Maison d'édition: Charles River Editors
Lord Byron was an English poet who became one of the leading figures in the Romantic Movement. Byron is still considered to be one of the most influential poets in history. This edition of The Siege of Corinth includes a table of contents.
LibriVox volunteers bring you 10 recordings of An Apology for Sadness by Anne Lynch Botta. This was the Weekly Poetry project for March 13, 2011.Anne Charlotte Lynch Botta was an American poet, writer, teacher and socialite whose home was the central gathering place of the literary elite of her era.At Mrs. Botta's receptions every Saturday night, attendees would find the most well-known writers, actors and artists, such as Poe, Margaret Fuller, Ralph Waldo Emerson, Bronson Alcott, Louisa May Alcott, Horace Greeley, Richard Henry Stoddard, Andrew Carnegie, Mary Mapes Dodge, Julia Ward Howe, Charles Butler, Fitz-Greene Halleck, Delia Bacon, Grace Greenwood, Bayard Taylor, William Cullen Bryant, Helen Hunt Jackson, actress Fanny Kemble, Daniel Webster, and many more. Her friend Kate Sanborn started her literary lecturing career at these receptions. Said a Boston writer: "It was not so much what Mrs. Botta did for literature with her own pen, as what she helped others to do, that will make her name a part of the literary history of the country." (summary from Wikipedia)Voir livre
A funny, sad and truthful romantic comedy about beating the biological clock. Winner of an Edinburgh Fringe First Award Barbs Marshall is a celebrity hairdresser in Glasgow. She is successful and well off, but she is 39 years old and almost deafened by the ticking of her biological clock. To make matters worse, her mother is a nag, her best friend is holding out on her, and her ex-husband has a new 22-year-old girlfriend. Then she meets a 26-year-old stranger who seems more than ready to oblige. But the complications are by no means over... 'People seldom write life-style comedies like Perfect Days for the stage anymore. The last scene has jokes so marvellous that they are greeted by rounds of applause as one blinks back the odd tear' - Financial Times 'The mix of pithy patter and heartwrenching poignancy works a treat' - The Times 'A huge popular hit' - Daily MailVoir livre
William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic prose and verse read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly remastered stories are now available to download for the first time. ‘O, beware, my lord, of jealousy; It is the green-ey'd monster, which doth mock The meat it feeds on.’ Othello follows the story of the Moor through love, jealousy and deceit. Iago is furious about being overlooked for promotion and plots to take revenge against his General; Othello, the Moor of Venice. Iago manipulates Othello into believing his wife Desdemona is unfaithful, stirring Othello's jealousy. Othello allows jealousy to consume him, murders Desdemona, and then kills himself. All of the Shakespeare plays within the ARGO Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts, and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations. Thurston Dart, Professor of Music at London University and a Fellow of Jesus College Cambridge, directed the music for this production. The full cast includes: Richard David; John Barton; John Wilders; Anthony White; Tony Church; Gary Watson; Donald Beves; George Rylands; John Arnott; Peter Woodthorpe; Wendy Gifford; Irene Worth; Mary Fenton. This top performing adaptation of Othello by William Shakespeare, brings the best of European theatre to the forefront. The cast's delivery of verse and respect for the integrity of the text is unparalleled. For fans of Richard Parsons (GCSE English Shakespeare Text Guide), and Arthur Miller (Incident at Vichy).Voir livre
This open work was written in defiance of the "sanctity of genre" and to raise the question of freedom of expression in writing. First published in Arabic in 1969 to great acclaim, it has been variously called a novel or a prose poem, while the author calls it an epic in prose, divided as it is into cantos. In mid-1960s Iraq such an open-ended form, in which different genres could come together and blend into each other, was difficult to even imagine. For Fadhil al-Azzawi it was the core of a new vision of life after the country's tough political experiences, especially the bloody coup of February 1963, and then abysmal defeat in the June 1967 Six-Day War. The preface to the original Arabic edition noted: "Everything in this open novel returns to itself and acquires its own particular innocence, even in language, so that the novel becomes a poem, a play, a film, a painting and a piece of music all at once without ever meaning to [. . .] It talks about itself in its own very particular way, where it says nothing specific so that it can say everything."Voir livre
Algernon Charles Swinburne was born on April 5th, 1837, in London, into a wealthy Northumbrian family. He was educated at Eton and at Balliol College, Oxford, but did not complete a degree. In 1860 Swinburne published two verse dramas but achieved his first literary success in 1865 with Atalanta in Calydon, written in the form of classical Greek tragedy. The following year "Poems and Ballads" brought him instant notoriety. He was now identified with "indecent" themes and the precept of art for art's sake. Although he produced much after this success in general his popularity and critical reputation declined. The most important qualities of Swinburne's work are an intense lyricism, his intricately extended and evocative imagery, metrical virtuosity, rich use of assonance and alliteration, and bold, complex rhythms. Swinburne's physical appearance was small, frail, and plagued by several other oddities of physique and temperament. Throughout the 1860s and 1870s he drank excessively and was prone to accidents that often left him bruised, bloody, or unconscious. Until his forties he suffered intermittent physical collapses that necessitated removal to his parents' home while he recovered. Throughout his career Swinburne also published literary criticism of great worth. His deep knowledge of world literatures contributed to a critical style rich in quotation, allusion, and comparison. He is particularly noted for discerning studies of Elizabethan dramatists and of many English and French poets and novelists. As well he was a noted essayist and wrote two novels. In 1879, Swinburne's friend and literary agent, Theodore Watts-Dunton, intervened during a time when Swinburne was dangerously ill. Watts-Dunton isolated Swinburne at a suburban home in Putney and gradually weaned him from alcohol, former companions and many other habits as well. Much of his poetry in this period may be inferior but some individual poems are exceptional; "By the North Sea," "Evening on the Broads," "A Nympholept," "The Lake of Gaube," and "Neap-Tide." Swinburne lived another thirty years with Watts-Dunton. He denied Swinburne's friends access to him, controlled the poet's money, and restricted his activities. It is often quoted that 'he saved the man but killed the poet'. Swinburne died on April 10th, 1909 at the age of seventy-two. This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.Voir livre
A teenage girl has something growing inside her. She doesn't know what it is, but she knows it's not a baby. It expands. It has claws. Eventually it takes over the entirety of her body. No one must know about it. She has to keep its presence, its possession of her, concealed. She pulls away from her friends. She refuses to speak, in case 'The IT' is heard. But she can't contain it forever. Sooner or later something's got to give... Presented in the style of a direct-address documentary, Vivienne Franzmann's The IT is a darkly comic state-of-the-nation play exploring adolescent mental health and the rage within. Written specifically for young people, the play formed part of the 2021 National Theatre Connections Festivals and was premiered by youth theatres across the UK. It offers opportunities for a large, flexible cast of any size and mix of genders. 'The standout text [of the Connections festival] for character development, plot and vivid use of language and imagery... perfect for the age of information with an exciting, darkly enticing pace' - Red Pepper magazineVoir livre
