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  Edna St Vincent Millay Reads Her...

  Edna St. Vincent Millay

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  Edna St. Vincent Millay (February 22, 1892 to October 19, 1950) was an American lyrical poet and playwright. Millay was a renowned social figure and noted feminist in New York City during the Roaring Twenties and beyond. Millay won the 1923 Pulitzer Prize for Poetry for her poem "The Ballad of the Harp-Weaver"; she was the first woman and second person to win the award. In 1943, Millay was the sixth person and the second woman to be awarded the Frost Medal for her lifetime contribution to American poetry. The following recordings include "The Ballad Of The Harp-Weaver," "Childhood Is The Kingdom Where Nobody Dies," "Recuerdo," "This Beast That Rends Me," "Not In A Silver Casket Cool With Pearls," "Love Is Not All (Sonnet XXX)," "Sorrowful Dreams," "Oh, Sleep Forever In The Latmian Cave," "I Shall Forget You Presently, My Dear (Sonnet IV)," and "Renascence."

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  Antony and Cleopatra

  William Shakespeare

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  Antony and Cleopatra (First Folio title: The Tragedie of Anthonie, and Cleopatra) is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around 1607; its first appearance in print was in the Folio of 1623.
  The plot is based on Thomas North's 1579 English translation of Plutarch's Lives (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the Final War of the Roman Republic. The major antagonist is Octavius Caesar, one of Antony's fellow triumvirs of the Second Triumvirate and the first emperor of the Roman Empire. The tragedy is mainly set in the Roman Republic and Ptolemaic Egypt and is characterized by swift shifts in geographical location and linguistic register as it alternates between sensual, imaginative Alexandria and a more pragmatic, austere Rome.
  Many consider Shakespeare's Cleopatra, whom Enobarbus describes as having "infinite variety", as one of the most complex and fully developed female characters in the playwright's body of work. She is frequently vain and histrionic enough to provoke an audience almost to scorn; at the same time, Shakespeare invests her and Antony with tragic grandeur. These contradictory features have led to famously divided critical responses. It is difficult to classify Antony and Cleopatra as belonging to a single genre. It can be described as a history play (though it does not completely adhere to historical accounts), as a tragedy (though not completely in Aristotelian terms), as a comedy, as a romance, and according to some critics, such as McCarter, a problem play. All that can be said with certainty is that it is a Roman play, and perhaps even a sequel to another of Shakespeare's tragedies, Julius Caesar.
  Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.

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  A Whistling of Birds

  Isobel Dixon

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  Elizabeth Bishop's hawkweed, John Berryman's hummingbirds, Ted Hughes's burnt fox – the birds, beasts and flowers of Isobel Dixon's new collection are at times kin to D.H. Lawrence, whose essay 'Whistling of Birds' lends this book its name, though each poem here is its own vivid testament to the natural world, and our often troubled and troubling place in it. Lyrical, vigorous, inventive, A Whistling of Birds is at times in conversation with Lawrence's iconic collection, Birds, Beasts and Flowers, but also ranges widely through the worlds of other writers and makers – from the Venerable Bede to Emily Dickinson, Georgia O'Keeffe to Glenn Gould, and a wealth of other connections closely examined and delicately drawn. With its resonant elegies and notes of celebration, this is a collection that flexes, hums and brims with energy, yet surely draws you in to its quiet, reflective heart.

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  You Still Look the Same

  Farzana Doctor

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  A moving collection of poetry about navigating mid-life, full of humour and wit, from acclaimed novelist Farzana Doctor.
  		 
  This debut poetry collection from acclaimed novelist Farzana Doctor is both an intimate deep dive and a humorous glance at the tumultuous decade of her forties. Through crisp and vivid language, Doctor explores mid-life breakups and dating, female genital cutting, imprints of racism and misogyny, and the oddness of sex and love, and urges us to take a second look at the ways in which human relationships are never what we expect them to be.

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  Harbinger - Poems

  Shelley Puhak

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   “The speaker in Shelley Puhak’s Harbinger is no closer to knowing herself than I am, than we are, which is why we trust her. Each similarly titled poem holds a triptych mirror up to the artist and, in so doing, up to us all, so we may better see ourselves as we are. In ever-changing form.” —Nicole Sealey  
  A stunning meditation on artistic creation and historical memory from the winner of the National Poetry Series, chosen by Nicole Sealey 
  From “Portrait of the artist, gaslit” to “Portrait of the artist’s ancestors” to “Portrait of the artist reading a newspaper,” the poems in Harbinger reflect the many facets of the artistic self as well as the myriad influences and experiences that contribute to that identity. 
  “Portrait of the artist as a young man” has long been the default position, but these poems carve out a different vantage point. Seen through the lens of motherhood, of working as a waitress, of watching election results come in, or of simply sitting in a waiting room, making art—and making an artist—is a process wherein historical events collide with lived experience, both deeply personal but also unfailingly political. When we make art, for what (and to whom) are we accountable? And what does art-making demand of us, especially as apocalypse looms? 
  With its surprising insights, Harbinger, the latest book from acclaimed poet Shelley Puhak, shows us the reality of the constantly evolving and unstable self, a portrait of the artist as fragmentary, impressionable, and always in flux. 
    

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  Love is a Dog From Hell

  Charles Bukowski

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  A classic in the Bukowski poetry canon, Love Is a Dog from Hell is a raw, lyrical, exploration of the exigencies, heartbreaks, and limits of love. 
  A book that captures the Dirty Old Man of American letters at his fiercest and most vulnerable, on a subject that hits home with all of us. Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power. 
  ""there is a loneliness in this world so great 
  that you can see it in the slow movement of 
  the hands of a clock.""

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