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  Poetry Says It Better - Poems to...

  Ellen Burstyn

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  Read by Ellen Burstyn 
  The legendary Academy Award–winning actress reflects on her love affair with poetry and makes us believers. 
  In this beautiful book, Ellen Burstyn celebrates poetic magic and shares her favorite works. Now into her nineties, Ellen reveals she had an evangelical response to learning poetry even as a child and would memorize and recite the works of Edna St Millay to envelope herself in the poet’s deeper emotional landscape. As she continued her epic rise through film and theater—eventually winning an Oscar, a Tony, a BAFTA, and an Emmy—poetry gave voice to her experience as no other literary art form could. She never went anywhere without her curated “poetry pack.” No matter where she was in the world, while waiting on set, in rehearsal, on a train, or just relaxing, she found comfort in verse. 
  For nearly nine decades, poetry has led Ellen on a life of adventure, from a pilgrimage to Rumi’s birthplace to a friendship with Maya Angelou, during which the poet read her work in Ellen’s movie trailer, to selecting the poems to join her in love, in motherhood and in grief. 
  Featuring work by W.B. Yeats, Edna Vincent St. Millay, Rainer Maria Rilke, William Wordsworth, Edgar Allan Poe, William Ernest Henley, and others, Poetry Says It Better is a perfect daily companion for everyone looking to deepen and add meaning to their life experience. Throughout, Burstyn’s charming voice and luminous insights help readers meet her in this poetic celebration—soul to soul.

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  The Poetry of Elinor Wylie - One...

  Elinor Wylie

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  Elinor Morton Hoyt was born on 7th September, 1885 in Somerville, New Jersey and from age 12 grew up in Washington D C where her father served as assistant attorney general and later solicitor general.  Her early education together with her renowned beauty suggests she was being trained for life as a debutante but her life quickly found another route as she became absorbed in the world of books. 
   
  An early marriage following her graduation ended when, after being pursued by Horace Wylie, 17 years her senior and a married Washington lawyer with three children, she eloped to England with him.  His wife would not divorce him and the subsequent scandal was widely publicised further fueled by the suicide in 1912 of her abandoned husband. 
   
  With Wylie's encouragement she published in 1912, ‘Incidental Number’, assembled from poems of the previous decade. 
   
  Despite a child from her first marriage Elinor subsequently endured miscarriages, a stillbirth and a premature child who lived for only one week.  When Wylie’s deserted wife agreed to a divorce, the couple returned to the United States and married but they were already drawing apart. 
   
  In 1921, Elinor’s ‘Nets to Catch the Wind’, was published. It was an immediate success and a prize-winner.  In New York’s literary circles she found her next husband who acted as her agent – the poer William Rose Benét, brother of the famed Stephen. They married in 1923 and that same year ‘Black Armor’, was published. The New York Times said "There is not a misplaced word or cadence in it."  She also published her first of four novels, ‘Jennifer Lom’, to excellent reviews. 
   
  She worked for a time as the poetry editor of Vanity Fair, an editor of Literary Guild, and a contributing editor of The New Republic.  Her third book of poetry, ‘Trivial Breath’ arrived in 1928 as did the failure of her marriage with Benét.  
   
  She moved again to England and fell in love with a friend’s husband, to whom she wrote, and later published a series of 19 sonnets; ‘Angels and Earthly Creatures’. 
   
  Elinor Wylie suffered high blood pressure all her adult life and this eventually led to her death at Benet’s New York apartment on 16th December, 1928 where she suffered a stroke. She was 43. 
   
  1 - The Poetry of Elinor Wylie - An Introduction 
  2 - Wild Peaches by Elinor Wylie 
  3 - Escape by Elinor Wylie 
  4 - Ophelia by Elinor Wylie 
  5 - The Puritan's Ballad by Elinor Wylie 
  6 - Velvet Shoes by Elinor Wylie 
  7 - Parting Gift by Elinor Wylie 
  8 - Little Elegy by Elinor Wylie 
  9 - Love Song by Elinor Wylie 
  10 - Quarrel by Elinor Wylie 
  11 - Valentine by Elinor Wylie 
  12 - Les Lauriers Sont Coupee by Elinor Wylie 
  13 - Sunset on the Spire by Elinor Wylie 
  14 - Phases of the Moon by Elinor Wylie 
  15 - Full Moon by Elinor Wylie 
  16 - Nadir by Elinor Wylie 
  17 - Address to My Soul by Elinor Wylie 
  18 - The Child on the Curbstone by Elinor Wylie 
  19 - The Eagle and the Mole by Elinor Wylie 
  20 - The Falcon by Elinor Wylie 
  21 - A Proud Lady by Elinor Wylie 
  22 - Preference by Elinor Wylie 
  23 - Nancy by Elinor Wylie 
  24 - The Lion and the Lamb by Elinor Wylie 
  25 - Beauty by Elinor Wylie 
  26 - The Tortoise in Eternity by Elinor Wylie 
  27 - The Fairy Goldsmith by Elinor Wylie 
  28 - Innocent Landscape by Elinor Wylie 
  29 - A Madman's Song by Elinor Wylie 
  30 - Poor Earth by Elinor Wylie 
  31 - The Church Bell by Elinor Wylie 
  32 - Cold Blooded Creatures by Elinor Wylie 
  33 - Let No Charitable Hope by Elinor Wylie 
  34 - Little Joke by  Elinor Wylie 
  35 - Pretty Words by Elinor Wylie 
  36 - Incantation by Elinor Wylie 
  37 - Fire and Sle

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  Wild Life

  James McDermott

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  Wild Life by James McDermott explores the nature of queerness, the queerness of nature, and the queerness of 'natural' masculinity. In bold poems that root themselves firmly in the coastal landscapes of North Norfolk, a vivid and radical dialogue between nature, sexuality and self-discovery emerges. McDermott brings a lyrical physicality to poetry which focuses on the body, desire, shame, and tenderness, creation and re-creation, and where there is 'everything always opening / everything always coming out'. These poems skilfully graft and touch, draw parallels between moments of transformation in the many kinds of ecosystems we exist in – whether outside and between woodland, shoreline and skyline, where the wildlife will 'see me as just another animal', or in human interactions in schools, gyms, and pubs where ideas of manhood, self, and society's expectations collide. Like the coastal spaces where McDermott finds an innate connection, Wild Life identifies that which is fluid and constantly changing – and that nature itself isn't afraid of being colourful, excessive, too much.

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  Born in the USA - The...

  Stephen Vincent Benét, Louisa...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series we take a look through the prism of individual regions of the United States through the centuries and decades. 
   
  The United States may be many things: the world’s policeman, a bully, a shameless purveyor of mass market culture but it also, in its better moments, a standard bearer for truth, transparency, equality and the more positive qualities of democracy. 
   
  Little wonder that’s its poets are rightly acknowledged as wonders of their art.  Leading lights in the fight against slavery and for equality, even if the rest of the Nation is finding it problematic to catch up.   
   
  In this volume we have collected verse from poets born in Pennsylvania, one of the most famous states of the Union.  Its proud and illustrious history shines out through verse by such illustrious and venerated names as Stephen Vincent Benet, Louisa May Alcott, Wallace Stevens, Hilda Doolittle, Henry Van Dyke, and others as they explore its status, its nature and its role in shaping the world of verse.

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  Judas Goat - Poems

  Gabrielle Bates

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  "Stellar . . . with great humanity, grace and precision." —Nicole Sealey, author of Ordinary Beast 
   
   
   
  Gabrielle Bates's electric debut collection Judas Goat plumbs the depths of intimate relationships. The book's eponymous animal is used to lead sheep to slaughter, while its own life is spared, and its harrowing existence echoes through this spellbinding collection of forty poems, which wrestle with betrayal and forced obedience, violence and young womanhood, and the "forbidden felt language" of sexual and sacred love. These poems conjure encounters with figures from scriptures, domesticated animals eyeing the wild, and mothering as a shape-shifting, spectral force; they question what it means to love another person and how to exorcise childhood fears. All the while, the Deep South haunts, and no matter how far away the speaker moves, the South always draws her back home. 
   
   
   
  In confession, in illumination, Bates establishes herself as an unflinching witness to the risks that desire necessitates, as Judas Goat holds listeners close and whispers its unforgettable lines.

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  Burritt's Rapids and Beyond

  Louis Contant, Wilma Brown

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  n BURRITT’S RAPIDS AND BEYOND, “whatever flows, remains.” From Winnipeg, Vancouver, Montreal, and rural Ontario, Louis Contant considers his place in the world. Fireflies, whip-poor-wills, squirrels, dragonflies, waterfalls, and the soulful notes of a sonata drift through these meditations on nature, spirituality, writing, love, family, friendship, and music. Louis’ poems inhabit sorrow and suffering yet are rich with praise, delighting in the comforts and joys of ritual and routine alongside brevity and ephemera. Whether considering the “alpine range” of Auden’s contributions to literature, the solitude of the poet, the “molded contours” of friendship, the possibility of life on other planets, or the cedar cottage sweetness of home, Louis reminds us that “what really matters is happening all the time / without us.” 
  With humour, wit, and humbleness, Louis confronts his own mortality and celebrates human connection in an age of technology and social unrest. Playful rhymes and uncompromising narratives are accompanied by the poet’s feisty resilience and tuneful undercurrents of grace. 
  Published posthumously, and compiled and contextualized by the poet’s wife, Wilma Brown, Burritt’s Rapids and Beyond showcases and pays tribute to the life of one wise and curious man. At its heart, this book asks what it means to truly belong to this world, to live in it with pleasure and reverence, trying not to step on any wildflowers.

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