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  The Pre-Raphaelite Poets - A...

  William Morris, Dante Gabriel...

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  The Pre-Raphaelite Brotherhood began as a group of painters, including Dante Gabriel Rossetti and William Holman Hunt, who wished to reject the stern and academic strictures of current painting and return to the simpler and more uncomplicated days before the Italian High Renaissance and the days of Raphael. 
  The movement was short lived but very influential and, as well, was taken up by a number of different arts. 
  For poetry, it was a major movement and, because of its depiction of pleasures of the flesh, was, at the time, heavily criticised.  One critic called it ‘The Fleshly School of Poetry’. However, the sensationalist aside, it unleashed works that had instant appeal.  The movement pushed back against contemporary writings which seemed full of tradition and the more mundane problems of society.  
  To exploit and gain attention for their ideas, the Brotherhood started their own periodical; The Germ, which, although it only lasted four numbers did much to bring them attention.  
  Its devotion to the Mediaeval, to symbols and a more naturalistic and detailed approach to poetry were refreshing, especially as the movement sprang up from a Victorian Society that believed morals should be strictly managed, or at least in public. 
  The Pre-Raphaelites as an organised group eventually went their own way but had behind them works which heavily influenced painting and literature for decades to come. 
  With poets of the calibre of Dante Gabriel Rossetti, his sister Christina Georgina Rossetti, William Morris, Charles Algernon Swinburne and George Meredith poetry of great beauty, tenderness and even rawness was placed on the page. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Messiah The - A Sacred Ecologue...

  Alexander Pope

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  Alexander Pope was born on May 21st, 1688 in London into a Catholic family.   
  His education was affected by the recent Test Acts, upholding the status of the Church of England and banning Catholics from teaching.  In effect this meant his formal education was over by the age of 12 and Pope was to now immerse himself in classical literature and languages and to, in effect, educate himself.    
  From this age too he also suffered from numerous health problems including a type of tuberculosis (Pott’s disease) which resulted in a stunted, deformed body.  Only to grow to a height of 4’ 6”, with a severe hunchback and complicated further by respiratory difficulties, high fevers, inflamed eyes and abdominal pain all of which served to further isolate him, initially, from society.  
  However his talent was evident to all. Best known for his satirical verse, his translations of Homer and the use of the heroic couplet, he is the second-most frequently quoted writer in The Oxford Dictionary of Quotations, after Shakespeare.  
  With the publication of Pastorals in 1709 followed by An Essay on Criticism (1711) and his most famous work The Rape of the Lock (1712; revised and enlarged in 1714) Pope became not only famous but wealthy.  
  His translations of the Iliad and the Odyssey further enhanced both reputation and purse.  His engagement to produce an opulent new edition of Shakespeare met with a mixed reception.  Pope attempted to "regularise" Shakespeare's metre and rewrote some of his verse and cut 1500 lines, that Pope considered to be beneath the Bard’s standard, to mere footnotes.  
  Alexander Pope died on May 30th, 1744 at his villa at Twickenham (where he created his famous grotto and gardens) and was buried in the nave of the nearby Church of England Church of St Mary the Virgin.   
  Over the years and centuries since his death Pope’s work has been in and out of favour but with this distance he is now truly recognised as one of England’s greatest poets.

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  Swansdown

  Donald Platt

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  In SWANSDOWN, the poet Donald Platt makes a study of lifeís inevitable transitions, from loveís astonishing evolutions, to aging and its attendant losses. With the poem "Cloud Study" Platt brings his own mortality into view. Returning to a painting by Constable, he considers his own perspective, sitting by the Liffey, tending an injured knee. Young mothers, lovers, and runners pass, reminding the poet of who he once was and how quickly life, like weather, shifts. "Two minutes later, // The clouds would have taken on a different cast of light and shape / just like the thunderheads / now piling up above the Liffey."Platt advises: "To approach old age, one needs a new harsher style." And yet these poems are proof of the softness that may follow life's harshest reckonings, like the wisps of hair on his beloved brother's head as he lies dying, "fine / as milkweed silk. / His head a split / dried pod whose seeds / wind will scatter." The poems of Swansdown point us to a "larger landscape," they are the clouds "that scud across the blue escutcheon of sky. . . Sun's blazon through rain rampant.""One of the finest American poets working today," writes poet and editor Adrian Matejka, "A writer of unparalleled lyric and formal integrity." It is indeed these qualities that gird Platt for this masterful eighth collection.

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  Vivienne and the Reaper - The...

  Rachel Lawson

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  originally written as separate poems for contests on allpoetry.com I tacked them together to make this epic the story in verse of the Life and death of Vivienne and the Reaper, Incidentally, the first part is told by the unnamed Jack Taylor who has a bigger part in the later version of Vivienne and the Reaper and appears in my Magicians series as the annoying orderly.

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  The Iliad & The Odyssey

  Homer Homer

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  "Sing, O Muse, of the rage of Achilles—and the man of many wiles."
  
  Experience the dual masterpieces that have shaped the world's imagination for millennia. The Iliad plunges you into the final weeks of the Trojan War, where the demigod Achilles faces off against Hector under the watchful, meddling eyes of the Olympian gods. It is a visceral exploration of glory, grief, and the brutal reality of combat. The Odyssey picks up the threads of the war's aftermath, following the hero Odysseus on his ten-year struggle to return home to Ithaca. Battling cyclopes, sirens, and his own pride, Odysseus's journey is the ultimate testament to human resilience and the longing for home.
  
  The Heroic Code: Homer defines what it means to be a hero through two distinct archetypes: Achilles, the embodiment of kleos (eternal glory through strength), and Odysseus, the master of metis (cunning and intelligence). These works examine the cost of greatness and the inevitable tragedy of the human condition.
  
  The Divine Theater: The Trojan War is not just a human conflict; it is a game played by the gods. From Athena's wisdom to Poseidon's wrath, the epics illustrate a world where destiny is woven by divine hands, yet human choices still resonate through the ages.
  
  Witness the birth of storytelling. Purchase "The Iliad & The Odyssey" today and walk among legends.

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  Saturn Peach

  Lily Wang

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  In Saturn Peach, Lily Wang establishes a distinctive voice that is part heartbreak and part wise witness chronicling the strangeness of a technologized world. When asked to describe her book, Wang answered in her quintessential way, “There are things I never want to know but always know. Every day I live with them. Every day I live. I am like a young fruit. Like a peach, common, not the popular kind but oblate, saturn. I live and inside me this pale fruit, yellow and white. I take bites out of myself and share them with you. Maybe you taste like me. Maybe you hold this fruit and become a tree.” If ever there were a book that disarmingly – and seemingly effortlessly – encouraged its reader to become a metaphor, then Saturn Peach is it.

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