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  Night & Ox

  Jordan Scott

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  bronchia thinkform a bombsightthink periosteum singingparticle falconry workpiecetwo lowcut hills seekingwhat stone isfor bodyis herdalliterations
    
     
  Night & Ox is a long poem working its interruptions to a degree where it's broken by the will to live. A poem that invokes expansive loneliness, where the poet's emotional response is to endure. A crushed line of astral forms and anatomy in perpetual remove; it is a poem that nurtures vulnerability: some soft-footed embryo sounds against language’s viscera. Night & Ox possesses a feral minimalism for those too tired and too frantic with joy to cope with narrative.
    
     
  ‘A fierce, ladderlike cri de cÅ?ur – at times a cri de cur – Night & Ox pulses with sawblade nocturnes that gnaw through the very rungs on which they’re wrung. One part Jabberwocky-talkie, one part fatherhood ode, the poem seeks a threshold, where the “mondayescent�* gives way to ardour, splendour, even love. Scott is a cosmoglot of the throat’s ravine, and this is his manic, pandemonic article of faith.’ – Andrew Zawacki
    
     
  Praise for Blert:
    
     
  ‘Scott takes us down to the basement of words, where sound and rhythm rule, and poets learn their craft. Blert is a strange and gorgeous work of linguistic materialism.' – Dennis Lee

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  A History of Amnesia

  Alfian Sa'at

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  Unapologetic, unafraid and unyielding, Alfian’s second collection of verse delves in greater depth the concerns in his first volume and moves into reclaiming our collective history and memory. 
   
   
  In mining our psyche, he casts light where whispers and shadows lurk. He draws inspiration from censored histories, subsumed myths and invokes imagined voices from the exiled, demanding of the reader to witness the ubiquitous ideological fictions that surround us. 
   
   
  This is one of the most dissonant and penetrating voices in Singapore poetry. 
   
   
  • A History of Amnesia is listed in the notable books list by the Kiriyama Pacific Rim Book Award (administered by University of San Francisco). 
  • A History of Amnesia is also shortlisted for Singapore Literature Prize in 2004.

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  The Malevolent Volume - Poems

  Justin Phillip Reed

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  WINNER OF THE 2021 CLMP FIRECRACKER AWARD FOR POETRY • FINALIST FOR THE 2021 LAMBDA LITERARY AWARD IN GAY POETRY • A WASHINGTON POST BEST POETRY COLLECTION OF 2020 • AN NPR FAVORITE BOOK OF 2020 • A NEW YORK TIMES NEW AND NOTEWORTHY BOOK • A BUZZFEED MOST ANTICIPATED BOOK OF 2020 • A LITERARY HUB MOST ANTICIPATED BOOK OF 2020 
    
  THE MALEVOLENT VOLUME EXPLORES THE MYTHS AND TRANSFORMATIONS OF BLACK BEING, ON A CONTINUUM BETWEEN THE MONSTROUS AND THE SUBLIME. 
    
  Subverting celebrated classics of poetry and mythology and examining horrors from contemporary film and cultural fact, National Book Award winner Justin Phillip Reed engages darkness as an aesthetic to conjure the revenant animus that lurks beneath the exploited civilities of marginalized people. In these poems, Reed finds agency in the other-than-human identities assigned to those assaulted by savageries of the state. In doing so, he summons a retaliatory, counter-violent Black spirit to revolt and to inhabit the revolting. 
    
  “Reed blends intersectional politics and bodily hunger in precise, thorny language.”—New York Times

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  The Poetry of John Clare - A...

  John Clare

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  John Clare was born on 13th July, 1793 in Helpston, a few miles north of Peterborough. 
  Schooled only until the age of 12 his early career was that of agricultural labourer, pot boy, gardener and lime burner.  His early life of hardship and frequent malnutrition led to his diminutive stature of five feet and contributed to his later health problems. 
  In 1820 his first poems were published and began to earn him a reputation as the “Northamptonshire Peasant Poet”. 
  His poetry sold well but only occasionally did that and other incomes keep his head above water.  Married with seven children the burden was huge and demanding.  Frequently penniless his health began to dissolve. 
  He last published in 1835 and by 1837 with his drinking out of control and his mental state shredded he entered a mental institution.  He was to reside in such unhappy places until his death. 
  He died aged 71 on 20th May 1864. His remains were returned to Helpston for burial in St Botolph’s churchyard. 
  Today he is considered one of the greatest of English poets.  His lyrical works on nature and the countryside earn him this just praise. 
  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  The Poetry of Algeron Charles...

  Algernon Charles Swinburne

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  Algernon Charles Swinburne was born on April 5th, 1837, in London, into a wealthy Northumbrian family.  He was educated at Eton and at Balliol College, Oxford, but did not complete a degree.  
  In 1860 Swinburne published two verse dramas but achieved his first literary success in 1865 with Atalanta in Calydon, written in the form of classical Greek tragedy. The following year "Poems and Ballads" brought him instant notoriety. He was now identified with "indecent" themes and the precept of art for art's sake.  
  Although he produced much after this success in general his popularity and critical reputation declined. The most important qualities of Swinburne's work are an intense lyricism, his intricately extended and evocative imagery, metrical virtuosity, rich use of assonance and alliteration, and bold, complex rhythms.  
  Swinburne's physical appearance was small, frail, and plagued by several other oddities of physique and temperament. Throughout the 1860s and 1870s he drank excessively and was prone to accidents that often left him bruised, bloody, or unconscious. Until his forties he suffered intermittent physical collapses that necessitated removal to his parents' home while he recovered.  
  Throughout his career Swinburne also published literary criticism of great worth. His deep knowledge of world literatures contributed to a critical style rich in quotation, allusion, and comparison. He is particularly noted for discerning studies of Elizabethan dramatists and of many English and French poets and novelists. As well he was a noted essayist and wrote two novels. 
  In 1879, Swinburne's friend and literary agent, Theodore Watts-Dunton, intervened during a time when Swinburne was dangerously ill. Watts-Dunton isolated Swinburne at a suburban home in Putney and gradually weaned him from alcohol, former companions and many other habits as well.  
  Much of his poetry in this period may be inferior but some individual poems are exceptional; "By the North Sea," "Evening on the Broads," "A Nympholept," "The Lake of Gaube," and "Neap-Tide."  
  Swinburne lived another thirty years with Watts-Dunton. He denied Swinburne's friends access to him, controlled the poet's money, and restricted his activities. It is often quoted that 'he saved the man but killed the poet'.  
  Swinburne died on April 10th, 1909 at the age of seventy-two. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Lossless

  Matthew Tierney

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  Taking its title from lossless data compression algorithms, Lossless transmits through time and space those ‘stabs of self’ that intensify with loss of relationships, of faith, of childhood, of people.
     
   
    The qualities of light, colour, and movement in the book’s forty-eight sonnets conjure a sense of arrested time, of motes in the air, while chapters of Borgesian prose poems extract knowledge from information to reconstruct a subjectivity, a personality, and a life. 
   
  "Tierney tracks and backtracks in the realm of dispossession like a cross between a physicist and a magician from a future era. These poems are new forms for human heart and quiddity.” – Anne-Marie Turza, author of Fugue with Bedbug"In this wise, wonky, poignant avowal of error and losslessness, Matthew Tierney geotags his 'freefall of associative memory,' where the past flickers presently and futures bend toward the start. Invoking the dogmas of digital media, quantum mechanics and philosophy, Lossless is the devlog of a child becoming father of the man. A 'greybeard & tweener' at once, Tierney conjures his Gen Xer youth—neighborhood bullies, the first kiss, jogging with a Walkman on—to tweak his hi-fi output as a husband and fumbling dad. Given a spacetime continuum offering 'viaducts of alternate choices,' in which everyone, at the molecular level, is 'swappable soma' at best, Tierney parses 'compossible paths' from 'incompatibilism,' trying to track the quirks and quarks of multidimensional life. In troubleshot sonnets and corrupted prose, this book is an ode to the lost art of losing gracefully." – Andrew Zawacki, author of Unsun

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