Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Tales from Shakespeare - cover

Tales from Shakespeare

Mary Lamb, Charles Lamb

Publisher: E-Kitap Projesi & Cheapest Books

  • 0
  • 0
  • 0

Summary

The following Tales in the Book are meant to be submitted to the young reader as an introduction to the study of Shakespeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent are has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote: therefore, words introduced into our language since his time have been as far as possible avoided.

- THE TEMPEST
- A MIDSUMMER NIGHT'S DREAM
- THE WINTER'S TALE
- MUCH ADO ABOUT NOTHING
- AS YOU LIKE IT
- THE TWO GENTLEMEN OF VERONA
- THE MERCHANT OF VENICE
- CYMBELINE
- KING LEAR
- MACBETH
- ALL'S WELL THAT ENDS WELL
- THE TAMING OF THE SHREW
- THE COMEDY OF ERRORS
- MEASURE FOR MEASURE
- TWELFTH NIGHT; OR, WHAT YOU WILL
- TIMON OF ATHENS
- ROMEO AND JULIET
- HAMLET, PRINCE OF DENMARK
- OTHELLO
- PERICLES, PRINCE OF TYRE.

In those tales which have been taken from the Tragedies, the young readers will perceive, when they come to see the source from which these stories are derived, that Shakespeare's own words, with little alteration, recur very frequently in the narrative as well as in the dialogue; but in those made from the Comedies the writers found themselves scarcely ever able to turn his words into the narrative form: therefore it is feared that, in them, dialogue has been made use of too frequently for young people not accustomed to the dramatic form of writing. But this fault, if it be a fault, has been caused by an earnest wish to give as much of Shakespeare's own words as possible: and if the 'He said,' and 'She said,' the question and the reply, should sometimes seem tedious to their young ears, they must pardon it, because it was the only way in which could be given to them a few hints and little foretastes of the great pleasure which awaits them in their elder years, when they come to the rich treasures from which these small and valueless coins are extracted; pretending to no other merit than as faint and imperfect stamps of Shakespeare's matchless image. Faint and imperfect images they must be called, because the beauty of his language is too frequently destroyed by the necessity of changing many of his excellent words into words far less expressive of his true sense, to make it read something like prose; and even in some few places, where his blank verse is given unaltered, as hoping from its simple plainness to cheat the young reader into the belief that they are reading prose, yet still his language being transplanted from its own natural soil and wild poetic garden, it must want much of its native beauty.
It has been wished to make these Tales easy reading for very young children. To the utmost of their ability the writers have constantly kept this in mind; but the subjects of most of them made this a very difficult task. It was no easy matter to give the histories of men and women in terms familiar to the apprehension of a very young mind. For young ladies too, it has been the intention chiefly to write; because boys being generally permitted the use of their fathers' libraries at a much earlier age than girls are, they frequently have the best scenes of Shakespeare by heart, before their sisters are permitted to look into this manly book; and, therefore, instead of recommending these Tales to the perusal of young gentlemen who can read them so much better in the originals, their kind assistance is rather requested in explaining to their sisters such parts as are hardest for them to understand: and when they have helped them to get over the difficulties, then perhaps they will read to them (carefully selecting what is proper for a young sister's ear) some passage which has pleased them in one of these stories, in the very words of the scene from which it is taken; and it is hoped they will find that the beautiful extracts, the select passages..
Available since: 01/25/2024.
Print length: 400 pages.

Other books that might interest you

  • Jamathagni - cover

    Jamathagni

    La Sa Ra

    • 0
    • 0
    • 0
    One more story that will take you on an emotional roller coaster. 
    Second in the Panchabhootha series - Anjali : Jamathagni (Fire)
    Show book
  • The Double - cover

    The Double

    Fyodor Dostoevsky

    • 0
    • 0
    • 0
    This is the story of Yakov Petrovich Golyadkin. 
    Mr. Golyadkin, a minor government official, is a rather middling man. Then one day he meets his "double"—a man with the same name, face, and background. Initially charmed by the coincidence, Golyadkin soon notices a discernable cooling in the reaction of his friends and colleagues, while his double seems to grow in popularity. Mr. Golyadkin, unable to escape the relentless presence of "Golyadkin junior," finds that even the most ordinary activities begin to take on a terrifying significance, until he finds himself on the verge of a breakdown. 
    The Double introduced the concept of the split personality or divided soul that would become a common psychological feature of the characters of Dostoevsky's later novels. Considered the most Gogolesque of Dostoevsky's works, the novella brilliantly depicts Golyadkin's descent into madness in a way that is hauntingly poetic. The Double illustrates Dostoevsky's uncanny ability to capture the complexity of human emotion especially the darker side of the human psyche. In this remarkable work of doppelgänger literature, Dostoevsky examines the neurosis and paranoia that cripple a seemingly ordinary man, producing a thoroughly modern nightmare, brilliantly foreshadowing the works of Kafka and Sartre.
    Show book
  • Shakespeare for Young Readers - The Tempest - A Midsummer Night's Dream - Winter's Tale - cover

    Shakespeare for Young Readers -...

    Charles Lamb, Mary Lamb

    • 0
    • 0
    • 0
    Introducing Shakespeare to young readers can be a daunting task, but with the "Shakespeare for Young Readers" audiobook, it has never been easier! This collection of tales is the perfect introduction to Shakespeare's works and language, using his own words whenever possible to create a truly immersive experience. The audiobook features three of Shakespeare's most beloved plays, "The Tempest," "A Midsummer Night's Dream," and "Winter's Tale," all carefully curated to captivate young listeners. The narration is artfully crafted with a focus on selecting words that blend seamlessly with Shakespeare's original language, allowing young readers to fully appreciate the beauty of English in which he wrote. Avoiding modern language, this audiobook is the perfect tool to help children fall in love with Shakespeare and his timeless tales.
    Show book
  • The Unnameable - cover

    The Unnameable

    H. P. Lovecraft

    • 0
    • 0
    • 0
    Title: The Unnameable 
    Author: H. P. Lovecraft 
    Narrator: Jonathan Dunne 
    Original Publication: 1923 
    Public Domain: Yes 
    Series Placement: Number 49 in the Timeless Terrors series 
    Description: 
    The Unnameable is H. P. Lovecraft’s wry yet deeply unsettling meditation on the limits of language, the arrogance of rationalism, and the encroaching chaos of the ineffable. 
    Set amid the decaying graveyards of New England, the tale follows two friends — one a writer of strange tales, the other a skeptic — as they debate the very existence of the “unnameable.” Their intellectual banter turns to horror when they confront the impossible firsthand, discovering that some horrors defy not only reason but description itself. 
    Blending gothic atmosphere with cosmic dread, Lovecraft transforms a seemingly simple ghost story into a darkly humorous and deeply disquieting reflection on humanity’s need to name — and thereby contain — its fears. 
    Narrated by Amazon-bestselling horror author Jonathan Dunne, this performance captures both the sardonic wit and the creeping terror of Lovecraft’s vision — a world where words fail and madness begins. While the text is in the public domain, this narration is an original performance and copyright © 2025 Jonathan Dunne. 
    Part of Timeless Terrors, a series devoted to resurrecting the masters of the macabre and uncanny, The Unnameable endures as one of Lovecraft’s most compact and haunting explorations of the indescribable — a tale that proves some things are better left unspoken.
    Show book
  • The Country House - cover

    The Country House

    John Galsworthy

    • 0
    • 0
    • 0
    The Country House by John Galsworthy centers on Horace Pendyce, a landowner devoted to tradition and social duty, hosting guests at his estate. Amid polite gatherings, tensions rise through class expectations, conflicting ideals, and romantic intrigue, especially surrounding Mrs. Bellew. As loyalties and desires clash, the novel reveals the fragility of social order and personal restraint.
    Show book
  • What the Moon Brings - cover

    What the Moon Brings

    H. P. Lovecraft

    • 0
    • 0
    • 0
    Title: What the Moon Brings 
    Author: H. P. Lovecraft 
    Narrator: Jonathan Dunne 
    Original Publication: 1923 
    Public Domain: Yes 
    Series Placement: Number 28 in the Timeless Terrors series 
    Description: 
    What the Moon Brings by H. P. Lovecraft is a brief but deeply atmospheric descent into dreamlike horror — a meditation on beauty, decay, and the terrible revelations that emerge beneath moonlight. In a garden transformed by night, the narrator glimpses visions of strange waters, drifting lilies, and a ghastly secret rising from the depths. 
    Blurring the line between dream and nightmare, Lovecraft conjures an imagery of surreal dread and poetic decay, revealing horror not in what is shouted, but in what is quietly seen. This early tale exemplifies Lovecraft’s fascination with the unseen cosmos of the subconscious — where the familiar becomes alien under the moon’s cold gaze. 
    Narrated by Amazon bestselling horror author Jonathan Dunne, this performance captures the story’s nocturnal rhythm and unsettling lyricism — a whispered journey through shadow and revelation. While the text itself is in the public domain, this narration is an original performance and copyright © 2025 Jonathan Dunne. 
    Part of Timeless Terrors, a series dedicated to reviving the haunting classics of horror and the uncanny, What the Moon Brings stands as a dream-fragment of cosmic dread and delicate madness — a moment where the beauty of the world turns upon itself and shows its true, terrible face. 
    Prepare for a tale of moonlit decay and spectral wonder, where night reveals more than the waking mind can endure.
    Show book