Weitere Bücher, die Sie mögen werden

• 

  Her - The Ultimate Trivia...

  Film Trivia Metaverse

  • 0
  • 0
  • 0

  HER 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY SPIKE JONZE 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  Her is a 2013 science fiction romantic drama directed by Spike Jonze. Set in a near-future Los Angeles, the film follows Theodore Twombly, a lonely, introverted man who develops an unlikely romantic relationship with Samantha, an advanced artificial intelligence operating system voiced by Scarlett Johansson. As their connection deepens, Theodore grapples with his emotions, loneliness, and the nature of love in an increasingly digital world. The film explores themes of intimacy, identity, and the boundaries between human connection and technology, offering a thought-provoking look at the complexities of modern relationships in a tech-driven society. 
    
  TRIVIA SAMPLES: 
    
  “Spike Jonze, stuck in the editing process with an early 150-minute cut, asked Steven Soderbergh to edit it down. Soderbergh returned within 24 hours with a 90-minute cut, which helped Jonze finalize the film’s 126-minute runtime.” 
    
  “Director Spike Jonze loved his role as Alien Child so much that he would often give notes to his editor and producer while staying in character.” 
    
  “This is the only film written and directed by Spike Jonze, entirely based on his original script.” 
    
  “Charlie Kaufman contributed some uncredited screenwriting to the film.” 
    
  “The airplane sculpture featured in a square outside the Pacific Design Center was entirely created using CGI. There is no such sculpture at the actual location in West Hollywood.”

  Zum Buch

• 

  Art History Impressionism

  Nathalia Brodskaïa

  • 0
  • 0
  • 0

  I paint what I see and not what it pleases others to see. What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best designate the movement of Impressionism? Without a doubt, this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist." In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affimation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting.

  Zum Buch

• 

  It's YOUR Business - Authors and...

  Lynda Rees

  • 0
  • 0
  • 0

  You wrote The End. Now what? It's your business. You own the book, the brand. You are the boss. Tips, tricks, information, and templates that will demystify running your small business and make your life simpler. Tools you can immediately use. This valuable resource book will be your guide. Get it now! 
  By Lynda Rees, The Murder Guru, multi-award-winning author

  Zum Buch

• 

  Out in LA - The Red Hot Chili...

  Hamish Duncan

  • 0
  • 0
  • 0

  The Red Hot Chili Peppers were going to be a one-time act for a friend's album release party. 
   
   
    
  Forty years later the funk rock band is arguably one of the best known and the longest running in the United States. 
   
   
   
  Everything that happened in 1983 set the course for the rest of the band's career. The scrappy band quickly rose to scene-wide fame, playing all over Los Angeles, and gaining fans and media attention wherever they performed. Before the year was out, they had played approximately thirty shows, put together an early, beloved repertoire, recorded a blistering demo that secured them a recording contract with EMI/Enigma, and lost two of their founding members to a rival band. 
   
   
   
  Out in L.A. is an attempt at finding out exactly what happened during that first year and exploring what it is that makes the Red Hot Chili Peppers so compelling and fresh, even as they continue on their musical journey today.

  Zum Buch

• 

  The Clash's Sandinista!

  Micajah Henley

  • 0
  • 0
  • 0

  Following the success of their instantly iconic double LP, London Calling, The Clash set out to do something “triply outrageous.” Named after the Nicaraguan rebels who successfully overthrew an authoritarian dictator, Sandinista! consists of 36 songs across six sides of vinyl. Produced by the band, it showcases their politics as well as their ability to adopt a multitude of genres ranging from punk, reggae, jazz, gospel, calypso, and hip hop. Free from the influence of their Machiavellian manager, Bernie Rhodes, The Clash still battled their record label to release the triple LP on their terms: three for the price of one.Despite its polarizing reception from critics at the time of its release, Sandinista! is often considered one of the greatest albums of all time. Nevertheless, critics and fans have spent over 40 years debating whether the album would be better as a 12-track LP. This book entertains that idea and considers what is lost or gained in the process. To do so, the book delves into the politics of The Clash, the spliff bunkers constructed for the production of the album, and the sacrifices made upon its release. It examines the album's 36 tracks and considers the significance of the record's dissection on behalf of fans who curate their own versions of the album in the mixtape, CD, and playlist eras.

  Zum Buch

• 

  Miles Davis' Bitches Brew

  George Grella Jr.

  • 0
  • 0
  • 0

  It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself seemed about to split at its seams. Following the circumscribed grooves and ambiance of In A Silent Way; coming off a tour with a burning new quintet—called ‘The Lost Band’—with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette; he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew.Bitches Brew is still one of the most astonishing albums ever made in either jazz or rock. Seeming to fuse the two, it actually does something entirely more revolutionary and open-ended: blending the most avant-garde aspects of Western music with deep grooves, the album rejects both jazz and rock for an entirely different idea of how music can be made.

  Zum Buch