Weitere Bücher, die Sie mögen werden

• 

  A Rhyme A Dozen ― Christmas Day...

  Samuel Taylor Coleridge, Sara...

  • 0
  • 0
  • 0

  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme a Dozen - 12 Poets, 12 Poems, 1 Topic.  Christmas Day - An Introduction  
  2 - Wondrous Sight For Men and Angels by Ann Griffiths 
  3 - Angels From the Realms of Glory by James Montgomery 
  4 - A Christmas Carol by Aubrey De Vere 
  5 - A Christmas Carol by G K Chesterton 
  6 - Christmas Carol by Sara Teasdale 
  7 - A Carol. I by Mildmay Fane, Earl of Westmorland 
  8 - A Christmas Carol by Samual Taylor Coleridge 
  9 - Carol by Ben Jonson 
  10 - In The Bleak Midwinter by Christina Georgina Rossetti 
  11 - Go, Tell It on the Mountain by John Wesley Work Jr 
  12 - The Darkling Thrush by Thomas Hardy 
  13 - We Three Kings of Orient Are by John Henry Hopkins Jnr

  Zum Buch

• 

  The Matter of Little Losses -...

  Rachel Marie Kang, K.J. Ramsey

  • 0
  • 0
  • 0

  Life is full of love, but it is also full of loss. Like paper cuts to the heart, every big and seemingly insignificant loss—the loss of friendships, faith, dreams, health, community, and everything in between—grieves us more than we think it will, and often more than we let on. Why? Because they matter. 
   
   
   
  In this compassionate and deeply personal book, Rachel Marie Kang invites you to see and be seen in the midst of your sorrow, your suffering—your story. Through prose and poetry that gives voice to all the things we lose along the way, this gracious book will help you 
   
   
   
  ● ponder your loss without judgment 
   
   
   
  ● remember what was and make meaning of your memories 
   
   
   
  ● reflect on what is yet to be as you heal with hope 
   
   
   
  You don't have to bury your pain, and you don't have to pretend you're over it just because the world thinks you should be. Let Rachel walk hand in hand with you, giving space for sorrow and welcoming you as you find your way along the path to healing.

  Zum Buch

• 

  Multiple Casualty Incident

  Sami Ibrahim

  • 0
  • 0
  • 0

  Here, in a London training centre, people prepare to help strangers on another side of the world. There, a city is burning.
  Here, Sarah gets a meal deal. There, people are in danger. Here, Khaled watches a training video. There, there are men with guns. Here, Sarah and Khaled flirt with each other. There, an aid worker looks after a refugee.
  Suddenly – here becomes there.
  In Sami Ibrahim's play Multiple Casualty Incident, roleplay, desire and compassion intertwine, revealing the limits of help, the beginnings of harm and the complexities of humanitarian work. It was first performed at The Yard Theatre, London, in 2024, directed by Jaz Woodcock-Stewart.

  Zum Buch

• 

  Between the Night and Its Music...

  A. B. Spellman

  • 0
  • 0
  • 0

  A. B. Spellman is an acclaimed American poet, music critic, and arts administrator. He is widely recognized as a leading figure in the Black Arts Movement of the 1960s and 1970s, a cultural and literary movement that emphasized Black identity, pride, and artistic expression. Between the Night and Its Music brings together A. B. Spellman's early work with a collection of powerful new poems. Spellman's literary career took flight in 1965 with his debut poetry collection, The Beautiful Days, which introduced his distinctive voice blending elements of jazz, blues, and African oral traditions. In 1966, Four Lives in the Bebop Business established Spellman as a respected music critic and scholar. It was a groundbreaking work that chronicled the lives and struggles of four influential jazz musicians. Spellman held senior positions at the National Endowment for the Arts for thirty years with lasting impact on arts funding for inner cities and rural and tribal communities. In addition to poems from The Beautiful Days (1965) and Things I Must Have Known (2008), this book contains a trove of new and uncollected poems, confirming Spellman's continued centrality to contemporary American literature. This is an essential volume for readers already familiar with Spellman, and an excellent introduction for new readers. Lauri Scheyer's introduction situates Spellman's work within jazz writing, Black Arts, and American poetry broadly.[sample text]THE TWISTa dancer's worldis walls, movementconfined: musicgod's last breath.rhythm: the last beating of his heart. a dancerfollows that sound, blindto its source, toward wallswith others. she cannot dance aloneshe thinks of thoughtas windows, as ice around the dancecan you break it? move

  Zum Buch

• 

  Ave Maria - A dramatic monologue...

  Hart Crane

  • 0
  • 0
  • 0

  Harold Hart Crane was born on the 21st July 1899 in Garrettsville, Ohio. 
  Crane was drawn to literature at an early age, becoming a voracious reader and pursuing self-education rather than attach himself to a more formal college education, although he did attend East High School in 1913.  His developing love of poetry was nurtured with the works of the English Romantics and the French Symbolists, as well as near contemporary American poets. 
  Much of his youth was spent shuttling between Cleveland and New York as his parents’ marriage descended into continuing conflict before they separated with Crane still in his teens.  Shortly after Crane attempted to enlist in the U S Military but was rejected for being a minor. 
  His first published poem also came in 1917 with ‘C33’ and its reference to the cell number that Oscar Wilde was incarcerated in. 
  Crane now centred more of his time in New York and immersed himself in the vibrant artistic scene of Greenwich Village.  Alongside this he dabbled in various jobs to support himself, including copywriting and work in a munitions factory, as he continued to develop his ambitions for a poetic career.   
  His early work was already being noticed for its lush and rich use of words and by the time ‘White Buildings’ was published in 1926 he was being critically acclaimed. 
  Despite this success his personal life was troubled.  It was both nourishing his work and fuelling complex patterns of despair as he sought to establish his identity.  In a time when homosexuality was openly condemned his openly gay attitude sat uneasily as he pursued relationships that were both intense and emotionally fraught. 
  His acclaimed work ‘The Bridge’ in 1930 was both ambitious and a foundation stone for new American poetry.  Against this his battles with depression and alcoholism were being lost. 
  Hart Crane died on the 27th April 1932 by jumping from the deck of a steamship into the Gulf of Mexico upon his return to the United States from Mexico.  He was 32.

  Zum Buch

• 

  NMLCT - Poems

  Paul Vermeersch

  • 0
  • 0
  • 0

  Imagine The Matrix retold by the reanimated cyborg bodies of the Brothers Grimm.
  		 
  Fables and fairytales collide with virtual reality, artificial intelligence, and monstrous myths in a world where no one knows what to believe. In his eighth book of poems, Paul Vermeersch responds to the increasing difficulty of knowing what is real and what isn’t, what is our genuine experience and what is constructed for us by The Algorithm. In a “post-truth” society rife with simulations, misinformation, and computer-generated hallucinations, these poems explore the relationship between the synthetic and the authentic as they raise hope for the possibility of escape from MCHNCT (Machine City) to NMLCT (Animal City), where the promise of “real life” still exists.
  		 
  These poems — all precisely 16 lines long, identically formed as though mass-produced — are themselves artificial creations, products of the imagination, sometimes disorienting but always vivid. They hold up a mirror not only to nature, but also to its unnatural distortions and facsimiles. In NMLCT, Vermeersch gives us his answer to an existence in thrall to the artificial. But it also foretells a different future, one where the air and the grass and the trees, and all the life they engender, might always be genuine and sensed and safe.

  Zum Buch