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  The Rise and Fall of the...

  Omar Khalil

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  The origins of Ancient Egypt trace back to a time when the Nile River served as the lifeline for scattered communities that gradually developed into one of the world’s first great civilizations. The unification of Upper and Lower Egypt around 3100 BCE marked a turning point, traditionally credited to King Narmer (also known as Menes). This consolidation of power not only brought political unity but also forged a shared identity among the people along the Nile, creating the foundation for the dynastic rule that would follow for centuries. 
  Geography played a central role in shaping early Egyptian civilization. The Nile River, flowing from south to north, provided a reliable source of water and fertile soil through its annual inundation. These floods deposited nutrient-rich silt on the riverbanks, enabling agriculture to flourish in an otherwise arid environment. Settlements grew along the river, connected by the waterway, which also served as a route for trade and communication. Natural barriers such as deserts and the Mediterranean Sea offered protection from external invasions, allowing Egyptian culture to evolve with limited outside interference in its formative years. 
  The Early Dynastic Period (c. 3100–2686 BCE) saw the establishment of the first centralized state under pharaonic rule. Kings were not merely political leaders but were also regarded as divine beings, intermediaries between the gods and the people. This belief in divine kingship helped maintain stability and order in a society where religion permeated all aspects of life. Temples, tombs, and other ceremonial structures began to emerge during this era, laying the groundwork for the grand architectural achievements of later periods.

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  The Outline Of Sanity

  G. K. Chesterton

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  The experiments of both Capitalism and Communism are almost complete, and they both lead to one big organization controlling everything you do. In 1925, when this book was first published, it was true, and it is even truer today.If you desire an alternative, consider this book, which considers Distributism, a philosophy whereby the actual people own the actual means of production, and produce and sustain themselves with it. A philosophy summed up in Chesterton's famous proposal of "Three acres and a cow" as being catalyst to an ideal peasant state.For such a simple idea, it has proven very contrary to the ideas of those in power, which is to say, to those who want power.  But for the rest of us, for the sane humans who desire peace and liberty, this book is a call to action against monopoly and the inevitability of global standardization, which the magazines call the Supply Chain and the Bible might call Babel and Babylon. Narrated in an accent based upon Chesterton's own, this performance expresses Chesterton's words as he himself might have, delivering them to an audience of his time.

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  Poems From The Chinese - A...

  Arthur Waley

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  These are called ''' Poems from the Chinese"" and we have Mr. Waley's assurance that there are in existence Oriental originals. But if it be so (and, of course it is) then we have here a literary miracle. It is a platitude that translation of poetry is either bad verse or bad translation. But Mr. Waley, translating not merely from one language into another, but almost from one planet into another, has produced a body of living poetry, in which there is every reason to believe he re-creates, without distorting, the Chinese poets. This is an unparalleled feat. But as we are, with about six exceptions in the whole of Great Britain, incapable of comparing the English and the Chinese, we must address ourselves to these poems as though they had been written by an Englishman of the twentieth century, and judge them on that basis. It is a severe test to apply to translations, but Mr. Waley emerges from it serenely victorious. Indeed, serenity is the keynote of all this work—the serenity of assured mastery in a difficult medium but still more of outlook. The beauty with which these poems are. inlaid is fundamentally a wise beauty and the wisdom is as much in the shape of Mr. Waley's mind as in that of China. There is no need to hurry here. Wisdom goes at an even pace, and has time between her penetrations of the stars to observe the smallest things of life. Her leisurely glance sweeps over them with patient gold, and they settle, almost without a sigh, into decoration and into pattern. We have lost {and the Chinese have lost) the secret of their enamels of the great periods. But Mr. Waley has private access to them, and his poems, varnished with just that cool and even certainty of paint and texture, achieve one filial translation— the translation of colour into speech. -- Humbert Wolfe.

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  Riding

  Pardis Mahdavi

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  In Riding, Pardis Mahdavi meditates on the lessons learned over a lifetime of horseback riding and the falling, failing, and joy it brings. At once a history of Caspian horses, an exploration of Mahdavi's Iranian-American identity and family history, and a consideration of the capacity for self-reflection and self-compassion through human-animal relationships, Riding offers a roadmap for learning to live in harmony with the self and the environment around us. Mahdavi shows how her relationship with horses gives her insights into intergenerational strength and tools for healing intergenerational trauma. Riding from the mountains of Iran to the beaches of California, Mahdavi shares her love affair with horses, rediscovers a homeland she longs for, and ultimately finds her strength.

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  Rockin’ in the Ivory Tower -...

  James M. Carter

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  Histories of American rock music and the 1960s counterculture typically focus on the same few places: Woodstock, Monterey, Altamont. Yet there was also a very active college circuit that brought edgy acts like the Jefferson Airplane and the Velvet Underground to different metropolitan regions and smaller towns all over the country. These campus concerts were often programmed, promoted, and reviewed by students themselves, and their diverse tastes challenged narrow definitions of rock music. 
   
    
   
  Rockin' in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s. Analyzing campus archives and college newspapers, historian James Carter traces connections between rock fandom and the civil rights protests, free speech activism, radical ideas, lifestyle transformations, and anti-war movements that revolutionized universities in the 1960s. Furthermore, he finds that these progressive students refused to segregate genres like folk, R&B, hard rock, and pop. Rockin' in the Ivory Tower gives listeners a front-row seat to a dynamic time for the music industry, countercultural politics, and youth culture.

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  Geeta Saar Ka

  Brahma Khumaris

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  Bhagavad Gita is an ancient Indian text that is vital to Hindu tradition, literature, and philosophy. The main themes of Krishna’s teachings and the principles, ideas, and theories within the 18 chapters, or 700 verses, of Bhagavad Gita. 
   
  Bhagvad Gita Ka Saar is the hindi translation of Essence Of The Bhagavad Gita by Swami Kriyananda. It aims to impart to its readers the essence of the most popular Indian scripture, Mahabharata. The profound truths, explained by Paramhansa Yogananda, are interpreted by his disciple Swami Kriyananda.The truths of the Vedas and Upanishads addresses one and all, and so does the book. It transcends religious, cultural, and other similar barriers. 
   
  The main context of Gita is the dialogue between Krishna, the supreme soul, and Arjuna, the embodiment of knowledge, virtue, and truth. As Krishna guides Arjun to the famous battlefield of Kurukshetra, Arjuna is hesitant to fight against his own kith and kins.It is then Krishna reveals his true form and enlightens Arjun of his duties, to win virtue over vice. 
   
  The complex conversation between Krishna and Arjun includes the profound truths of life and has been guiding mankind from time immemorial. The universal truths about life and death, and how to triumph over pain and suffering, are unalterable themes of Gita. The book is compiled with a fresh perspective, connecting events with practical situations, and thus making it easy to comprehend.

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