiscuous during much of the marriage, now attempted to put his wife’s literary merits into book form and published ‘The Book of Catherine Wells’, a collection of short stories and poems.

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