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  Interview with the Sphinx -...

  Jack Matthews

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  In this provocative & immensely irritating comic play, the Sphinx from ancient Greece is interviewed in modern times as though she were a celebrity pop star. The problem is she never answers any questions — never directly anyway. Instead she prefers just dishing the dirt on everybody. ON HOMER: “I never was exactly sure which one Homer was. I’m positive he wasn’t the blind one, though; that was just a silly story they started telling a few centuries later”. ON OEDIPUS: “Eddie was terribly conceited, you know … of course he was smart and handsome and, oh, just had a way of carrying himself that impressed everybody. In spite of his foot.” Bit by bit the Interviewer learns that what happens in Greek legend didn’t happen exactly the way Sophocles described it. Fortunately, the Sphinx offers the Interviewer another riddle … if only he could figure out what exactly it is! This witty 67 minute audio play stars Jill Brumer as the Sphinx and Neal Gage as the Interviewer. Part Tom Stoppard, part Monty Python, part Oscar Wilde, this play by Jack Matthews combines philosophical paradoxes with fast-paced verbal pyrotechnics. It offers the perfect antidote to people who remembered ancient literature as nothing but stuffy and melodramatic characters with hard-to-pronounce names.  
  Neal Gage  is a Houston actor and teacher who has appeared in several features and comic sketch videos on  Funny or Die. Jill Brumer has an MFA in Media & Performing Arts and teaches theater at Houston colleges. Jack Matthews (1925-2013) was an American novelist, short story writer, essayist, playwright and former professor in Ohio. 
  The play was first published & performed in 1992; later it was revised & expanded for the 2013 audio production.

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  Speaking my Soul - Race Life and...

  John Russell Rickford

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  Speaking My Soul is the honest story of linguist John R. Rickford's life from his early years as the youngest of ten children in Guyana to his status as Emeritus Professor of Linguistics at Stanford, of the transformation of his identity from colored or mixed race in Guyana to black in the USA, and of his work championing Black Talk and its speakers. 
   
   
   
  In this engaging memoir, Rickford recalls landmark events for his racial identity like being elected president of the Black Student Association at the U of California, Santa Cruz; learning from black expeditions to the South Carolina Sea Islands, Jamaica, Belize, and Ghana; and meeting or interviewing civil rights icons like Huey P. Newton, Rosa Parks, and South African Dennis Brutus. He worked with Rachel Jeantel, Trayvon Martin's friend and key witness in the trial of George Zimmerman for his murder. Zimmerman's exoneration sparked the Black Lives Matter movement. 
   
   
   
  This is the account of a former director of African and African American studies whose work has increased our understanding of the richness of African American language and our awareness of the education and criminal justice challenges facing African-Americans. It is key for students and faculty in linguistics, mixed-race studies, African American studies, and social justice.

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  Works and Customs in Palestine...

  Gustaf Dalman

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  Volume III, continues where Volume II left off, with the harvest up to the milling and storing of the flour. It starts with the harvest weather, the human work force, the various harvest tools, continues with the work on the threshing floor, the threshing tools, the production of flour and groats together with the tools used, as well as the different kinds of storage equipment.

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  Understanding the Hillbilly...

  Damian Ference

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  Flannery O’Connor is one of the greatest writers of the twentieth century. Her novels and short stories—shockingly violent, absurdly comic, spiritually potent—continue to entertain, beguile, and transform readers of all backgrounds to this day.  For many encountering them for the first time, O’Connor’s stories of backwoods prophets and outcasts feel strangely nihilistic and dark. Others familiar with her letters and essays appreciate the deep Catholic understanding of sin and grace that animates them. In this new book, Fr. Damian Ference proposes a more precise lens for decoding Flannery O’Connor’s narrative art, one that originates in O’Connor’s own words about herself: Hillbilly Thomism. The author examines the various ways in which St. Thomas Aquinas and the philosophical tradition of Thomism shaped not only O’Connor’s view of reality but also the stories she told to help us see and know it.    Featuring an impressive array of biographical and literary evidence and extended analysis of her short stories “The River,” “Parker’s Back,” and “The Displaced Person,” Understanding the Hillbilly Thomist is an important look at the intersection of medieval philosophy and modern fiction in one of the most treasured artists of the American South. 

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  Divine Females - Powerful Women...

  Julia Blacksmith

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  Divine Females explores the sacred, mysterious, and often awe-inspiring roles of women in mythologies across time and cultures. This 3-in-1 collection highlights the power, wisdom, and influence of feminine figures in ancient stories, featuring Mythical Women, Gods and Legends, and The Myths of the Maya. From creators and warriors to queens and enchantresses, these women shaped the cosmos, guided heroes, and embodied both chaos and creation. 
  In Mythical Women, uncover the stories of goddesses and legendary heroines like Athena, Isis, Kali, and Amaterasu—each with distinct roles that challenge, protect, or define their worlds. Then, in Gods and Legends, zoom out to see how these divine females interacted with other deities and myths from various global traditions, often as the heart of the moral, magical, or cosmic balance. These stories show that power in mythology isn't just physical—it's emotional, intellectual, and spiritual. 
  Finally, The Myths of the Maya offers a deep dive into the feminine aspects of this intricate belief system. Discover moon goddesses, fertility spirits, and the symbolic role of women in Maya cosmology and daily life. Whether feared, revered, or adored, these divine females offer a powerful lens into how ancient civilizations saw the world—and the women who helped shape it.

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  Ur and Uruk: The History and...

  Editors Charles River

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  In southern Iraq, a crushing silence hangs over the dunes. For nearly 5,000 years, the sands of the Iraqi desert have held the remains of the oldest known civilization: the Sumerians. When American archaeologists discovered a collection of cuneiform tablets in Iraq in the late 19th century, they were confronted with a language and a people who were at the time only scarcely known to even the most knowledgeable scholars of ancient Mesopotamia. The exploits and achievements of other Mesopotamian peoples, such as the Assyrians and Babylonians, were already known to a large segment of the population through the Old Testament and the nascent field of Near Eastern studies had unraveled the enigma of the Akkadian language that was widely used throughout the region in ancient times, but the discovery of the Sumerian tablets brought to light the existence of the Sumerian culture, which was the oldest of all the Mesopotamian cultures.  
  	Although the Sumerians continue to get second or even third billing compared to the Babylonians and Assyrians, perhaps because they never built an empire as great as the Assyrians or established a city as enduring and great as Babylon, they were the people who provided the template of civilization that all later Mesopotamians built upon. The Sumerians are credited with being the first people to invent writing, libraries, cities, and schools in Mesopotamia, and many would argue that they were the first people to create and do those things anywhere in world. Indeed, a close examination of Sumerian culture and chronology reveals that the Sumerians set the cultural tone in Mesopotamia for several centuries in the realms of politics/governments, arts, literature, and religion. The Sumerians were truly a great people whose legacy continued long after they were gone.

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