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  Colonel Benyon's Entanglement -...

  Mary Elizabeth Braddon

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  Mary Elizabeth Braddon was born in London on the 4th October 1835. 
   
  At age 5 her parents separated but her ambition to succeed was not daunted.  After being privately educated she took to acting, and the minor roles she obtained where enough to support both her and her mother.  This potential career waned as soon as she began writing and secured an income from it. 
   
  In 1860, she met John Maxwell, a publisher of periodicals, and moved in with him the following year.  At the time Maxwell was already married with five children but his wife was confined to an Irish mental asylum.  On her death they married and she had six children by him. 
   
  Braddon was prolific and wrote over 80 novels, perhaps the most famous is ‘Lady Audley's Secret’ (1862), which won her both sales and a fortune as a bestseller.  She also wrote a number of historical fiction novels which again increased her reputation. 
   
  She was equally prolific as a short story writer, primarily supernatural and ghost stories, all of which continue to be anthologized to this day, such is the high regard they are kept in. 
   
  Braddon founded Belgravia magazine in 1866, its fare being serialised sensation novels, poems, travel narratives and biographies, along with essays on fashion, history and science, all lavishly illustrated.  She also edited Temple Bar magazine. 
   
  Mary Elizabeth Braddon died on 4th February 1915 and is buried in Richmond Cemetery. 
   
  In this story Colonel Benyon returns from service abroad on sick leave to find that England is very much changed.  He accepts a friend’s invitation to take a short recuperation at his home in Cornwall, which has lain empty for some time.  The Colonel takes up the offer, but things do not go quite as planned.

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  Why Marianne Faithfull Matters

  Tanya Pearson

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  First as a doe-eyed ingénue with “As Tears Go By,” then as a gravel-voiced phoenix rising from the ashes of the 1960s with a landmark punk album, Broken English, and finally as a genre-less icon, Marianne Faithfull carved her name into the history of rock ’n’ roll to chart a career spanning five decades and multiple detours. In Why Marianne Faithfull Matters, Tanya Pearson crafts a feminist account that explains the musician’s absence from the male-dominated history of the British Invasion and champions the eclectic late career that confirmed her redemption. 
   
  Putting memoir on equal footing with biographical history, Pearson writes about Faithfull as an avid fan, recovered addict, and queer musician at a crossroads. She’s also a professional historian unafraid to break from the expectations of the discipline if a “titty-centered analysis” or astrology can illuminate the work of her subject. Whether exploring Faithfull’s rise to celebrity, her drug addiction and fall from grace as spurned “muse,” or her reinvention as a sober, soulful chanteuse subverting all expectations for an aging woman in music, Pearson affirms the deep connections between listeners and creators and reveals, in her own particular way, why Marianne Faithfull matters.

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  The Art of the Moving Picture

  Vachel Lindsay

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  "This 1922 book by poet and sometime cultural critic Vachel Lindsay might have been the first to treat the then-new medium of moving pictures as an art form, one that was potentially as rich, complex, mysterious as far older ones, and whose physical and aesthetic properties were only starting to be understood. The highlight of the book might be “The Motion Picture of Fairy Splendor,” which examines the relationship between film storytelling, magic, myths, legends and bedtime stories. It’s discombobulating, in a good way, to read Lindsay’s attempts to grapple with what, precisely, cinema is. Being supposedly sophisticated 21st century people, we all feel as though we know what cinema is, and don’t need to have the basics explained to us, but this is really just vanity and ignorance talking. Bottom line: You haven’t really, seriously thought about movies — what they are, and what they can and cannot do, and become — until you’ve read this book." (Salon.com)

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  The Preacher at Hill Station -...

  Katherine Davis Chapman Tillman

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  The bookshelves of American literature are incredible collections that have gathered together centu-ries of very talented authors.  From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure.  Among them is Katherine Davis Chapman Tillman.

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  A Lesson on a Tortoise - From...

  D H Lawrence

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  David Herbert Lawrence was born on the 11th September 1885 in Eastwood, Nottinghamshire, a coal mining town where the reality of a harsh life was only useful as experiences for future literary works. 
  He was educated at Beauvale Board School and became the first local boy to receive a scholarship to attend Nottingham High School. After 3 years he became a junior clerk in Haywood’s surgical appliances factory. He was also attempting a literary career which, in the short term, led to a teacher training position in Eastwood and later a teaching qualification from University College, Nottingham.  
  Lawrence’s first efforts were poems, short stories and a draft of ‘The White Peacock’. Moving to London and a teaching position in Croydon his writing attracted the attention of Ford Madox Ford, editor of The English Review, and he commissioned him to write ‘Odour of Chrysanthemums’.  
  Wanting to write full-time he now began work on what would become ‘Sons and Lovers.   
  In 1912 he met the older and married mother-of-three Frieda Weekley. They eloped to Germany and here Lawrence could see for himself the growing tensions with France.  So keen was his interest that he was arrested and accused of being a British spy.  
  In early 1914 Frieda obtained her divorce and they returned to Britain to be married just days before the outbreak of war. Owing to her German parentage, and his own public dislike of militarism and violence, the couple were treated with contempt and suspicion throughout the war years.  
  Despite this he continued to write but his reputation in England was so tarnished and, mirrored by his own disdain for the country, he and Frieda left England in November 1919, first for Europe and then America via Ceylon and Australia. 
  They bought a ranch in Taos, New Mexico and visited Mexico several times. The third visit in March 1925 caused a near fatal attack of malaria. To convalesce they moved to Florence. Here he continued work on ‘Lady Chatterley’s Lover’ which for many years would cause controversy. A renewed interest in oil painting resulted in an exhibition in 1929 which was raided by the police and several works were confiscated.  
  D H Lawrence died of complications arising from a bout of tuberculosis on the 2nd of March 1930 in Vence, France.  He was 44.

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  Chilling Confessions: The Dark...

  Cyrus Brackendale

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  Chilling Confessions: The Dark Secrets of a Notorious Killer 
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  Updated to reflect the latest insights into the criminal mind. 
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  - Detailed explanations of the narratives surrounding their dark secrets 
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  Our guide differentiates itself through comprehensive coverage, which is essential for your enriching experience. Concepts are not just brushed over; they are explored with depth and clarity. 
  Designed with a clear structure and easy-to-understand language, our guide ensures smooth transitions between topics. Say goodbye to convoluted terminology and say hello to clear, concise, and comprehensive content. 
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  Chilling Confessions: The Dark Secrets of a Notorious Killer invites you to uncover the fascinating and eerie narratives surrounding a figure that haunts the imagination.

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