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  Grey Dog

  Elliott Gish

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  “Gish’s prose is as sharp as a scalpel.” — Publishers Weekly, starred review
  		 
  “Grey Dog is a bewitching tale of the horrors of spinsterhood in the early 1900s, with madness and magic threaded through every sentence.” — Heather O’Neill, author of When We Lost Our Heads and Lullabies for Little Criminals
  		 
  A subversive literary horror novel that disrupts the tropes of women’s historical fiction with delusions, wild beasts, and the uncontainable power of female rage
  		 
  The year is 1901, and Ada Byrd — spinster, schoolmarm, amateur naturalist — accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past — riddled with grief and shame — has never seemed so far away.
  		 
  But then, Ada begins to witness strange and grisly phenomena: a swarm of dying crickets, a self-mutilating rabbit, a malformed faun. She soon believes that something old and beastly — which she calls Grey Dog — is behind these visceral offerings, which both beckon and repel her. As her confusion deepens, her grip on what is real, what is delusion, and what is traumatic memory loosens, and Ada takes on the wildness of the woods, behaving erratically and pushing her newfound friends away. In the end, she is left with one question: What is the real horror? The Grey Dog, the uncontainable power of female rage, or Ada herself?

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  Lovecraft: The Alchemist - A...

  H. P. Lovecraft

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  Hundreds of years ago, Antoine's noble ancestor was responsible for the death of a dark wizard, Michel Mauvais. The wizard's son, Charles le Sorcier, swore revenge on not only him but all his descendants, cursing them to die on reaching the age of 32. 
  The protagonist recounts how his ancestors all died in some mysterious way around the age of 32. The line has dwindled and the castle has been left to fall into disrepair, tower by tower. Finally, Antoine is the only one left, with one poor servant, Pierre, who raised him, and a tiny section of the castle with a single tower is still usable. Antoine has reached adulthood, and his 32nd year is approaching. 
  His servant eventually dies, leaving him completely alone, and he begins exploring the ruined parts of the castle. He finds a trapdoor in one of the oldest parts. Below, he discovers a passage with a locked door at the end. Just as he turns to leave, he hears a noise behind him and sees that the door is open and someone is standing in it. The man attempts to kill him but Antoine kills him first. His dying words reveal that he is none other than Charles, who actually managed to successfully fabricate the elixir of life, enabling him to personally fulfill the curse generation after generation.

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  The Challenge from Beyond

  C. L. Moore, A. Merritt, H. P....

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  George Campbell retreats into the Canadian wilderness with nothing but a tent, hoping to escape the pressures of work. Deep in the forest, he stumbles upon a mysterious crystalline cube with strange, mesmerizing qualities — the longer he looks at it, the brighter it glows, gradually pulling him into a hypnotic trance. The object reminds him of the legendary Eltdown Shards, ancient texts said to describe similar cubes used by an otherworldly race to send their minds across the cosmos in search of knowledge. 
  The creator of the story was the young Julius Schwartz, publisher of the fanzine "Fantasy Magazine," who asked a group of well-known writers to create a multipart story based on the given title - each writer was to write one segment. One group of authors was to create a work in the spirit of science fiction, while the rest (including Lovecraft) - in the spirit of supernatural or fantasy tales. 
  C. L. Moore started the story. Then, Frank Belknap Long wrote his part. The next in line, the highest-paid writer among them all, A. Merritt, declared that Long had deviated too much from the title's essence in his development of the story. Merritt set a condition: either Long's portion would be rejected and replaced with his fragment, or he would withdraw from the project. Schwartz couldn't afford to lose such a prominent name, so he thanked Long. Of course, Merritt's contribution was minimal, and to advance the plot, Lovecraft had to intervene, creating the longest fragment of them all. The rest was completed by Robert E. Howard and – convinced by H.P. Lovecraft to return – Frank Belknap Long.

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  Torn In Two - Volume One Book Three

  JL MARTIN

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  Abigail makes her choice and marries the love of her life, leaving heartbreak behind and consequences that she must face in the future. Basking in the glow of her newfound life, a life so different from her time spent in the orphanage, it is unrecognisable to her as she tries to adjust to situations she has never encountered before. Polly’s past unexpectantly haunts them in this new land, leading to secrets being exposed and ending in murder. Abigail experiences a pleasant surprise, one that will change her life in ways she has never known, providing her with a sense of security and contentment that she has never before experienced. However, unfavourable events soon unfold, leaving some of her friends, especially Dana, grieving and wishing they had never immigrated to Australia. 

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  The Last Storm - The Shadows

  Sam Sisavath

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  The storm of the century. A ghost city. Law enforcement all but suspended. 
   
  Hurricane Matthew is a force to be reckoned with. It has been forecasted to drown the city of Houston in an unrelenting torrent of rain. In the days before its arrival, the city was evacuated, leaving behind only a skeleton police force and civilians unable to flee its destructive path. 
   
  It’s the perfect time and the perfect place for the perfect crime. 
   
  Richter has it all figured out. A professional with years of experience, he leads a group of similar professionals that have seen and done it all. The plan goes down without a hitch, just as Richter envisioned. It’s everything else that goes off the rails. 
   
  Forced to seek refuge in an abandoned apartment building to wait out the storm, Richter crosses paths with a police officer and her partner. They think they’re each other’s worst enemies, but they’re wrong. Very wrong. There is a creature of endless hunger waiting in the shadows, and it’s ready to feed. 
   
  Good guys? Bad guys? None of it matters tonight.

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  Street The (The Work of H P...

  H. P. Lovecraft

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  The story traces the history of the titular street in a New England city, presumably Boston, from its first beginnings as "but a path" in colonial times to a quasi-supernatural occurrence in the years immediately following World War I. As the city grows up around the street, it is planted with many trees and built along with "simple, beautiful houses of brick and wood", each with a rose garden. As the Industrial Revolution runs its course, the area degenerates into a run-down and polluted slum, with all of the street's old houses falling into disrepair.
  After World War I and the October Revolution, the area becomes home to a community of Russian immigrants. Among the new residents is the leadership of a "vast band of terrorists," who are plotting the destruction of the United States on Independence Day. When the day arrives, the terrorists gather to do the deed, but before they can get started, all the houses in the street collapse concurrently on top of each other, killing them all. Observers at the scene testify that immediately after the collapse, they experienced visions of the trees and rose gardens that had once been in the street.

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