D'autres livres qui pourraient vous intéresser

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  I Do (I Think) - Conversations...

  Allison Raskin

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  "Allison Raskin’s book unpacks the questions and uncertainties around marriage that so many of us have... a must-read for anyone and everyone that may be curious about the intricacies of modern marriage.” –Nick Viall, TV Personality, Host of The Viall Files, and Bestselling AuthorFrom Just Between Us cohost and bestselling author Allison Raskin comes a witty, incisive take on modern marriage and how a new generation can navigate its uncertainties and questions.Marriage rates may be on the decline, but that doesn’t mean marriage is disappearing from society. In fact, as modern relationship norms and structures continue to evolve, the public discourse about marriage has never been louder—or more conflicted. Divorce rates, the appeal of cohabitation, seemingly infinite options for future partners, the patriarchal roots of marriage and gender roles, and economic uncertainty are just a few factors that leave a new generation of single and dating adults wondering. What does marriage even look like now? Why do people still do it? And, most importantly, is it “for me”?With conversational wit and compassion, bestselling author Allison Raskin draws on new research, interviews with licensed experts, and the stories of real-life couples to break down the many pieces of today’s “marriage conversation”—and to make the leap of faith a little less scary for Gen Z and millennial adults like herself. What emerges is a thoughtful investigation into our cultural assumptions about commitment, compatibility, divorce, meaningful partnership, the future of marriage—and what it really means to join your bank accounts.

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  Show Don't Tell

  Sandra Gerth

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  Show, don't tell is probably the single most-important piece of advice given to writers. But many writers struggle to understand this powerful principle or have difficulty applying it to their own work. Even experienced authors sometimes don't grasp the finer nuances of showing and telling. 
   
   
   
  In this book, Sandra Gerth draws on her experience as an editor and a best-selling author to show you how to show and tell you when to tell. 
   
   
   
  Each chapter includes concrete examples and exercises that will hone your writing skills. 
   
   
   
  Whether you're a novice writer working on your first story or an established author who has already learned the basics of showing and telling, this book will help you to: 
   
   
   
  ● Grasp the difference between showing and telling. 
   
   
   
  ● Understand why showing is such a powerful tool. 
   
   
   
  ● Spot telling in your own manuscript.

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  Ruthless Equity - Disrupt The...

  Ken Williams

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  CAN YOU IMAGINE:working with super-charged confidence because you have clarity about how to ensure Equity for EVERY student?leveraging equitable practices that will make student achievement both measurable and predictable?never again wondering if you make a difference because you now understand you are the difference? 
  IF YOU ANSWERED “YES” TO ANY OF THESE QUESTIONS, YOU NEED RUTHLESS EQUITY 
  RUTHLESS EQUITY is a provocative, empowering coach and guide guaranteed to galvanize every educator who seeks to deliver Equity, excellence, and achievement for ALL students, regardless of background. 
  “In this important book, Ken Williams challenges us to compare rhetoric with reality. Readers who know that our children and schools deserve real Equity will find wisdom on every page.” — Douglas Reeves, Author of Achieving Equity and Excellence 
  “Ruthless Equity is a beautifully honest wake-up call for educators. With uncommon candor, Ken Williams focuses relentlessly on what every educator can directly influence—the teaching practices and mindsets that advance or impede the success of our students. This book should leave you both uncomfortable and inspired.” — Mike Mattos, Educator, Author, and Consultant 
  “A courageous effort to raise awareness of what classroom equity is and what it is not. Williams pulls the gloves off on this one and pulls no punches in breaking down what he’s coined, Ruthless Equity.” — Baruti Kafele, Educator, Retired Principal, Author 
  With three decades in education, Ken Williams has led successful equity and school improvement efforts in multiple schools and as an author, speaker, coach, and consultant in hundreds of schools.

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  Escaping Madness - Eyewitness...

  Klaus G. Förg

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  This fascinating collection of personal narratives challenges the view that all Germans knew of the crimes perpetrated by the Third Reich and were complicit. The five accounts recall the lives of individuals born in the 1920s who resisted joining the SS, were horrified by atrocities, or otherwise remained true to their principals. Spanning their early life during the rise of the Nazi Party, through their adolescence in the war, to the early post-war years, they offer a compelling perspective on the diverse experiences and beliefs of Germans of the wartime generation.From Wehrmacht infantrymen to a Luftwaffe officer and a young woman on the home front, the accounts range from the relative comfort of German-occupied territories to the harrowing front lines against the Soviets. Standout stories include Heinz Polke's haunting description of the Warsaw Ghetto Rising, and three accounts of the often-overlooked aspect of being a prisoner of war in the USSR, providing valuable insights into the post-war German experience.Skillfully compiled by journalist Klaus Förg and with additional commentary by historian Roger Moorhouse, this is a powerful and worthy addition to World War II literature.

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  Strange Legends of Sanskrit...

  HENRY ROMANO

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  The Vedic and Sanskrit periods are different in matter, spirit, and form from the earlier periods. Sanskrit literature, which is abundant and well developed, is profane; Vedic literature is primarily religious. However, the Upanishads also contain a moralizing spirit despite their speculative tendencies. 
  The Hindu Vedas are filled with gods’ stories, powers, and epic battles supposedly fought thousands of years ago. Sagas are mythological stories intended to be taken as allegories to learn valuable lessons for life. Hindu myths tell of noble gods fighting evil forces, flying Vimanas machines, and battles with powerful weapons. Can we be sure these are just metaphors? 
  Vimana means “having been measured out” or “traveling,” and they were machines that the gods piloted. This flying craft came in various shapes and sizes and could travel a wide range of speeds and distances, like the chariots found in biblical texts. According to Hindu Sanskrit texts, the Vimana aircraft are flying machines of various degrees of sophistication. 
  In comparison with the Vedic age, religion now prevails significantly differently. Several gods are worshipped in the new period, including Brahma, Vishnu, and Shiva. Most of the prominent deities of the Veda have become secondary deities, although Indra still holds a prominent position as the chief of a warrior’s heaven. As well as the serpent deities and several classes of demigods and demons, some new gods of lesser ranks have also developed, such as Kubera, goddess of wealth; Ganesh, goddess of learning; Karttikeya, god of war; Shri or Lakshmi, goddess of beauty and fortune; and Durga or Parvati, the terrible spouse of Shiva.

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  On Class

  Deborah Dundas

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  Deborah Dundas is a journalist who grew up poor and almost didn’t make it to university. In On Class, she talks to writers, activists, those who work with the poor and those who are poor about what happens when we don’t talk about poverty or class—and what will happen when we do.
  		 
  Growing up poor, Deborah Dundas knew what it meant to want, to be hungry, and to long for social and economic dignity; she understood the crushing weight of having nothing much expected of you. But even after overcoming many of the usual barriers faced by lower- and working-class people, she still felt anxious about her place, and even in relatively safe spaces reluctant to broach the subject of class. While new social movements have generated open conversation about gender and racism, discussions of class rarely include the voices of those most deeply affected: the working class and poor. 
  On Class is an exploration of the ways in which we talk about class: of who tells the stories, and who doesn’t, which ones tend to be repeated most often, and why this has to change. It asks the question: What don’t we talk about when we don’t talk about class? And what might happen if, finally, we did?

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