Maison d'édition: WriteLife Publishing
Mark Rickert, the grandson of Merle Kilgore, a country music legend and part of the Nashville Songwriters Hall of Fame, showcases some of the amazing stories of Merle's life with people like Hank Williams Sr., Webb Pierce, Elvis Presley, Johnny Cash and Hank Williams, Jr. and more..
There are artists out there able to lift the spirits of the downtrodden, who point towards a better world with all they are. Sometimes, they do this in DIY punk style: raw, unplugged, and deeply human.Patrick Schneeweis, better known as Pat the Bunny, is an artist who chose the road less travelled, instinctively deeming it more honest and less controlling. Freer. He grew up in Vermont, where he found people liked his voice and the controversial topics he tackled, and by 16 years old, he had released his first album ‘Fire Hazard’.Pat had the courage to test his reality, and then nakedly vocalise it (in both the metaphorical and literal senses). His lyrics saw conflicting ideologies meet and fight to the death, in outlooks that were as captivating as his personal anecdotes were relatable. Pat’s journey offers direction to the lost, if only in the promise that so is he; and for all his youthful anarchism and burn-it-to-the-ground spiritedness, his commentary of the world is ironically sobering.Pat’s music career only spanned thirteen years, from 2003-2016. He reincarnated several times in different bands of his own making, and split albums with other folk-punk artists equally hungry to change the world. He fought like hell for a vision of peace, and made the battlegrounds his own state of consciousness.Like a flashfire burning everything in its wake, towards the end of his career, Pat’s had simmered down, but shoots of new life had sprung up from the ashes, a new direction for which his life could take.This book paints the picture of Pat’s fallings and risings, a final cadence before he left the punk scene behind him for good.Voir livre
In 'We The Youth": Keith Haring's New York Nightlife', the second book in his Art Decades series, Dave Haslam explores how the nightlife and music of rundown downtown areas of New York in the late 1970's and early 1980's were formative influences on the life and art of Keith Haring. Haslam takes us on an adventure through the clubs and venues that filled Keith Haring's nights out; spaces that offered thrill, opportunities, possibly, and a sense of community. We hear how graffiti artists and DJs became inspirations to him; we meet Madonna, the B-52's, Arthur Russell, Grace Jones and Jean-Michel Basquiat; and then the mid-80's AIDS epidemic changes everything... Art Decades is a highly original and wide ranging series of mini books by writer, broadcaster and former Hacienda DJ, Dave Haslam. From Courtney Love to Sylvia Plath, from homelessness to cultural regeneration, the series explores a variety of subjects rooted in cities, in recent history and lived experience, and a love for music, literature, and art.Voir livre
The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, “Lift Every Voice and Sing” was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song’s creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life up through the present day. In this rich, poignant, and readable work, Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval Office. Drawing on a wide array of sources, Perry uses “Lift Every Voice and Sing” as a window on the powerful ways African Americans have used music and culture to organize, mourn, challenge, and celebrate for more than a century.Voir livre
A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated ’90s music and changed the industry forever Fully revised and updated, with a foreword by Vivek Shraya “A fascinating, fun, and infuriating read.” — Tegan Quin, Tegan and Sara In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bonafide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records. With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Andrea offers us a revised and expanded edition of her 2015 book, providing a new perspective on the legacies of the four Canadian women who dominated the ’90s airwaves and influenced an entire generation of current day popstars with their voices, fashion, and advocacy. As the world is now reconsidering the treatment and reputations of key women in ’90s entertainment, We Oughta Know is definitively entering the chat.Voir livre
Use Design to Design Change is a guide for creating brands that go beyond selling products to inspire, connect, and make a lasting impact. Written by designer and brand strategist James Hurst, this second edition explores how purpose-driven brands can balance people, planet, and profit to build a legacy of significance. Organized into three sections—Launch, Scale, and Adapt—the book provides practical tools, actionable insights, and thought-provoking exercises to help you create a brand that resonates deeply with your audience while contributing positively to the world. Whether you’re an entrepreneur, a creative thinker, or a brand leader, this book will show you how to design a brand that thrives and transforms the world around it. Packed with inspiring stories and strategies, Use Design to Design Change will empower you to rethink what’s possible for your brand.Voir livre
“A powerful reclamation.”—AudioFileThe first comprehensive audiobook about Michael Stewart, the young Black artist and model who was the victim of a fatal assault by police in 1983, from Elon Green, the Edgar Award-winning author of Last Call.This program, read by multi Audie award-winning narrator Dion Graham, features a bonus conversation between the author and gallerist Patrick Fox, who rented Michael Stewart studio space in New York City.At twenty-five years old, Michael Stewart was a young Black aspiring artist, deejay, and model, looking to make a name for himself in the vibrant downtown art scene of the early 1980’s New York City. On September 15, 1983, he was brutally beaten by New York City Transit Authority police for allegedly tagging a 14th Street subway station wall.Witnesses reported officers beating him with billy clubs and choking him with a nightstick. Stewart arrived at Bellevue Hospital hog-tied with no heartbeat and died after thirteen days in a coma. This was, at that point, the most widely noticed act of police brutality in the city's history. The Man Nobody Killed recounts the cultural impact of Michael Stewart’s life and death.The Stewart case quickly catalyzed movements across multiple communities. It became a rallying cry, taken up by artists and singers including Madonna, Keith Haring, Spike Lee, and Jean-Michel Basquiat, tabloid legends such as Jimmy Breslin and Murray Kempton, and the pioneering local news reporter, Gabe Pressman. The Stewart family and the downtown arts community of 1980s New York demanded justice for Michael, leading to multiple investigations into the circumstances of his wrongful death.Elon Green, the Edgar Award–winning author of Last Call, presents the first comprehensive narrative account of Michael Stewart's life and killing, the subsequent court proceedings, and the artistic aftermath. In the vein of The Short and Tragic Life of Robert Peace and His Name is George Floyd, Green brings us the story of a promising life cut short and a vivid snapshot of the world surrounding this loss. A tragedy set in stark contrast against the hope, activism, and creativity of the 1980’s New York City art scene, The Man Nobody Killed serves as a poignant reminder of recurring horrors in American history and explores how, and for whom, the justice system fails.A Macmillan Audio production from Celadon Books.Voir livre
