Hockey's Original 6 - Great Players of the Golden Era

Mike Leonetti

Synopsis

“Hockey historians will appreciate the precision action shots taken of the first cohort of NHL stars . . . a record of how hockey has evolved.” —Winnipeg Free Press The hockey stars of the 1950s and ’60s—Rocket Richard, Gordie Howe, Dave Keon, Bobby Hull, Jean Beliveau, Terry Sawchuk, Tim Horton, and others—were some of the most passionate players in National Hockey League history. These skillful and often colorful athletes played exhilarating hockey and were national heroes in a time when only six teams and fewer than 150 players battled for the Stanley Cup. Hockey’s Original 6 celebrates the most dynamic players and exciting moments of the era in more than 120 photographs from the legendary Harold Barkley Archives, including a number of never—or rarely seen—images. From 1942 until the early ’70s, Barkley was the Toronto Star’s leading sports photographer. He pioneered the use of electronic flash to capture stop-action hockey, and his dramatic work—both black and white and vibrant color—define the pre-expansion period. Two informative essays by Mike Leonetti—hockey historian, archivist, and prolific sportswriter—set Barkley and the photos in context, and short image captions illuminate the players and their feats. The late hockey legend Jean Béliveau provides a personal and insightful foreword. “Will take your breath away . . . a collection that captures players’ grimaces, suture tracks, missing teeth and Brylcreem-lacquered hair; their primitive equipment, joy and considerable pain, even the depth of snow beneath their tubular-steel blades, the individual planks of lumber that were the arena boards, and the octagonal orange crests on the Tyer Rubber Co. pucks whose impact has smudged the fire-engine-red goalposts.” —The Montreal Gazette

Disponible depuis: 09/09/2011.

Longueur d'impression: 144 pages.

D'autres livres qui pourraient vous intéresser

Local Hero - Making a Scottish...

Jonathan Melville

It's not a high concept movie, there's actually no story there really. It’s what happens in between the story that’s important' – Bill Forsyth The story of an American businessman sent to buy the Scottish village of Ferness with the aim of turning it into an oil refinery, Local Hero is one of Scotland’s most beloved, and most misunderstood, films. When Bill Forsyth’s incredible success with the low-budget That Sinking Feeling and Gregory’s Girl found him collaborating with Britain’s best-known film producer, David Puttnam, he soon found his independent ethos clashing with Hollywood’s desire for superstar actors and a happy ending. Jonathan Melville checks into the MacAskill Arms and looks back at Bill Forsyth’s career with the help of new and archive interviews, before spending time with the cast and crew, including stars Peter Riegert and Denis Lawson, who made Local Hero on location in Houston and Scotland in 1982. With access to early drafts of the Local Hero script (including hand-written notes) that reveal more about Mac and mermaids, excerpts from a previously unpublished interview in which Bill Forsyth explains why he refuses to call his film 'feel-good', and a look at long-lost deleted scenes with exclusive commentary from those involved, this is the definitive history of the Scottish classic. ‘Genuine fairy tales are rare; so is film-making that is thoroughly original in an unobtrusive way. Bill Forsyth's quirky disarming Local Hero is both . . . it demonstrates Mr. Forsyth's uncanny ability for making an audience sense that something magical is going on, even if that something isn't easily explained’ – Janet Maslin, The New York Times 'Local Hero is kind of transcendent. It's poetic in a way that most films can't hope to be' – Frank Cottrell-Boyce 'Local Hero is one my favourite films of all time . . . A timeless masterpiece' – Mark Kermode

Voir livre

Women Filmmakers in Early Hollywood

Karen Ward Mahar

A study of how and why women in early twentieth-century Hollywood went from having plenty of filmmaking opportunities to very few.Women Filmmakers in Early Hollywood explores when, how, and why women were accepted as filmmakers in the 1910s and why, by the 1920s, those opportunities had disappeared. In looking at the early film industry as an industry—a place of work—Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations. In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone—male and female—helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially as writers, directors, and producers. By the end of that decade, however, mushrooming star salaries and skyrocketing movie budgets prompted the creation of the studio system. As the movie industry remade itself in the image of a modern American business, the masculinization of filmmaking took root. Mahar’s study integrates feminist methodologies of examining the gendering of work with thorough historical scholarship of American industry and business culture. Tracing the transformation of the film industry into a legitimate “big business” of the 1920s, and explaining the fate of the female filmmaker during the silent era, Mahar demonstrates how industrial growth and change can unexpectedly open—and close—opportunities for women.“With meticulous scholarship and fluid writing, Mahar tells the story of this golden era of female filmmaking . . . Women Filmmakers in Early Hollywood is not to be missed.” —Samantha Barbas, Women’s Review of Books“Mahar views the business of making movies from the inside-out, focusing on questions about changing industrial models and work conventions. At her best, she shows how the industry’s shifting business history impacted women’s opportunities, recasting current understanding about the American film industry's development.” —Hilary Hallett, Reviews in American History“A scrupulously researched and argued analysis of how and why women made great professional and artistic gains in the U.S. film industry from 1906 to the mid-1920s and why they lost most of that ground until the late twentieth century.” —Kathleen Feeley, Journal of American History“Women Filmmakers in Early Hollywood offers convincing evidence of how economic forces shaped women’s access to film production and presents a complex and engaging story of the women who took advantage of those opportunities.” —Pennee Bender, Business History Review

Voir livre

Commercial Radio - Words From...

Garrison Keillor

A word or thirty from the sponsors of public radio’s enduring Saturday-evening staple, Commercial Radio features the best bits (and questionable marketing strategies) of many Lake Wobegon establishments. In addition to missives from longtime supporters such as the Catchup Advisory Board and the American Duct Tape Council, special messages from the Minnesota Diminishment Clinic, the Professional Association of English Majors, and many others peddle unique wares and unexpected services. Combining catchy slogans, memorable jingles, sometimes-seamless segues to product promotions, and the spirited aural antics of Tom Keith, this first-ever collection of sponsor ads is a true treat for aficionados of A Prairie Home Companion, which attracts more than three million listeners every week. All tracks are recorded from live broadcasts.

Voir livre

Felicien Rops

Patrick Bade

Felicien Rops (1833-1898) is a very surprising artist. Engraver and drawer of exception, Felicien Rops captures and anticipates, with astonishing talent, the female body with great modernity. Abandoning the conventional forms of the time, the artist creates a world full of humour, tenderness and, at times, insolence for the jubilation of the spectator's eye. Many of Rops' most famous works dealt with erotic and sensual themes, often depicting nudes or scenes of debauchery. He also frequently incorporated elements of the supernatural and the macabre, such as skeletons or demons, into his works. Some of his pieces were overtly political or social in nature, often criticizing the hypocrisy of the Church or the bourgeoisie.
Overall, Rops' art is complex, multifaceted, and often confrontational. It challenged societal norms and pushed the boundaries of what was considered acceptable in art during his time.

Voir livre

Sexy Butts - Photo Collection -...

Dave Naz

Sexy Young Girls present their luscious butts – with their alluring laxity they look so inviting the voyeur can’t help but wanting to touch them. Lose yourself in the most mesmerizing of all feminine charms: the butt, that glorious masterpiece.

Voir livre

Little Known Facts: Edie Falco -...

Ilana Levine

Edie Falco, the multi award winning actress, takes Ilana through her life and career in exquisite detail. From her early days waitressing to her early indie films. How she got the role of Carmela on "The Sopranos," the script she originally read for "Nurse Jackie." Ilana and Edie talk about sobriety, adoption, fame, single motherhood, pet psychics, and much more on this fascinating episode of "Little Known Facts."Edie Falco's acting career began with her work in indie films: The Unbelievable Truth , Laws of Gravity and Trust. In 1999, she had two starring roles, in Judy Berlin and Random Hearts, her first major role in a mainstream film. She was  cast in roles on the television shows Homicide, Life On The Street and Oz  both created by Tom Fontana.  She became a household name when she landed her star-making role as Mafia wife Carmela in HBO's The Sopranos. When that show ended, she nabbed the title role in Showtime's Nurse Jackie and then she played Louis C.K.'s sister on Horace and Pete. She will also portray attorney Leslie Abramson, the attorney best known for her legal defense of Erik Menendez in the mini series Law and Order : True Crime.  Raised on Long Island Edie now lives in New York City with her children and is an advocate for animal rights. Little Known Fact: She auditioned and got the role of Carmela Soprano all within 24 hours.

Voir livre