Maison d'édition: idb
A young man named Eric Marshall goes to teach a school on Prince Edward Island and meets Kilmeny, a mute girl who has perfect hearing. He sees her when he is walking through an old orchard and hears her playing the violin. He visits her ...
Hauntingly read by Justin Avoth.'Robert Dinsdale mixes history and mythology with great panache . . . Richly textured and with an appropriately labyrinthine plot, this is a book that explores the monster inside man — and vice versa. Book of the Month' Sunday TimesMan or monster? Hero or villain?London, 1861: Ten-year-old Nell belongs to a crew of mudlarks who work a stretch of the Thames along the Ratcliffe Highway. An orphan since her mother died four years past, leaving Nell with only broken dreams and a pair of satin slippers in her possession, she spends her days dredging up coals, copper and pieces of iron spilled by the river barges – searching for treasure in the mud in order to appease her master, Benjamin Murdstone.But one day, Nell discovers a body on the shore. It’s not the first corpse she’s encountered, but by far the strangest. Nearly seven feet tall, the creature has matted hair covering his legs, and on his head are the suggestion of horns. Nell’s fellow mudlarks urge her to steal his boots and rifle his pockets, but as she ventures closer the figure draws breath – and Nell is forced to make a decision which will change her life forever . . .From the critically acclaimed author of The Toymakers comes an imaginative retelling of the legend of the Minotaur, full of myth and magic and steeped in the grime of Victorian London; perfect for lovers of historical fiction with a mythical twist such as Stone Blind and Circe.Praise for Once A Monster:'Imaginative mash-up of the mythical with Victorian gothic.' - The Times'A wonderful magic trick of a story, full of very human monsters and monstrous humans. Dinsdale is a beautiful, evocative story teller. - Stuart Turton, bestselling author of The Seven Deaths of Evelyn HardcastleVoir livre
Short stories have always been a sort of instant access into an author’s brain, their soul and heart. A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author? The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme. Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something. The Century races to a close but the reality of a woman’s place within it is still accepted as downtrodden and disposable. Society is slow to recognise and even slower to act. Our female authors begin to shine a light on where the future lies through these magnificent literary gems. 1 - The Top 10 - Women. The 1890's - An Introduction 2 - The Yellow Wall Paper by Charlotte Perkins Gilman 3 - From The Dead by Edith Nesbit 4 - Desiree's Baby by Kate Chopin 5 - The Burglar's Christmas by Willa Cather 6 - Passed by Charlotte Mew 7 - The Hired Baby, A Romance of the London Streets by Mary Mackay writing as Marie Corelli 8 - A New England Nun by Mary E Wilkins Freeman 9 - Another Freak by Mary Angela Dickens 10 - The Ghost at the Wrath by Rosa Mulholland 11 - Irremediable by Ella D'ArcyVoir livre
Lieutenant Gilbert Maltravers is bored. It is 1912 and he has been promoted as fast as any in his Dartmouth class and is placed in a battleship where he can confidently look forward to promotion to post captain and a battleship of his own by the time he is forty. All he needs to do is keep a smart ship, polish the brass and salute every senior officer, while wearing an expensive uniform that testifies he is one of the right sort. His father is an admiral, so very little can go wrong. He wants more than tedium from his existence, and the new submarine service will provide excitement . . . but possibly a far shorter life. If he is successful, then submarines will provide earlier promotion and a new challenge every day. Failure in the submarine service will mean the end of his career. Against the protests of his father and the head-shaking of his friends, Gilbert goes off to join the deplorably new and ungentlemanly assassins of the sea, the enemies of all the old Navy stands for.Voir livre
She wants a business partner. He wants forever. When Victorian shipping tycoon Jem Brigg is killed in a robbery, his family and the business world are shocked to discover the actual owner of the company is a woman, and a young one at that. Eleanora Pembroke's first action as owner is to hire the handsome and capable Eliot Sparks as the face of the company. Her status as the premier heiress of London, motivates a host of suitors interested only in her shipping company. But Eleanora has already had her heart broken once by a sweet-talking fortune hunter. To end the constant barrage of suitors, Eleanora proposes a fake engagement with her debonair new manager, Eliot Sparks. But Eliot has other ideas. Eleanora is the woman of his dreams, and he won't be giving her up easily. When the two of them uncover embezzlement and murder in the company, they work together to find the culprit. Their investigation takes them through danger and detection—but not all their discoveries have to do with murder—some of them reveal the mysteries of the heart.Voir livre
The Diary of a Nobody is an English comic novel written by the brothers George and Weedon Grossmith, with illustrations by the latter. It originated as an intermittent serial in Punch magazine in 1888–89 and first appeared in book form, with extended text and added illustrations, in 1892. The Diary records the daily events in the lives of a London clerk, Charles Pooter, his wife Carrie, his son William Lupin, and numerous friends and acquaintances over a period of 15 months. Before their collaboration on the Diary, the brothers each pursued successful careers on the stage. George originated nine of the principal comedian roles in the Gilbert and Sullivan operas over 12 years from 1877 to 1889. He also established a national reputation as a piano sketch entertainer and wrote a large number of songs and comic pieces. Before embarking on his stage career, Weedon had worked as an artist and illustrator. The Diary was the brothers' only mature collaboration. Most of its humor derives from Charles Pooter's unconscious and unwarranted sense of his own importance, and the frequency with which this delusion is punctured by gaffes and minor social humiliations. In an era of rising expectations within the lowermiddle classes, the daily routines and modest ambitions described in the Diary were instantly recognized by its contemporary readers and provided later generations with a glimpse of the past that it became fashionable to imitateVoir livre
2023 First Novel Prize - Winner "What a beautiful, haunting and hued narrative of American living. I’m in love with this story and the way Tyriek White breathes life into these characters." —Jacqueline Woodson, MacArthur Fellow and author of Another Brooklyn A poignant debut for readers of Jesmyn Ward and Jamel Brinkley, We Are a Haunting follows three generations of a working class family and their inherited ghosts: a story of hope and transformation. In 1980’s Brooklyn, Key is enchanted with her world, glowing with her dreams. A charming and tender doula serving the Black women of her East New York neighborhood, she lives, like her mother, among the departed and learns to speak to and for them. Her untimely death leaves behind her mother Audrey, who is on the verge of losing the public housing apartment they once shared. Colly, Key’s grieving son, soon learns that he too has inherited this sacred gift and begins to slip into the liminal space between the living and the dead on his journey to self-realization. In the present, an expulsion from school forces Colly across town where, feeling increasingly detached and disenchanted with the condition of his community, he begins to realize that he must, ultimately, be accountable to the place he is from. After college, having forged an understanding of friendship, kinship, community, and how to foster love in places where it seems impossible, Colly returns to East New York to work toward addressing structural neglect and the crumbling blocks of New York City public housing he was born to; discovering a collective path forward from the wreckages of the past. A supernatural family saga, a searing social critique, and a lyrical and potent account of displaced lives, We Are a Haunting unravels the threads connecting the past, present, and future, and depicts the palpable, breathing essence of the neglected corridors of a pulsing city with pathos and poise.Voir livre
